Category: The Potwell Inn Library

Let the plants speak!

Our kitchen in August 2018 – nothing changes much except we’ve now got two functioning extractor fans taking the fumes and cooking smells up the built-in flue. Only took 10 years of arguments with the landlord!

It’s early August and apart from being sweated alive by the fifth heatwave of the year there’s another sense in which it feels like Christmas every day. In these repeated heatwaves the only strategy we can follow is to keep as many of the plants alive as possible, and so life pretty well revolves around watering, cooking and preserving – and it’s worked wonderfully. Plants need water, food and sunlight, and the abundance of sunlight, although a curse through forcing us to water so much is marvellous in helping our crops to covert the water and the carbon dioxide in the atmosphere into sugars. Just imagine what a miracle that is; but some plants like peas and broad beans will never thrive in these conditions however hard we try to help out because, like Madame, the heat makes them feel exhausted and they give up. But others take to it like ducks to water and each day, after watering, we bring the ripened produce into the kitchen and scratch our heads over what to do with it. Fresh vegetables are an order of magnitude more tasty than the impoverished lookalikes that taste of nothing after their long journeys. Every day is Christmas day.

Today it was the turn of the aubergines and after a test run in our youngest son’s commercial pizza oven I felt sure I could replicate the burn in our kitchen, with no danger of the smoke alarm going off due to the new extractors. And so it turned out to be – the fruits – still hot from the sun – blackened and smoked gently as the insides cooked at 275 C and, as they cooled, virtually peeled themselves leaving the pale, faintly smoky flesh waiting to be united with garlic and tahini. We’ve got more tomatoes, cucumbers, figs and new potatoes than you could shake a stick at, and it’s so exciting that I just put the apron on and relish every moment as the cupboards fill with winter stores.

It hasn’t always been that easy. Something of a turning point in my life was the day (just before we had an extremely low-key wedding), when we picked 40 lbs of blackberries on Rodway Hill. There were a couple of outcomes from that day. The first was that we made a huge amount of completely horrible blackberry chutney – so bad we couldn’t even give it away. The second outcome for me was the overpowering feeling of gratitude which (being a fervent convert to extreme atheism) didn’t fit at all well because there seemed to be no-one or nothing I could thank for the generosity of those spiteful bushes. Sixty years later I’m still struggling with that conundrum having tasted some of the off-the-shelf options without being convinced by any of them.

But I can dimly see a way through the desert by repairing and joining up the broken fragments of our polarized and fragmented culture. Let’s take plants as a beginning. We casually divide them into arbitrary categories (food; wildflowers; weeds; rarities; orchids and ragwort etc.) often entirely based on usefulness to humans or potential for monetization. But all plants come from the same tree of life as we do. Some time, millions of years ago, humans, dinosaurs and plants took different paths and we’ve evolved to live very different lives but notwithstanding Darwin’s troubles for suggesting that we share a great deal of our history with the great apes, for instance, and regardless of the religious arguments about it, we all came from the same single celled organism which contained the first few chapters of the library of life which have evolved, adapted and now reside in each of us inside every cell of our body; our six feet of tightly coiled DNA. The library is the same library which mothered (each with its own chapters) the butterfly, the tiger (Tyger?) the earthworm, the edible mushroom, the lichen and last of all, you and me. It’s not necessary for us to strive to unite with nature because we are already one with her. Hugely diverse and adapted; a coat of many colours you might say but a single one and not the atomised billions of homo sapiens who dare to think of ourselves as individuals.

So after years of seeing my passion for field botany, for gardening, for writing and spirituality for anthropology and for ceramics, for science and for cooking as separate “interests” I can see that they’re all more like spokes on a wheel at the centre of which is the big question –“What’s it all for?” – and when I ask myself the big question that way I can answer with another question which, for me, removes the thorn of the first. “Why does it have to have a meaning or a purpose at all?” We could invent a multitude of possible answers to the big question but I can’t see what useful purpose it would offer.

Just out of interest I should say that this far from sudden insight was triggered by my instinctive dislike for any kind of Magisterium which almost always exists to promote its own version of an answer and to persecute in the most cruel and heartless manner anyone who offers an alternative or sometimes even a slight amendment. The lightbulb moment came from binge reading about molecular biology and the latest plant taxonomy research in order better to understand DNA and one or two obscure (to me) statistical methods. Once, however dimly, I began to understand the beauty and complexity of what goes on in both plant and human cells; I began in an almost religious way, to see all of my interests bonded together by their common structure.

The icing on the cake has been to read about the work of Stefano Mancuso who runs a research programme at the University in Florence which he provocatively calls “Plant Neurobiology”. He and his colleagues across the world have come in for a great deal of flak from the old guard because plants don’t have neurons and couldn’t possibly have brains like ours but they are able to sense problems and respond to them; communicate with and “listen” to other plants and synthesise astonishingly complex molecules. All this has brought it home to me that writing about plants as if they were part of a giant but insensitive stamp collection is doomed. Without plants there would be no trace of the human and yet plant life would go on – probably less destructive. Plants are worth so much more than being pressed into herbaria and to even begin to understand what they are, we need poets and visionary science; we need anthropologists, herbalists, first nation men and women, collectors cooks and artists. I fear that we will never find a sustainable space for humanity on the earth unless we accept that we owe it all to the plants.

Messy thoughts, messy stove

I guess it’s safe to admit, ten years after I retired, that I would occasionally climb the steps to the pulpit with no script but just a cluster of ideas whirling around my brain and praying that I could somehow thread them together into a sermon. This risky strategy evolved from the Franciscans who understood that the genuinely authentic sermon came out of knowing your stuff and assembling your talk like the pieces of a jigsaw until the last piece, the big reveal, showed how it fitted together all along. Some of my congregation loved the excitement and learned to be patient. I never believed in the spoon feeding of platitudes taken verbatim from a commentary. Others were kind enough to describe it as a waste of time, and insult to their intelligence (what intelligence?), or told me they hadn’t understood a word. Actually I agreed with all of them – but for different reasons.

At this time of year I have similar problems with cooking. There are only two of us permanent residents at the Potwell Inn, so what the hell do I cook with all these aubergines/ courgettes/ figs / tomatoes and beans? What with the drought, the successive heatwaves and the weeds it’s a wonder that we’ve got any crops at all but we decided early on to prioritise the watering and we’ve kept most of our plants alive – hence the surpluses. There’s a deep satisfaction in harvesting just as there is in cooking, although standing in front of the stove sweating and cursing all day when it’s well over 30C is less than fun. Growing, harvesting, cooking and eating are like a genetic sequence; they always belong together and as such they’re a part of ‘the way we do things round here‘; our culture and the meanings of our lives.

Of course it takes a bit of practice to acquire the skills in all four disciplines, but compared with the times we started it’s a doddle. You couldn’t buy garlic, olive oil, any imported foods unless there was a deli nearby (we were lucky because we had two deli’s but we could barely afford to shop in either of them and in one of them they treated you as if you’d been brought in on someone’s shoe. Food and class are another complex that should be more familiar to anthropologists than they are. I was taught to cook by Elizabeth David, Jane Grigson and others. Even in the swinging sixties, Penguin books i.e affordable books were still printed on the cheapest paper and were rarely if ever illustrated aside from the wondrously evocative line drawings by John Minton and others which, while failing completely to convey much sense of what a dish was meant to look like, resonated with the culture of which it was a part. You could learn the ingredients of a dish – let’s say an omelette – but never be repulsed by some disturbing image, glistening like like a rabbit’s freshly drawn guts such as feature so widely today in food-porn coffee table books. Then you were lucky if you got more than “get some eggs, break them and whisk them, put a knob of butter in the pan and cook the omelette whilst stirring (?) and shaking it. Turn it out. When you learned to cook French food from ED you absorbed far more of the regional geography and culture of France that you ever learned about cooking an omelette. But you certainly knew what to cook it in. The first part of her books tended to be about “The batterie de cuisine” and in Clifton where we lived there was a shop that sold good pans that we couldn’t often afford anyway. Jane Grigson, another writer of real heft, was the same. No pictures to speak of but cultural wisdom hovered like a graceful miasma around every page. Her daughter, also a cook, recalled that she occasionally might find a dead pig in the bath waiting to be dealt with. That’s my girl! Jane’s partner Geoffrey Grigson was a polymath poet, writer and botanist who wrote one of my favourite books – “The Englishman’s Flora” which I discovered only an hour ago is soon going to be re-published by Doubleday under the more appropriate title “A British Flora”. Geoffey Grigson’s extensive research goes beyond listing plants by adding fascinating material on their uses and local names. Once again a Grigson book comes close to being a cultural anthropology of plants rather than a dry list.

Anyway, on the stove in the picture at the top – fig compote cooking down slowly until it become a dark, sticky and fragrant mass – (representing the lower strings section in the flavour orchestra) and the lighter woodwinds represented by Marcella Hazan’s marvellous no.1 tomato sauce which is indispensable to the Potwell Inn kitchen. We make pounds of it and bottle it to last through the year. The peapods are going to be part of a vegetable stock to give some hinterland to a french style vegetable soup.

Regarding the climate crisis we went for a wander around Bath a couple of days ago and I photographed this lovely Georgian street running down towards the river from Walcot Street. I’ve mentioned before the fanatical opposition to any move by the council to reduce traffic in Bath. More than fifty years ago when we lived here, the Local Authority when not occupied with demolishing fine houses on Snow Hill and replacing them with Tower blocks, also commissioned the Buchanan report which proposed demolishing much of Walcot and building a tunnel to link the north to the southbound routes. This plan would have involved the demolition of all of the houses you see. When the houses were empty it planned to set fire to one of them so the Fire Brigade could practice putting out fires in Georgian buildings. The sensible citizens of Bath rose up against the whole plan which would have left Bath without one of its finest parishes and the city remained clogged and polluted by ever growing traffic. The traditionalists seemingly grew attached to the noise and the choking fumes and every time a remedy is suggested which involves walking or cycling they rush, screaming like banshees to the high court to defend the ancient right to drive at 40mph in a 20mph zone , to park on the pavement and to treat zebra crossings as suggestions that you might care to stop but if, on the other hand you don’t feel like it you may menace pedestrians without fear of tiresome legal proceedings. Most amusingly the High Priest of rage oftens begins his letters to internet groups by writing “I’m not normally one to complain”. We really don’t deserve him!

Where’s the door? This is our friends Al and Helen’s old caravan. We once followed it from South Gloucestershire to Avignon on a camping trip. I’d know it anywhere.

Hard questions of the third kind

I have eaten 
the plums 
that were in 
the icebox

and which 
you were probably 
saving 
for breakfast

Forgive me 
they were delicious 
so sweet 
and so cold

William Carlos Williams

Following on from the previous post; I have no doubt that we can occasionally understand when someone – usually an artist – has produced a work in a deep way; I’m thinking of this kind of work in terms of beholding or revealing their experience as opposed to just explaining it; It’s ferociously hard to explain how such a thing can happen and yet William Carlos Williams’ poem “This is just to say” takes an utterly banal idea and transforms it into a shared moment. “I have eaten the plums” Is surely a love letter to an unseen lover (the assured “forgive me“) who’s not yet awake; about a liberty taken – stealing their breakfast – and then almost a haiku (delicious, so sweet and so cold) .

William Blake could venture the possibility that we might see “the world in a grain of sand” in what feels like a poetic manifesto. It’s the expression of “The hard question”. How are the sense impressions we all experience every day – cold plums from the fridge; running sand through our fingers and idly watching them fall – how are these turned into “qualia” – or as Thomas Nagel puts it “what they feel like”. The hardest question of all is how can we communicate those feelings to another person – ever? Think of the struggle we have to explain a pain, for instance, to someone else.

I used to take our oldest son, then just a toddler, up Hope Chapel Hill in his pushchair when we lived at the bottom of this tremendously steep road. Often I’d let him walk up and he was always drawn to the cobblestone gutter where he would find treasures. The tops of ring-pull tins, cigarette ends, sweet papers, leaves, pebbles and grains of sand. It could take hours and yet he was completely absorbed by them.

When we were at Art School I became equally absorbed with By Brook which is the little river that runs through Castle Combe and on through Slaughterford until it reaches the River Avon. It runs through a very lovely steep sided valley and there used to be a little pumping station – ruined by the time we found it; sitting in a clearing of boggy ground, and further upstream a disused paper mill. In those days the river ran gin clear and there were small brown trout that, once or twice, we tried (unsuccessfully) to fish for. The whole area was keepered for a pheasant shoot and there was a water bailiff that we made sure never saw. I was having a hard time and this empty spot had a healing effect on me.

I was particularly fascinated by the contorted and interlocking roots of the trees on the sides of By Brook, and made many drawings of them (bottom left above). The top left photo was taken almost sixty years later and you can see that the water is now milky and probably eutrophic from farmland runoff.

I’ve never forgotten the experience of being there but I’ve never found a way of expressing it; the sound of the breeze in the Hazel bushes, the occasional staccato alarm call of a pheasant, the rich smell of the grass and the water and my struggles to make pencils and heavyweight paper speak it all. I’ve returned there in my memory so many times and although for me it’s an effortless transition in time to revisit the memories, the expression of them in whatever form always seems to slip through my fingers. On Tuesday our visit to the Victoria Gallery to see Norman Ackroyd’s exhibition The transience of light was both deeply moving and extremely challenging. How did he pull it off?

So after a great deal of huffing and puffing and moody introspection we went up to the allotment to tend our thirsty plants today and I came upon a whole collection of squashes and pumpkins which had been fattening up relentlessly, hidden by leaves and just out of sight the whole time, and then a kind of resolution to my challenge was staring me in the face. The poems and the photos seemed to arrange themselves and the whole argument is there in cryptic form at the top of the page. It says ‘stop trying so hard!’

It all reminds me of a time when against all odds I threw a large raku pot – nearly a foot high, using crank mixture – a clay that’s so full of grog (fired clay sand) that it takes the tips off your fingers. I can remember every moment of that experience, and what seemed most miraculous to me was that I just instinctively stepped aside from it and let it form itself. These were still my own fingers but they were not moving at my behest but that of the clay itself. I can remember the sense of wonder as it grew taller and thinner. It seemed to me on reflection that the harder I tried the less likely it was that I would succeed and so I discovered how stepping aside could be the final flowering of technique.

The idea of never ceasing to try but never trying seems more like a Zen koan than a piece of serious advice and yet there’s much wisdom in it. It’s like St Augustine’s much misunderstood saying “love, and do what you will” which, when it’s properly unpacked actually means that if you love – I mean really love – then you will always want to do the right thing. What it categorically doesn’t mean is do whatever you want in pursuit of love. Whether it’s eating a cold plum, throwing a pot, growing a pumpkin or drawing a river sometimes – no, almost always – it’s best to get over yourself and let the experience speak for itself without you feeling you need to explain it or help it along. Maybe, and this is just a wild thought, what sometimes happens is that “what it feels like” can pass between us through the work of ghostly resonances where we are more often content with mouthfuls of dust.

Feeling slightly overwhelmed!

However long we garden, every year takes us by surprise when the crops seem almost to overwhelm us. This isn’t bragging as much as an admission of poor planning. In early spring when we’re working out what to grow we always seem to forget that the seeds and vegetables we plant out will need more space than we expect, and that to grow all that we’d like to grow when we’re looking at the seed catalogues in the winter we’d need to take on half a dozen volunteers and several acres of land. For instance the polytunnel cucumbers planted next to the fennel looked absolutely fine when we put them in but now the rowdy cucumbers are overwhelming the smaller plants so Madame had to spend an hour this morning pruning some of the exuberant growth back and whilst doing so she discovered a large cache of fruit which had hidden itself among the leaves. Sadly our peas couldn’t cope with the heatwave and, like the broad beans have lost their flowers. The broad beans were so stressed they were attacked by some kind of fungal infection. We’ve known for years that this was coming, but it’s now serious enough for us to abandon some old favourites and hope that the plant breeders are ahead of the game when it comes to drought resistance in plants. A quick look online today suggests that we shall be trying out entirely new varieties of peas next season. In fact all our cool weather plants are going to fail very soon and plant scientists are already looking closely at the DNA of likely plants . This is a subject I know nothing at all about but I’m very curious to know more.

The other problem is when the produce comes in fast, we have to cook and eat it all, and with only two mouths to feed we really don’t need ten cucumbers or five large aubergines at once. I banged hopefully on Charlie, our neighbour’s, door this morning but I discovered he’s allergic to cucumbers, and so the only answer will be to pickle as many as we can. Fortunately the dill is in full flower and those of our neighbours who were silly enough to plant horseradish are glad enough to get rid of some – “take more!” they often plead. This doesn’t really solve the problem because we have cupboards full of five year old pickles, chutneys and relishes not all of which age well. The good news is that our youngest son will cheerfully munch his way through a jar of pickle and a pound of cheese in a single late night sitting.

The heatwave continues and we’re still getting up extremely early and putting a couple of hours in before it’s too hot to work any more, but the knock on effect of that is that we need to go to bed at 9.00pm. However we don’t complain about it because early morning gardening means we get entertained by a resident song thrush who will work through his entire repertoire of phrases dozens of times without ever stopping. The battle with the weeds never eases up, but I’ve discovered that three pronged cultivators loosen their roots quickly and then I can rake most of them out or leave them in the sun to crisp up and die. Watering takes up a lot of time and although a hose would be quicker, watering by hand gets you up close and personal with the plants, and it’s always lovely to see a large pumpkin lurking in the shadows, or scrump a few strawberries, tayberries or an apple, or pull a few weeds on the way round.

Tomorrow we’re expecting the last of the builders to lay new vinyl in the bathroom and that will end an unbelievable ten year battle with our landlord to deal with our serious issues with black mould. They’ve finally connected the bathroom and kitchen extractors to the outside world and cleaned down and sealed the affected walls and repainted them. They even replaced the asbestos cupboard door in the hall which we were told not to use soon after we moved in.

Yesterday I spent a couple of hours looking for a second hand book I need to use. It’s a rather academic 600 page tome which I discovered would cost over £300 to buy new or just under £100 second hand. I made some enquiries about the astonishing cost and it seems that the academic book trade is surviving but only just. A typical print run has gone from several thousand to several hundred because universities and their libraries are so financially overstretched they can’t afford to buy them. It’s a bit of a death spiral. The solution seems to be renting, and so I’ve rented the ebook for a year for thirty quid and I’m bound to say it’s a great way to read because you can search and mark-up with all the power of the computer and enlarge the size of the type to suit your own eyesight and it’s even accessible on my phone. I guess an eagle could read it but not me. I’m hoping that very soon I’ll have a better – if still underwhelming – grasp of DNA and all that stuff. I went to the doctor once with a very painful big toe. “Oh” he said breezily, “you’ve got Hallux rigidus”. No-one in my family was brought up in ancient Rome so I’m a bit rusty on the latin, but even I knew that it meant “stiff toe”. I remonstrated with him that I knew that before I walked through the door. He never tried it again. I often read appeals to get more people involved in botany, but (I speak from experience here) all too often a beginner runs into a brick wall of scientific language which – when used out of context or an appropriate setting – feels like you’re being pushed back. All the research suggests that if you can’t explain a difficult idea simply you shouldn’t be trying to teach it.

Sometimes you wonder why you put yourself through it!

Astra inclinant, non necessitant

The Latin quotation under the photograph is translated as – “The stars dispose but do not compel”. Notwithstanding Amos Starkadder’s wonderfully funny sermon to the Quivering Brethren in the novel “Cold Comfort Farm” – “You’re all damned!” -(if you haven’t read it or seen John Schlesinger’s film you’re missing a treat); but there’s a great lesson for gardeners in the proverbial saying because the best we can ever do when we grow things is to dispose them to succeed. If you’re an organic grower then disposing your plants to grow well needs foresight, planning and patience plus a lot of compost. This morning we picked our first crop of Victoria plums from the tree we planted in 2020 the apples were quicker, but the pears are at least fattening up whilst the damsons seem to fall off too early. The pests are better at judging the moment than us. Badgers, for instance, always stole our sweetcorn the day before we were going to pick it. Nowadays we protect it by growing it in the polytunnel. The agrochemical industry wants us to believe that their products can predestine plants to succeed; that we can transcend thousands of years of human experience and spray the latest chemical (let’s call it Compel!) to dodge nature altogether. It’s a lie. There’s no other way to describe it.

I once spotted a book in an Oxfam shop called “The Half hour Gardener”, but it wasn’t so much the title as the author’s name which caught my eye. She is the daughter of a woman I once worked with and lost touch with back in the community arts days, and when we went to hear her daughter speak soon afterwards at an allotments association AGM she pretty much admitted the half-hour suggestion was a bit of a stretch. Even if it were possible you’d still fall foul of the weather regularly through a whole year of allotmenteering. Too hot, too cold, too wet, too dry, too busy, too knackered, too fed-up; the fact is, gardening is hard work. It may be true – in fact it is true – that gardening is deeply rewarding, but the reward is inevitably separated from the pain by a matter of months if not years.

Today, for instance, the temperature is in the mid twenties after weeks of dry weather punctuated by one, just a single but tremendous, thunderstorm and we’re about to enter our second heatwave in a month, and so we water. And when I say we water that means carrying dozens of watering cans each weighing twenty pounds down a rickety ankle busting path from the communal water trough to the dry beds. On a good day I could water the whole plot in about three hours but that presupposes that no-one else is watering at the same time, so on those occasions exquisitely delicate and silently mimed negotiations take place near the trough. The growls are never vocalized but we all understand the implications. Neighbours are neighbours after all and we don’t want water wars to break out.

The forecast is predicting even hotter weather on the way and I desperately need to dig over and prepare a large 5’x 12′ bed which has become infested with bindweed and we need to plant out purple sprouting broccoli there by the end of the week. We don’t generally dig, but occasionally the bindweed or couch grass migrating in from the paths need teaching a lesson and digging it out is the only way that works. The only plausible time to do it will be in the cool of the very early morning before the builders turn up to finish the work to eliminate black mould in the flat.

NB linen suit

Any dreams of shimmying through the allotment filled with delicious produce in weedless beds (wearing my linen suit and panama hat) seem to evaporate like the morning dew. Try as I will to look on the bright side at 5.00am, or mid morning when I need to walk up an icy hill to knock the snow off the nets before they break, takes a bucketful of optimism.

I’ll never forget the driving rain on the morning we dug holes to set the uprights in their anchors for the polytunnel. It was raining so hard I had to bolt the uprights in a foot of freezing muddy water which had filled the holes because they were below the water table that day. During COVID when everyone had time and energy the allotment site looked wonderful, but work and families had to come first when it ended, and it was sad to see their hard work so quickly overgrown with weeds. It demonstrated two important things about running an allotment; you might say two sides of a coin. On the one hand it takes time – quite a lot of time – to grow an allotment but on the other hand, COVID demonstrated that so many people were up for the challenge if only the time and opportunity were there.

The upside

I’m absolutely not trying to argue here that suffering is its own reward. We had enough of that in Sunday School; but that it’s worth a few wet days, tingling blue hands and cold feet to pick something delicious from a plant or tree that you nurtured through the droughts, the cold north-easterlies and the Azores highs to the day you cut it, warm from the sun, and take to the kitchen. Yesterday I sautéed the first batch of courgettes in butter and oil until they were just beginning to caramelize on the cut edges. No more than an hour from plot to pot. A few weeks ago we were scratching about for something fresh to eat on the allotment but now it’s in full flow, overflowing with gifts. The only response to it is sheer gratitude. I once thought I knew who to thank for it all, but these days I feel more comfortable offering my thanks to the Cloud of Unknowing; “the Tao that can be spoken is not the Tao.” After all, what’s a few hours of enjoyable work compared with the brightness and depth of tomato sauce made at home in the kitchen, or corn whose milk is still sweet, or borlotti – the winter banker for soups. We may be hard-up and scruffy but we live like royalty.

Where’s Wally?

A vibrant patch of wildflowers and greenery by the seaside, featuring pink and white blossoms among lush foliage, with a calm sea in the background.
Coastal undergrowth on Roseland

We were sitting on a bench, resting after a bit of a hilly stretch on the coast path and I was squinting closely at a tiny fragment of leaf when a small group of walkers passed us. “What have you found?” one of them asked. “I’m just checking out this plant that I may have misidentified” “It’s Hedge Bedstraw”, one of them said. It was a friendly – we’re all in this together – kind of remark that instantly established a common bond. “I don’t think it is”- I replied – “I think it may be Heath Bedstraw because there are tiny forward-pointing prickles on the leaf. This is the kind of thin, acidic soil they grow on”. We were all set, then, for a long (and for Madame and the rest of the group) tedious hyper focused discussion when another walker standing at the back of the group said. “There’s a Hummingbird Hawkmoth!” – pointing behind us. We all stopped whatever we were thinking about and turned to where the the speaker was pointing. And there it was; I’ve never seen one before so it was a bit of a moment to see this oddly beautiful creature whose wings moved so fast they were not much more than a blur. Then there were five of us eagerly following the path of the moth as it foraged among the coastal plants, oblivious to us it seemed. Moths have had this capacity to evolve towards seemingly endless recklessly stunning forms and patterns. It’s hard not to think of some kind of artist lovingly creating them. Madame grabbed my phone from me and attempted to take some photographs but couldn’t get close; held back by thick brambles.

Our cheerful conversation continued and then we went our separate ways having – all of us – learned something new. Back at the campervan I just had to double check my already double checked identification and keyed out the piece of Bedstraw in my pocket (it’s a way of naming a plant by answering a series of either/or questions until the name pops out at the end). Yes it was Heath Bedstraw. Then I googled Hummingbird Hawkmoth and discovered that Hedge Bedstraw is one of its food plants; that’s to say it will lay its eggs on them for the hatching caterpillars to feed on. Interestingly it was hovering around clumps of the related Heath Bedstraw so maybe it’s not that fussy. One of the things I find most difficult to live with is the sheer provisionality of all wildlife records. It’s true until someone discovers that it’s not.

And that’s the trouble with this natural history malarky – it can get wildly out of control with those of us disposed towards intense attachments – let’s call them obsessions or addictions. Later, and wakeful in bed, I mentally rehearsed the various species of Bedstraw I’d seen, and where I saw them. That was fun, and there were five species spread across North Wales, Mid Wales, Pembrokeshire, Bath and Cornwall. Madame woke up and asked if I was OK? 3.00am is a bad time for those kinds of discussion – at least it wasn’t a nightmare, and we’d had a good day’s wandering about; pub lunch; a couple of excellent finds and a major step forward with the breakthrough discovery that I could load WAV audio recordings files of plant findings straight into Notebook LM which positively relishes English plant names and Latin binomials issuing gentle corrections and straightening out misunderstandings. All my previous doubts have been resolved, and I’ve got a functioning workflow at last.

I know this is problematic for some, but Notebook LM is rapidly becoming my pocket tutor and data organiser. Oh, and I also made progress with identifying some new grasses and that meant getting to grips with identification keys – PLUS our youngest moved into his new flat after being evicted by a (barely Christian) charity under one of those noxious Section 21 orders, now abolished due to abuse. We also met some heartwarmingly nice people with whom we shared many interests and the Potwell Inn human kindness index leapt up three points, something of a record. We rarely listen to the news when we’re away.

What’s happening on the allotment while we’re here? Well we gave it a deep watering, especially in the polytunnel, before we left and there are a couple of allotment neighbours who have promised to keep an eye on things. Every day we scan the weather forecast and wonder what will be happening on our patch of earth. Bath is situated in the steep sided valley of the River Avon and surrounded by the outliers of the Cotswolds, which means that rain tends to fall on the hills rather than in the valley. But then, we’ve also often had heavy showers at home and discovered that the allotment – only 800 yards away – is still dry. The most accurate forecast amounts to looking through the window. Madame retains a passion for isobars, warm and cold fronts and all the rest which she gained at the research station where it really mattered, and thousands of trees could lose their blossoms to a sudden frost.

We even have some allotment planning software on my laptop and we’ve spent one rainy morning here bringing it up to date. Does that make us into a couple of old saddo’s ? Ask us that when we’re eating just-picked peas that make the frozen ones taste like bin waste; and ask us again when you taste one of our tomatoes just harvested and hot from the sun, or sweetcorn from the polytunnel that would make a badger faint with pleasure. As with every other human pursuit, the more we practice, the harder we work, the happier we get; so thanks for asking ….. we’re not saddo’s!

It rains every day in Cornwall and today is no exception and so I’m writing and Madame is reading a biography of the artist Gustav Klimt and reading aloud to me the bits she finds most interesting. I’m a man, so that’s the closest I can get to multi-tasking.

Bird’s foot truffle oil and other disasters

Close-up of a small flower with orange and yellow petals surrounded by green grass.
Lotus corniculatus

These past two days have been a revelation – although not a good one. and I’ve been left with just the embers of my project and on my knees, eyes streaming, trying to blow some life into them. The bright new day is yet to dawn.

Just to recap, I’ve been designing and now testing a new workflow for my botanical recording – attempting to make it faster, more accurate and less of a square peg when it comes to uploading into the round holed national databases; but rather like the time I rebuilt the engine of our Morris 1000 and left out the rotor in the oil pump, the flaws soon made themselves apparent when I road tested my bright new idea down here in Cornwall.

There’s a lane outside the campsite which begins as the metalled road down to a large house, presumably once part of a home farm at the centre of the big estate. It then continues as a footpath above what’s now a hay meadow for a couple of hundred yards, across a stile into a patch of scrubby woodland for a little way until it joins a very pretty deep sided sunken track which leads to the beach via another track heavily decorated with dog poo bags making the exploration of its botanical residents a bit hazardous. The fact that it’s Madame’s favourite walk makes it easier to smuggle in a bit of road resting. Sometimes. Although I’ve never formally surveyed the plants along with its several micro-environments, it’s the perfect place to learn. So here it is; the method …..

Step one attach the microphone and receiver ready to record all the details for later, and when the plant is spotted, record them in one continuous packet of data – Problem – I talk too much and instead of recording just the details, the recording features too many oohs aahs and miscellaneous grunts and strange noises. Worse still comes later when I load the recording into the transcription software.

Step two – take a quick photo on Flora Incognita to get a reference picture with a provisional name. Problem – no internet signal. But I do get a time and unreliable location so as to link the data together later

Step three – take any measurements that I might need later and note them for the audio

Step four – take more reference photos on the Olympus camera which can do macro and has better resolution. Problem – stiff winds make focusing on grasses a complete nightmare. I either need to take a small piece of board as a background or uproot specimens to photograph later – not ideal and sometimes illegal.

Step five– take GPS reading and photograph it on the phone or note it. This ties it all together. Problem – remember to figure out how to reset the GPS to gather the current location and write it down (data separation hazard) or record it. Need to write a short script and stick to it.

Step six – record all the data; names, grid reference and measurements etc in a standardised form that AI can understand.

Step seven– back at the ranch, run the audio through the transcription software and edit if necessary. This is where the system totally collapsed because I was using the free Google Record app which handles ordinary conversation pretty well, but went to bed with a headache at the sound of plant names and just fainted at Latin binomials. I tried to edit the result but it was terribly time consuming so I recorded a page from John Wright’s “Grasslands” to give it another chance. This was a great laugh, with Bird’s foot Trefoil being rendered as Bird’s foot truffle oil, and the blameless little Eyebright – “Euphrasia nemorosa, the commonest form” unaccountably branded as the communist form. Obviously this level of inaccuracy is beyond the editing powers of any AI programme. The plan was to feed these pre-digested dollops of data into Notebook LM and ask it to sort them into a spreadsheet in correct order to pass through the pearly gates of head office; every single entry checked against the great canonical parchments.

Step eight – this was meant to be the bit where I closed the reference books and where I modestly admitted that the new workflow was a triumph, instead of which there was much wailing and gnashing of teeth. When I remonstrated with Google Gemini it almost cracked a robotic joke and said the bird’s foot truffle oil sounded like the salad dressing from hell! (now that is scary – it’s cracking jokes already).

However – I’m an eternal optimist – there are some tweaks I can see which fall short of carrying a mobile router around with an aerial tied to my bandana. It’s helped me see how to improve my photographs to get better results – especially with grasses and I’ve learned a lot about identifying grasses – which was one of my targets. I’m pleased to say that I’ve added five more grass species to my total. We also met a Swedish woman and talked about the yellow flowered strawberries that grow down the lane. We thought they were probably poisonous but she said they used to eat them in Sweden but they were insipid and not that sweet. She doesn’t eat them here because of the dog poo that gets everywhere. After a few days of wind and rain the sun has now come out and Madame is cooking a dish of ratatouille as a punishment for my distraction. Over the twenty years we’ve been coming here the village has become more and more gentrified. The local spar shop now sells curated wines, amalfi lemons and “pain de campagne” and an ice cream next door sells for £4.50 a scoop. Here are a few pictures from the entirely un-gentrified lane. They’re all weeds, but nonetheless rather charming in their blunt honesty. It’s a very under-recorded little paradise and one day I’ll bite the bullet and do a proper survey.

A short message from paradise

Close-up of a cluster of flowering plants with pinkish buds and delicate green leaves in a natural setting.
Wild Carrot, Daucus carota ssp carota

I could as easily have subtitled this post “Who’s afraid of the big bad wolf?” so as to join together our being in one of our favourite places in the country – the Roseland peninsula in Cornwall – and linking it with AI. One half of the couplet represents all that’s good and the other the spawn of satan.

We arrived here completely knackered after days of work on the allotment getting it ready for our temporary absence and a couple more days of readying the campervan for its inaugural long drive after the troubles (new engine, clutch, Uncle Tom Cobley and all. Up at five am only to discover that the roof had leaked in a place it had never leaked before – we quickly sorted it and set off in gathering sunshine for a long drive at a stately sixty in honour of the engine; “she being brand new and consequently a little stiff “. That last bit was a quote from a poem by ee cummings which a musty old critic once described as only fit for adolescents. I haven’t aged a day!

Musty old critics have had their field day over AI as well – marching en mass under the banner of the goose quill pen and denouncing AI vehemently, claiming to protect the masses from evolving technology. Good luck with that then, although Google seems to have messed up their latest software update on my watch which insists that I only slept for three hours last night. It was ten hours and I felt all the better for it.

So part of the purpose of this trip is to field test a new plant recording system and that’s where the AI comes in. Knowing a place like this really well has its advantages for rehearsing a new way of plant recording; not least that I’ve already put in the hard miles for most of the species. But anyone who gets interested in plants and wildflowers will know that there are some very common species that are extremely hard to tell apart. So part of the aim is to revisit the difficult ones and see whether I can distinguish the trees from the wood. In preparation I picked three brain teasers and posed a question on Google Gemini. “How do I distinguish A from B” . The first one sounds easier than it is in practice. How do I distinguish between a wild Carrot and a sea carrot? In a few seconds the AI answer dealt with two things – the hows and the whys of wild carrots v sea carrots. The how is demonstrated in the photo at the top. It’s a wild carrot growing on a clifftop near here and that’s because the flower head is in the process of forming a basket/ lobster pot shape. But then you might well ask – what’s an ordinary wild carrot doing on a sea cliff? and the answer is that wild carrots normally grow in and around arable fields and sea carrots grow near the sea. BUT, growing close together, they readily hybridize and so in Cornwall where the arable fields often come to the clifftop with only a footpath between and so there are a lot of what we might call cousins that look somewhere between the two. My mind is at ease because the hybrid plants can be assigned to the (very large) category of WOB’s the walk on by’s.

The other two questions were necessarily more general – what specific details should I record with photographs and all the other tools – hand lens, ruler etc in order to distinguish and identify the other big families grasses (Poaceae) and the huge family of Dandelion/ daisy lookalikes. In a few moments Gemini gave me a brilliant crib sheet to take out on my adventures. Traditionalists may take a couple of minutes here to rearrange their scowls in case the wind changes and they get stuck with lemon faces. Each and every record will be taken home to my study and interrogated with the books.

Until the plant apps bed in – which they soon certainly will, the old way is still the final arbiter; but I can foresee a day when taxonomy will be a matter of taking a clipping from a specimen with a hand-held DNA analyser. How you might challenge an identification after it’s been deified by its genes by a person in a white coat who’s never as much as sniffed a rose is not one I’ll live long enough to worry about.

The thing about AI is that we have to make the cultural move from knowing everything by rote towards asking better and better questions. The skills of the future will lie in knowing how to extract the maximum good science through a question that’s as sharp as a samurai sword.

We’re having a recovery day first and apart from lazing around and snoozing I’ve been looking at photos of the allotment plants as if they were our children, and reading John Wright’s excellent new book Grasslands. A further search with AI revealed that grasses are by far the most numerous species if you exclude the 57 varieties (OK thousands, then) of the apomicts which have dispensed with messy sex and just clone themselves; Dandelions and Blackberries are two of the other culprits here in the UK. The following two species in numerical order are the daisy (dandelion) family, then the Sedges and the roses. I can’t see myself getting bored anytime soon.

There’s not a great difference between learning to live a virtuous life, reaping the benefits of eudaimonia (flourishing) and learning to make better plant records. They both require constant practice – which is one of two reasons that we’re here. The other reason is the joy of walks near the sea. There is – I suppose – a third reason which is far less virtuous. The botanical societies tend to cling to traditional ways, and getting records through the minefields and the heavily guarded portals into the universe of scientific data can be a tortuous and Kafkaesque experience. I should know. I worked inside a conservative organisation (the C of E) for 30 years and I learned that these organizations will never abandon a regulation without a decade of bloodshed. I’m trying to develop a personal recording method that will shortcut the traffic jams by providing exactly what the gatekeepers are asking for. I’m not trying to change anything, I’m plotting a path through the maze.

Our allotment just grew up

A wooden raised garden bed filled with dark soil, surrounded by plants and trees in a garden setting.
The final set of four raised beds

The ambiguity in that title was entirely deliberate. It was some time last year when we were standing on the allotment and I said to Madame – “It suddenly looks as if it has matured”. Whatever it is – possibly the fruit trees which have really got their roots down, but also the fact that all the wooden structures are greyed and in some cases needing replacing; the polytunnel is theoretically due a new skin which we can’t really afford, and somehow when you add it all up it looks as if it’s been around the block a few times and decided to settle down to middle-age.

Of course, looked at through the eyes of love (how else should you look at ten years of your gardening life?) – it’s what the scholars call a palimpsest. Back in the day when writing was an expensive luxury, the materials were used more than once and traces of a previous, older message, letter or even book could be discovered lurking faintly under the younger. It’s exactly the same for our grown-up allotment. Every bed, and almost every other structure is just the latest version of an older one; complete with previous soil level, old screws and joints betraying their previous history. Beds have been re-purposed and re-designated over the years and the soil improved with tons of compost and leaf mould. Where once there was a difficult mix of clay and loam, there’s a much more fertile, sweeter smelling and friable soil. Despite all our efforts to find the best place to grow strawberries they migrated without any intervention from us to a spot in the lee of the polytunnel where they’re completely happy. Who says that plants can’t talk!

The latest batch of four raised beds are actually the top of four deep compost bins that I sawed in half horizontally a few weeks ago because they’d become an unofficial dump. They’ll be replaced by a single California Cylinder made from two concentric rings of sheep wire filled with cardboard and with a rough and ready chimney driven through the middle. It’s an idea we got (I think) from Lawrence Hills and it works a treat and heats up fast with the help of what he called “human activator” and you can work that one out for yourselves. An alternative activator is comfrey liquid but be warned, it really stinks.

Recycling of old materials isn’t just virtuous, it’s cheap. The eight beds I’ve just finished cost the price of a few new screws and some additional topsoil and compost for the new growing layer. I saved all the original topsoil in bags – they were hellishly heavy – and filled the resulting holes with fresh vegetable waste, cardboard and wood chip, then I put the original topsoil back on top and augmented it. The good soil is now 18″ deep and will be perfect for growing show-off carrots and parsnips.

The only constant factor in an allotment seems to be the unexpected. Last year’s pepper plants bought from a garden centre turned out to be Scotch Bonnets. We now have a lifetime supply of dried chillies. Each season is spent in negotiation with the weather, and with climate change advancing rapidly the old certainties and folk rhythms are becoming redundant. This year, for instance May and June swapped places whilst April showers were in short supply, and all we can do is ride with the volatility of the weather.

And so we soldier on. The allotment is less tidy and yet more interesting as the years go on. Plants come and go – last autumn the Tayberry got a savage pruning and this year the blackberry has stopped sulking after two transplantings and is, at last, showing the will to live. When we first moved on to it as an unkempt field we thought of the plot as a blank canvas on which we could do as we pleased. In the fullness of time we’ve realized that we can only do as it pleases – which turns out to be a much happier experience. The asparagus bed went the way of all flesh and now hosts a crop of new potatoes. The approach we adopt is a form of informed imagining in which we propose an idea, dispose the place in which we want to grow it by preparing the ground and selecting the spot and then leave it to nature to say yea or nay. Some we win and some we lose and that’s OK too. Allotments, like their tenants have previous history. Ours was probably once part of a Roman vineyard and then a nursery and has probably been in some kind of cultivation for a couple of millennia. Going back even further the origin of our soil is alluvial clay and loam formed by the ebb and flow of the river as it cut its valley through the soft oolitic limestone. We dig up fragments of clay pipes abandoned by the Georgian gardeners and some time in the future some hapless archaeologist could puzzle over the multitude of sea shells that stowed away in the bags of seaweed we once brought back from Lleyn to feed the asparagus. We may think that we live in the moment but as gardeners we only thrive within and upon the past. Some of the plants we grow we choose, and some that grow just happened in on the wind, dropped by a bird or attached to a car tyre. All gardeners have to learn to rule kindly and lightly over their kingdoms. We may think of ourselves as owners of our plots but in truth they own us and we can do nothing except by their permission. As butterflies and migrant birds cross the channel sans passports and permits so too do seeds, insects, plant diseases and all of the thousand things that charm us and taunt us. Most of the troubles of the world are due to people who misguidedly believe in control. We bend with the wind if we want to grow crops while growing ourselves comes free but not cheap.

25th May 2010

Scenic countryside with lush green fields, grazing cows, and rolling hills in the background.

So it’s sixteen years since Andrew and I reached the highest point on the Aubrac Hills in Southern France. We’d – well I’d – failed to realize during the planning, that following a river can be a bit of a nightmare because every tributary makes its own valley and the line on a map becomes a relentless combination of long downhill valley-sides and punishing climbs to the crest of the next. We’d also failed to realize that the Camino has been monetized like everything else and was crowded with trippers who filled the cafes restaurants and refuges while we were carrying our rucksacks and all our possessions and often struggled to find somewhere to sleep, We did a lot of trespassing!

A winding dirt path through green vegetation, leading to a panoramic view of rolling hills and valleys under a clear blue sky.

But the hard work was redeemed by the wonderful scenery, the wildflowers (spring comes late in these high places) and a chance encounter with the transhumance – the seasonal festival that accompanies the movement of the cattle from their winter quarters in the valleys to the high pastures. If you look closely at the photograph you’ll see the cattle and their horns decorated with flags. We heard the clanging of bells and the sounds of celebration from miles away. Festivals in France have deep, deep roots and with many of the local villages quite isolated, the chance of a gigantic piss-up feels like all their market days in one. We watched from a distance and camped outside the towns where the riotous fun seemed to go on all night. The maximum height of the Aubracs in the Massif Central is around 3000 feet but I think we must have climbed it half a dozen times before we finally dropped down to Cahors. Somewhere up there I overheard a conversation between a couple of immaculately turned-out women from Nice when they spoke in tones of horror about a couple of elderly farmers we’d seen . “La France profonde!” one of them said.

As it happens I like La France profonde for exactly the same reason I love Wales. The culture is often a bit obscure to outsiders but its very isolation has protected it from withering away, and even ceaseless promotion by the tourist boards can’t seem to erode the central power with which it feeds a deep connection with the past, present and even the future. It ain’t cute, that’s for sure, but it’s the cultural matrix that frames life in a harsh place.

25th May 2026 – the same canicule, but a couple of decades later

Here in Bath we grow some, at least, of our own food in the centre of a Roman city which feels – today in the unseasonable heat- increasingly like Avignon. We shall call it Sulis en Provence and – like them – lay down our tools some time in July and spend the next six weeks in idling, chasing bulls down the streets trying to catch them by the tail, wearing white T shirts stained with red dye as a form of simulated bravery and getting very drunk whilst eyeing up the adoring girls and presumably boys as well. We should join the festivities and play football with the plentiful melons by the light of thousands of fireflies and breathe in the wine infused night air as if we might live forever whilst the gammon faced elders scream abuse into the internet because they couldn’t find anywhere to park their Range Rovers on the pavement. Ladies and gentlemen – at the risk of being thrown into prison by Sir Keir and the Brigade of Goons I’ll quote Eldridge Cleaver – “If you’re not part of the solution you must be part of the problem”. Interestingly when I verified that quotation on Google Gemini I got a little homily on the middle ground . Sadly the middle ground is on fire. The time for discussion, committees and forward planning seems to have passed us by.

In any case, we’re keeping a Provenĉal timetable here at the Potwell Inn. Rising at five followed by two or three hours on the allotment – mostly watering at the moment – and then breakfast followed by cooking, preserving and bottling as required and then writing; after which it’s eating and telly, avoiding the poisonous news and early to bed. Nil Carborundum is our motto. I’m celebrating my inner peasant.

Finally some photos of various places in France including a small chapel just beyond Le Puy en Velay, A park in Uzes near the Roman aqueduct to Nîmes, The Musketeers outside the cathedral in Albi and below that, the fortified Cathedral. Then there’s a scorpion that came to play, the bridge at Cahors, a street corner in Nîmes – that’s from memory; the beach at Collure, and a couple more from Uzès.

It’s said that figs prefer stony ground and produce more fruit when you prune their roots. Maybe that’s it. The aqueduct that crosses the Pont du Gard and goes through Uzès and on to Nîmes was sealed with the juice of figs. Maybe if I think of myself as a kind of fig, that story makes me feel better because some good comes out of the pain and – as Jung said – we’re most creative where we’re scarred. Perhaps spiritual energy really does flow like water in a thirsty place. I had my roots pruned on 20th June 2016. My European passport has since expired and I didn’t bother to renew it. I was rendered a stranger in a place I once felt at home and it was my own folk that did it.