







Well we arrived back in Bath on the Sunday before the heatwave struck, and after 2 weeks of rain in Cornwall we were just as trapped by the searing temperatures and – (ask any gardener) – under the cosh of constant watering. The only time to water in a heatwave is as early as you can bear to get up – in our case it was five am, because sleeping at all at 20C is a bit of a struggle. An early start gives you the very best of a fiercely hot summer’s day; much better than the evening when the earth is scorching. But nature doesn’t stand still just because you want a break. We left the allotment in good order but two weeks later the weeds were roaring and we had a battle on our hands.
There’s only one way to do this, and it’s to blitz the plot systematically from one bed to the next until it’s all as clear of weeds as it ever can be. If you’ve been watching Springwatch on the BBC and looking at the weary parents of fledgling birds endlessly feeding their ever more demanding family, you’ll have some idea what it feels like to clear an allotment that’s got above itself. The grass path that you should have strimmed before you went away is now three feet high in Cocksfoot, False Oat-grass, Couch and rough Meadow grass. I’m showing off a bit with the names there because Cornwall gave me a great deal of time to “do the grasses”
But doing the grasses involved a lot of work with the Olympus TG-7 camera because so much grass identification demands high quality macro photos which is far from simple in a windy situation when your subject is waving around. It’s a difficult skill to learn and demands that you step away from that comforting auto setting and get down and dirty with shutter speeds, flash values and f-numbers. Oh and I was also trying to develop a new step by step recording procedure – which I’ve bored you enough with already. Progress was slow. And that’s all I’m going to say. So with photographic experiments, learning new plants and weeding, the Potwell Inn has had to go on the back burner for a few days.
I said several weeks (weeds?) ago that the allotment had suddenly matured, and the top left photograph took me by surprise with an unexpectedly emotional reaction. I think I’d been strimming a weedy and grassy path, and it reminded me of my grandparents’ smallholding in the Chilterns where the garden paths always gave me a sense of delight; always verdant and closely mown. And then the photo looking along the plot and beyond the polytunnel seemed as if it expressed something of that childhood wonder – the chairs, the little pond and the sheer energy of the plants and running down the path to the greenhouse with my sister to see Charlie the toad. The trees we planted in Covid year are all in fruit now, and with the hungry gap over we’re eating our own produce. I think you have to treat allotmenteering as work -but not the grinding boredom of routine, but the utterly rewarding work of knowing what needs to be done and just getting on with it. It teaches you patience and resilience – we left the broad bean crop for a couple of weeks and when we got back the whole crop had been eaten and the plants were suffering from some kind of rust. Tomorrow we’ll pull them up. Cool weather plants don’t enjoy heatwaves any more than we do.
And in what counts as a pretty low-level flash of inspiration, I discovered (on my hands and knees but not praying) how important edges are to the appearance of an allotment. Add that to another feature that only comes with time – I mean scale here – the allotment looks grown up because it’s literally grown upwards and whichever way you turn and move, new vistas open up. Neither of us wants regimented rows in the way that some of our old 1940’s allotment books showed – all rows perfectly straight – and few of us can afford to imitate Gertrude Jekyll in her archly curated informality; but just a few delineating lines and paths along with a scattering of sheds, trees, texture and colour but never forgetting an offering of plants for the pollinators – that’s a living, breathing, tactile work of art. It’s a conversation with nature.
Speaking of which, the photo below shows the tough side of nature. I’m no entomologist but my ever available phone app thinks it’s a very deceased Southern Hawker dragonfly nymph which has been killed (and this is a guess) by a zombie fungus, (probably Cordyceps) which you can see growing out of its scales. With a twist worthy of Edgar Allan Poe the fungus takes over and consumes the living creature, leaving the brain until last, when the dying Dragonfly is induced to climb to a point high on a poolside plant and grip the leaf in its jaws in order better to spread its spores. Oh glory! That’s going to keep me awake!








































































