Tag: green spirituality

Three kinds of silence

We’ve been watching the beards on these sweetcorn for a week now and this morning we harvested the first three cobs. They’re a supersweet variety and bred to succeed in the polytunnel and like so many home grown vegetables their flavour is so intense they quite different from the shop bought ones. Any allotmenteer will tell you that they are the badger’s favourite snack and we all go to great lengths to keep them out. Badgers have poor eyesight but a very fine sense of smell and if they find them they batter them to the ground and feast on the cobs. Of course sweetcorn and fodder maize grown by dairy farmers to feed their cattle are different varieties of exactly the same species, Zea mays, so just as badgers love our half a dozen plants they’ll relish a whole field of sweet treats and I’ve always suspected that the association between bovine tuberculosis and the badger is one of those home brewed problems in which you place the suspected disease vector (the badger) right next to fields of their favourite food and right next also to the cattle and then wonder how they got infected.

Whether it’s maize or sweet corn it’s a kind of grass which, like wheat and barley, has been bred over centuries into a plant that’s very unlike its original ancestor. In fact almost any cereal plant goes under the generic name “corn” which is an umbrella term that tells us nothing much about which species we’re thinking of. Like all cereal crops its greatest gift is its quality as a food and the fact that it can be stored for long periods. The maize silks are still used in herbal medicine – and it’s become a food staple of many human communities. Wheat, barley rye. rice and oats are still fundamental even to our western diets. We had our first taste today and they were as delicious as ever, smothered with butter and black pepper.

Meanwhile, on heatwave number five, we were watering the allotment yesterday morning when there was an almighty crashing sound on the building site opposite. There was a single cry of alarm and then that special silence which falls like snow as we all – allotmenteers and builders alike stood and waited fearfully . Next a car alarm was triggered and all we could see were the chains swinging gently beneath a tall tower crane. It seemed as if all work was stopped. But was anyone injured or even killed? we waited for ambulances or police to arrive but there was nothing and we turned back to watering after an unspoken prayer. Enquiring this morning it seems likely that no-one was hurt when the load, whatever it was, fell from the crane and that the site followed legal protocols in stopping all work until an inspection had taken place. It was the eerie silence that followed the crash which marked the moment more eloquently than any subsequent commentary.

And it was commentary that marked the second silence of the day and – in my view – absolutely ruined it. A near total eclipse is a big deal – I’ve seen two of them; the first as a child peering through an overexposed negative from our old Brownie 127 camera, and the second on a beach in Marloes, Pembrokeshire where a large group of us with our children were camping. I’ve no real memories of the first eclipse but the second was magnificent and very moving because although during the build-up we’d been picnicking on the beach and drinking wine from paper cups; as the darkness fell so we fell silent; each of us absorbed in the inexplicably powerful moment. Eclipse isn’t at all a spectacle to be consumed like a new episode of Star Wars; it’s a moment in which we can contemplate the universe and our place within it and yet, as we watched yesterday’s television news and the subsequent live coverage, the event was trivialised and buried alive by torrents of commentary by highly paid “personalities” who seemed to think we are so stupid we need to have the event explained to us. Nobody shut up long enough for the eclipse to speak for itself. It was mostly what Martin Heidegger (philosopher) characterised as “gerede” – idle gossip – and while we’re on a philosophical streak I may as well mention Ludwig Wittgenstein who also said famously “Whereof one cannot speak, thereof one must remain silent”. Sadly, idle gossip is the lingua franca both of the media and the internet, whose commentators can never shut up for fear of losing clicks and I don’t exempt religious leaders from that criticism. We’d probably learn much more from these great natural events by taking ourselves apart from the crowds and contemplating them in silence.

And so to the type three silence this week. On Tuesday I was invited (as a founder member) to take part in a 50th anniversary podcast celebrating Spike Island – nowadays a much bigger creative community than the one that we, and a bunch of friends, founded in the old MacArthur warehouse on Bristol Docks. Originally three of us – the survivors – were all going to travel to record the piece in a Bristol studio but real life got in the way and we eventually decided on a zoom meeting uniting the Forest of Dean, Bath, the Quantock Hills and Bristol. I was surprisingly nervous about the whole thing – although I self opped on local radio and often used remote studios on network radio back in the day. But in spite of all the previous I’d never done a zoom call, and anxiously prepared my laptop for the occasion. Luckily I discovered before the event that my laptop camera wasn’t (may never have) worked and so I swapped over to Madame’s tablet but unfamiliar with the operating system couldn’t turn on the video. Eventually as the start time passed and went, I received an anguished call from one of the participants who said “we’re all waiting, where are you?”. So I propped up my phone in front of the impregnable tablet and the broken laptop and after a bit of even more anguished button pressing managed to connect to communion in both kinds. I have to say that once we’d got going it all went reasonably well and the producer even said thank you afterwards – perhaps she was just being kind. That signal failure completes my trilogy of silences this week. Reflecting on it; for all too many of us the world won’t end with a giant skip falling on our head, or the moon crashing into the sun but with the internet going down. Isn’t that a bit disappointing?

Let the plants speak!

Our kitchen in August 2018 – nothing changes much except we’ve now got two functioning extractor fans taking the fumes and cooking smells up the built-in flue. Only took 10 years of arguments with the landlord!

It’s early August and apart from being sweated alive by the fifth heatwave of the year there’s another sense in which it feels like Christmas every day. In these repeated heatwaves the only strategy we can follow is to keep as many of the plants alive as possible, and so life pretty well revolves around watering, cooking and preserving – and it’s worked wonderfully. Plants need water, food and sunlight, and the abundance of sunlight, although a curse through forcing us to water so much is marvellous in helping our crops to covert the water and the carbon dioxide in the atmosphere into sugars. Just imagine what a miracle that is; but some plants like peas and broad beans will never thrive in these conditions however hard we try to help out because, like Madame, the heat makes them feel exhausted and they give up. But others take to it like ducks to water and each day, after watering, we bring the ripened produce into the kitchen and scratch our heads over what to do with it. Fresh vegetables are an order of magnitude more tasty than the impoverished lookalikes that taste of nothing after their long journeys. Every day is Christmas day.

Today it was the turn of the aubergines and after a test run in our youngest son’s commercial pizza oven I felt sure I could replicate the burn in our kitchen, with no danger of the smoke alarm going off due to the new extractors. And so it turned out to be – the fruits – still hot from the sun – blackened and smoked gently as the insides cooked at 275 C and, as they cooled, virtually peeled themselves leaving the pale, faintly smoky flesh waiting to be united with garlic and tahini. We’ve got more tomatoes, cucumbers, figs and new potatoes than you could shake a stick at, and it’s so exciting that I just put the apron on and relish every moment as the cupboards fill with winter stores.

It hasn’t always been that easy. Something of a turning point in my life was the day (just before we had an extremely low-key wedding), when we picked 40 lbs of blackberries on Rodway Hill. There were a couple of outcomes from that day. The first was that we made a huge amount of completely horrible blackberry chutney – so bad we couldn’t even give it away. The second outcome for me was the overpowering feeling of gratitude which (being a fervent convert to extreme atheism) didn’t fit at all well because there seemed to be no-one or nothing I could thank for the generosity of those spiteful bushes. Sixty years later I’m still struggling with that conundrum having tasted some of the off-the-shelf options without being convinced by any of them.

But I can dimly see a way through the desert by repairing and joining up the broken fragments of our polarized and fragmented culture. Let’s take plants as a beginning. We casually divide them into arbitrary categories (food; wildflowers; weeds; rarities; orchids and ragwort etc.) often entirely based on usefulness to humans or potential for monetization. But all plants come from the same tree of life as we do. Some time, millions of years ago, humans, dinosaurs and plants took different paths and we’ve evolved to live very different lives but notwithstanding Darwin’s troubles for suggesting that we share a great deal of our history with the great apes, for instance, and regardless of the religious arguments about it, we all came from the same single celled organism which contained the first few chapters of the library of life which have evolved, adapted and now reside in each of us inside every cell of our body; our six feet of tightly coiled DNA. The library is the same library which mothered (each with its own chapters) the butterfly, the tiger (Tyger?) the earthworm, the edible mushroom, the lichen and last of all, you and me. It’s not necessary for us to strive to unite with nature because we are already one with her. Hugely diverse and adapted; a coat of many colours you might say but a single one and not the atomised billions of homo sapiens who dare to think of ourselves as individuals.

So after years of seeing my passion for field botany, for gardening, for writing and spirituality for anthropology and for ceramics, for science and for cooking as separate “interests” I can see that they’re all more like spokes on a wheel at the centre of which is the big question –“What’s it all for?” – and when I ask myself the big question that way I can answer with another question which, for me, removes the thorn of the first. “Why does it have to have a meaning or a purpose at all?” We could invent a multitude of possible answers to the big question but I can’t see what useful purpose it would offer.

Just out of interest I should say that this far from sudden insight was triggered by my instinctive dislike for any kind of Magisterium which almost always exists to promote its own version of an answer and to persecute in the most cruel and heartless manner anyone who offers an alternative or sometimes even a slight amendment. The lightbulb moment came from binge reading about molecular biology and the latest plant taxonomy research in order better to understand DNA and one or two obscure (to me) statistical methods. Once, however dimly, I began to understand the beauty and complexity of what goes on in both plant and human cells; I began in an almost religious way, to see all of my interests bonded together by their common structure.

The icing on the cake has been to read about the work of Stefano Mancuso who runs a research programme at the University in Florence which he provocatively calls “Plant Neurobiology”. He and his colleagues across the world have come in for a great deal of flak from the old guard because plants don’t have neurons and couldn’t possibly have brains like ours but they are able to sense problems and respond to them; communicate with and “listen” to other plants and synthesise astonishingly complex molecules. All this has brought it home to me that writing about plants as if they were part of a giant but insensitive stamp collection is doomed. Without plants there would be no trace of the human and yet plant life would go on – probably less destructive. Plants are worth so much more than being pressed into herbaria and to even begin to understand what they are, we need poets and visionary science; we need anthropologists, herbalists, first nation men and women, collectors cooks and artists. I fear that we will never find a sustainable space for humanity on the earth unless we accept that we owe it all to the plants.

Hard questions of the third kind

I have eaten 
the plums 
that were in 
the icebox

and which 
you were probably 
saving 
for breakfast

Forgive me 
they were delicious 
so sweet 
and so cold

William Carlos Williams

Following on from the previous post; I have no doubt that we can occasionally understand when someone – usually an artist – has produced a work in a deep way; I’m thinking of this kind of work in terms of beholding or revealing their experience as opposed to just explaining it; It’s ferociously hard to explain how such a thing can happen and yet William Carlos Williams’ poem “This is just to say” takes an utterly banal idea and transforms it into a shared moment. “I have eaten the plums” Is surely a love letter to an unseen lover (the assured “forgive me“) who’s not yet awake; about a liberty taken – stealing their breakfast – and then almost a haiku (delicious, so sweet and so cold) .

William Blake could venture the possibility that we might see “the world in a grain of sand” in what feels like a poetic manifesto. It’s the expression of “The hard question”. How are the sense impressions we all experience every day – cold plums from the fridge; running sand through our fingers and idly watching them fall – how are these turned into “qualia” – or as Thomas Nagel puts it “what they feel like”. The hardest question of all is how can we communicate those feelings to another person – ever? Think of the struggle we have to explain a pain, for instance, to someone else.

I used to take our oldest son, then just a toddler, up Hope Chapel Hill in his pushchair when we lived at the bottom of this tremendously steep road. Often I’d let him walk up and he was always drawn to the cobblestone gutter where he would find treasures. The tops of ring-pull tins, cigarette ends, sweet papers, leaves, pebbles and grains of sand. It could take hours and yet he was completely absorbed by them.

When we were at Art School I became equally absorbed with By Brook which is the little river that runs through Castle Combe and on through Slaughterford until it reaches the River Avon. It runs through a very lovely steep sided valley and there used to be a little pumping station – ruined by the time we found it; sitting in a clearing of boggy ground, and further upstream a disused paper mill. In those days the river ran gin clear and there were small brown trout that, once or twice, we tried (unsuccessfully) to fish for. The whole area was keepered for a pheasant shoot and there was a water bailiff that we made sure never saw. I was having a hard time and this empty spot had a healing effect on me.

I was particularly fascinated by the contorted and interlocking roots of the trees on the sides of By Brook, and made many drawings of them (bottom left above). The top left photo was taken almost sixty years later and you can see that the water is now milky and probably eutrophic from farmland runoff.

I’ve never forgotten the experience of being there but I’ve never found a way of expressing it; the sound of the breeze in the Hazel bushes, the occasional staccato alarm call of a pheasant, the rich smell of the grass and the water and my struggles to make pencils and heavyweight paper speak it all. I’ve returned there in my memory so many times and although for me it’s an effortless transition in time to revisit the memories, the expression of them in whatever form always seems to slip through my fingers. On Tuesday our visit to the Victoria Gallery to see Norman Ackroyd’s exhibition The transience of light was both deeply moving and extremely challenging. How did he pull it off?

So after a great deal of huffing and puffing and moody introspection we went up to the allotment to tend our thirsty plants today and I came upon a whole collection of squashes and pumpkins which had been fattening up relentlessly, hidden by leaves and just out of sight the whole time, and then a kind of resolution to my challenge was staring me in the face. The poems and the photos seemed to arrange themselves and the whole argument is there in cryptic form at the top of the page. It says ‘stop trying so hard!’

It all reminds me of a time when against all odds I threw a large raku pot – nearly a foot high, using crank mixture – a clay that’s so full of grog (fired clay sand) that it takes the tips off your fingers. I can remember every moment of that experience, and what seemed most miraculous to me was that I just instinctively stepped aside from it and let it form itself. These were still my own fingers but they were not moving at my behest but that of the clay itself. I can remember the sense of wonder as it grew taller and thinner. It seemed to me on reflection that the harder I tried the less likely it was that I would succeed and so I discovered how stepping aside could be the final flowering of technique.

The idea of never ceasing to try but never trying seems more like a Zen koan than a piece of serious advice and yet there’s much wisdom in it. It’s like St Augustine’s much misunderstood saying “love, and do what you will” which, when it’s properly unpacked actually means that if you love – I mean really love – then you will always want to do the right thing. What it categorically doesn’t mean is do whatever you want in pursuit of love. Whether it’s eating a cold plum, throwing a pot, growing a pumpkin or drawing a river sometimes – no, almost always – it’s best to get over yourself and let the experience speak for itself without you feeling you need to explain it or help it along. Maybe, and this is just a wild thought, what sometimes happens is that “what it feels like” can pass between us through the work of ghostly resonances where we are more often content with mouthfuls of dust.

It’s alright!

Dunno why this random group of plants caught my eye yesterday, but there they were minding their own business on top of the little freezer and they seemed lovely, I mean really beautiful. A bunch of Basil leaves- they’re for a panzanella; the remains of the Dill we used in making dill pickles this week and two South African plant cuttings from our neighbour Charlie. Madame’s an avid collector of house plants.

Just a kitchen snapshot

There’s a strongly aesthetic side to growing and cooking. We do both, and the uniting of the plants we grow with some jiggery pokery on the stove always feels like alchemy. Something emerges which is even more than the sum of its parts. Our neighbour on the allotment grows figs, and we exchange successes – like her lovely figs in return for our shining aubergines. Knives, pans and chopping boards occupy the same place in a culture as the brushes and palette knives of the artist or the laptop and camera of the writer or the secateurs and the spade on the allotment. Technique (and I’ve paid a price for this principle) is the invisible foundation of all creative work. The whole point is that technique should never be sufficiently in focus to be noticeable. It should be obvious that grandstanding around the world like a carpenter, wearing a belt filled with tools for all to see is not necessarily a sign of giftedness.

I’ve had a few days off to do some intense reading which is easy(ish) to do up to 25 C but if the heatwave gets any worse my brain just gives up at 26 C. I was studying DNA in a modest sort of way because I never had the faintest idea how it worked or what it did. I was curious to address the vacancy, but the books I was reading all seemed to mention, or even to major on the thorny subject of plant intelligence. I’ll spare you the technicalities but during my searches, I came up against a word, a conceptual word – “Qualia” which is the quality of experiences which are just so difficult to express to another person. As for plants and their feelings the jury looks set to die of old age! I’ve stolen the word from the Magisterium but they’ll never know because they think I’m the cleaner. When I talk about eating a crab for instance, I’m filled with the memory of a day we ate a crab on the beach at West Bay; breaking it up with a couple of heavy pebbles and washing it down with a bottle of wine we’d floated in the sea on a length of string. Or up in North Wales the memory of a long conversation with an old lady who patiently explained to me why crabs are seasonal and how to tell the difference between a cock crab and a hen crab. Or of the time when Madame (being pregnant) was suffering from pica – in this case instanced by crab meat, and my efforts to meet her needs with hardly any money. Would 2 oz do the trick I wondered . Mercifully it did.

So when I talk about eating crab; my side of the conversation is filled with happy memories which I don’t explain because you might die of boredom. You on the other hand might have eaten a wrong’un years ago and can think of nothing except a long night of retching. Short of a game of verbal ping-pong there’s no way in a normal conversation to convey the “quale” – pronounced kwaalay – in anything like a satisfactory manner. But that, of course, is precisely what the poet, the artist or the writer is attempting to do every day whilst always knowing that the dice are loaded against success.

However today we went to an exhibition of Norman Ackroyd etchings and drawings in the Victoria Gallery in Bath, and I was quite overwhelmed by his work. Let the phenomenologists, the philosophers and the brain scientists tug each others beards like their counterparts did at the Council of Nicea as they argued fiercely about the exact wording of the Christian creed before they agreed on a solution that nobody understood which completely resolved the issue. For my part I believe that Ackroyd had worked the magic in spite of being dead for two years and I was able -for an hour or so – fully to engage with his experience of the light, the sea and the rocks around the Scottish isles. These wonderful etchings are not “about the sea, the sky and the rocks”, neither are they two dimensional renderings of the landscape; they are accounts of the artist’s inner experiences, the “Qualia” of those journeys which by some miracle I was able to access. This isn’t the first time it’s happened, and it always leaves me tearful. Being human – and that’s what this blog is all about – is difficult and at times incredibly lonely. More often than not our conversations are hit and miss – mostly miss – approximations in which, on reflection, we say too much and too little at the same time. His was the skill we’re all reaching for; the skilful act of communicating the qualia, the boring everyday moments on which a sharp ray of sun suddenly falls and illuminates a vision that lingers forever in the memory. Great art isn’t ever about anything its raison d’etre isn’t teaching us anything new, it’s about the certainty which comes mysteriously in music, in art, in poetry and song; in cookery and gardening and in walking that in spite of all the evidence it’s alright.

Botany on the Damascus Road

We’ve just got back from the Bannau Brycheiniog (Brecon Beacons) and things are getting desperate. Our friends, 1000 feet up in the hills, have already seen one major fire come perilously close to their smallholding which has hundreds of trees that they’ve planted and a small patch of ancient woodland. Despite two large water cisterns, and a smaller tank they came close to running out of water for their allotment, for their house and for the sheep, pigs and hens they keep last year, and things are worse now. Back at the Potwell Inn the allotment is suffering. The legume crop was a write-off, although a climbing french bean is hanging on in there and the polytunnel tomatoes have stopped setting fruit after the first truss. We’re having to contemplate a complete reset of our crops in the face of the inevitable heatwaves and droughts to come. We’re all living fear of the water to the troughs being turned off because we’re a third of the way through our stored water and most allotments have no stores at all. What’s clear is that the heat loving plants – cucumbers, aubergines, courgettes and squashes are loving it but the cool temperate plants are suffering.

There’s talk of forest fires joining up in France, but this is really about global warming and economic and societal breakdown and the last deadly throes of neoliberal greed as exemplified by the brutal and illegal wars in Gaza, Ukraine and Iran. There is a very disturbed young man in our street who will lean out of his first floor window and scream at the top of his voice “the earth is burning” for hours . Sometimes the dog walkers and picnic loungers on the green will join with the sunbathers and shout abuse at him. But he isn’t wrong and taking an ostrich attitude isn’t going to turn away the wrath of the damaged ecosystem.

So, it being too hot to do anything much more than keep the plants alive I’ve been forced into a big think. My lifelong passion for plants was really rooted in the aesthetic appreciation of their lovely forms and colours. Later on I got interested in identifying them, photographing, painting and writing about them and of course growing and eating them. But I’ve always had a particular love for the urban rogues and weeds; the plants that love to send their roots into places other plants just couldn’t tolerate. I love the survivors who cling to life by modifying their life-cycles and surviving as seeds and underground rhizomes during the hot and the frozen seasons.

So I’ve paid particular attention to the plants that grow outside our flat in the most hostile positions on and below a tall south facing wall. They survive not only drought and frost but inundation with weedkiller, vinegar and salt not to mention the attentions of the local council workers who scrape them up with metal tools; but still they grow back with almost heroic stoicism. The kind of stress that would send tender F1 Hybrid into seizure and death seems to be an accelerant to these guerilla weeds.

Over the years I’ve been so focused on the identity, form and appearance of wildflowers that I’ve barely thought about how they do their thing. I was aware that the study of plant DNA has driven any number of family changes as we realize that relatedness isn’t all about appearances and so many different species might share the same evolutionary outcome without actually being related at all. So a couple of weeks ago, and totally fed-up at my ignorance of anything to do with DNA or the difference between chromosomes and genes I resolved to find out more.

There were two slightly different results of my binge reading. Firstly there were proper eureka moments as I began dimly to understand how plants reproduce, grow, deal with attacks, weather and soil differences with the truly breathtaking assistance of their DNA. But secondly, and perhaps more importantly, it became impossible to see the life of plants in the same way, once I understood that they possess amazing powers of sentience with which they are able to negotiate with their broader environment, I could almost feel the tiny electrical charges flowing through the plants and triggering the needed response through a series of chemical, biological interactions initiated by a jigsaw like connection between the smallest molecular components of cells. If you think plants are wonderful to look at, knowing something about their invisible inner lives will blow your mind.

I talk about this almost as a kind of conversion experience – hence the Damascus Road of the title. All my spreadsheets and careful labelling of thousands of photographs suddenly feel like butterflies pinned to a board. If plants can sense what’s going on around them, anticipate and initiate an appropriate response, then they’re doing the kind of thing that we do but using a very different set of “plantish” properties which are bafflingly and beautifully complex. The western world’s so-called “tree of life” with diatoms at the bottom and us (and some kind of god) at the top sets us into a colonial earth. But there are some first nation cultures which see the plant world as part of the community. Without plants at least a couple of the drugs that keep me going are plant based or synthesized and that alone seems to make thankfulness appropriate. It doesn’t seem entirely bizarre to say thank-you to the cabbage you’re cutting or the carrot you’re pulling. This afternoon I made fig compote and that (the flavour, not my cooking!) deserves a round of applause. Plants give us so much; nutritionally, aesthetically, and for healing us because many cancer treatments are synthesized from plants. They’re amazingly clever at making the kind of molecules that we can use to our own benefit. The kind of attitudinal change we desperately need if we’re going to avoid being caught up and killed in another extinction event would be to treat our plants – and not just the delicate hybrids that feed us but all our plants with the respect that they deserve. Maybe those roguish and indestructible weeds have the exact secret we need to ensure the survival of the earth.

Strawberries choose their own spot

I glanced on this subject in yesterday’s post when I was writing about the temptation to try to control nature on our allotments – encouraged, as always, by the siren voices of the agrochemical industry who want to sell us snake oil cures for every problem. So today I want to expand on a part of that argument by writing about strawberries, and more specifically about a bed of strawberries which – despite being dug up and moved – sent out scouts and moved slowly year by year until the plants found a place where they were happy and able to thrive. One of the most interesting discussions that I’m following at the moment frequently includes as a kind of “fact”, a plant’s inability to move to escape harm and to multiply. Where other life forms can make themselves look dangerous and unappetising to predators, plants are literally rooted to the ground.

Except, of course they can move, very slowly, season by season like our little strawberry patch until they find exactly the right spot. The strawberries in the photograph were initially planted out as runners in the space now filled by fruit bushes. They never did very well there so after a couple of seasons we took runners off them and discarded the mother plants so we could replant somewhere else. Over a period they’ve occupied a number of spaces chosen by us but never really thrived until they took their own destiny in hand and set off in search of strawberry nirvana. And they moved some ten feet and crossed a wood chip path (unnoticed by us) and set up shop at the western side of the polytunnel where they’ve begun to thrive. The photograph shows how they move by sending out stolons (runners) which root wherever they find a space. Earlier this year I figured out what was going on so I cleared the adjoining border of weeds, loosened the soil and fed it, pegged a couple of the runners to encourage the others and – as you see – they’re invading the empty space with enthusiasm. The narrow bed they’ve chosen is sheltered from the damaging and cold winter northeasterlies, and is well watered by rain running off the tunnel, and all we needed to do was to watch and learn while the strawberries showed us what they need.

Over the years this kind of thing has happened over and over. A patch of borage comes and goes, a buddleia dropped in from nowhere; even a rare form of Fumaria appeared from who knows where along with an Apple of Peru, Nicandra physalodes. Our asparagus bed never produced a decent crop in spite of our efforts to create a perfect environment and so we gave up and this year had a lovely crop of new potatoes from the same bed. The takeaway point of all this is that the plants know their preferences better than we do. The best way of learning how to grow food is to watch and learn from the plants themselves. Of course it’s easier and quicker to sow seeds in grow-bags and water them with plant food, but the resulting plants are often weak and vulnerable to attack by predators.

All this boils down to our 21st century obsession with speed, efficiency and above all – control. It’s as if we’re frightened of nature and her processes because we don’t really understand them. It’s an ideology that affects every aspect of our lives But in order to thrive, the needs of plants are not so very different from our own. We just need enough sunshine and rain, enough good food, enough shelter and enough basic care to see us flourish.

But there’s another component that we, as humans, need almost as much as we need the other material things – and that’s joy and wonder. Plants may not be able to move very fast, but they can respond to touch, they can shape-shift to catch the light, or respond to drought, they can attract or repel using the most complex chemical processes and they can embody the kind of beauty that feeds our need for joy. Sometimes, when I water a thirsty plant I can almost hear a grateful response, even if sometimes the thank-you takes all night to process.

An allotment or a garden isn’t just a place to grow things, it’s a place to grow us as well; even the lowliest cabbage can demonstrate the difference between thriving and failing. It’s not all plain sailing. This is the season when we have a great deal of produce stolen off the plots. Our neighbour had her entire crop of figs stolen yesterday and another lost all her broad beans. Sometimes I desperately want to believe in karma, but thieves can only take the bare husks of the beauty of growing. Ninety percent of the value of the crop is in the tending of it.

Sometimes you wonder why you put yourself through it!

Astra inclinant, non necessitant

The Latin quotation under the photograph is translated as – “The stars dispose but do not compel”. Notwithstanding Amos Starkadder’s wonderfully funny sermon to the Quivering Brethren in the novel “Cold Comfort Farm” – “You’re all damned!” -(if you haven’t read it or seen John Schlesinger’s film you’re missing a treat); but there’s a great lesson for gardeners in the proverbial saying because the best we can ever do when we grow things is to dispose them to succeed. If you’re an organic grower then disposing your plants to grow well needs foresight, planning and patience plus a lot of compost. This morning we picked our first crop of Victoria plums from the tree we planted in 2020 the apples were quicker, but the pears are at least fattening up whilst the damsons seem to fall off too early. The pests are better at judging the moment than us. Badgers, for instance, always stole our sweetcorn the day before we were going to pick it. Nowadays we protect it by growing it in the polytunnel. The agrochemical industry wants us to believe that their products can predestine plants to succeed; that we can transcend thousands of years of human experience and spray the latest chemical (let’s call it Compel!) to dodge nature altogether. It’s a lie. There’s no other way to describe it.

I once spotted a book in an Oxfam shop called “The Half hour Gardener”, but it wasn’t so much the title as the author’s name which caught my eye. She is the daughter of a woman I once worked with and lost touch with back in the community arts days, and when we went to hear her daughter speak soon afterwards at an allotments association AGM she pretty much admitted the half-hour suggestion was a bit of a stretch. Even if it were possible you’d still fall foul of the weather regularly through a whole year of allotmenteering. Too hot, too cold, too wet, too dry, too busy, too knackered, too fed-up; the fact is, gardening is hard work. It may be true – in fact it is true – that gardening is deeply rewarding, but the reward is inevitably separated from the pain by a matter of months if not years.

Today, for instance, the temperature is in the mid twenties after weeks of dry weather punctuated by one, just a single but tremendous, thunderstorm and we’re about to enter our second heatwave in a month, and so we water. And when I say we water that means carrying dozens of watering cans each weighing twenty pounds down a rickety ankle busting path from the communal water trough to the dry beds. On a good day I could water the whole plot in about three hours but that presupposes that no-one else is watering at the same time, so on those occasions exquisitely delicate and silently mimed negotiations take place near the trough. The growls are never vocalized but we all understand the implications. Neighbours are neighbours after all and we don’t want water wars to break out.

The forecast is predicting even hotter weather on the way and I desperately need to dig over and prepare a large 5’x 12′ bed which has become infested with bindweed and we need to plant out purple sprouting broccoli there by the end of the week. We don’t generally dig, but occasionally the bindweed or couch grass migrating in from the paths need teaching a lesson and digging it out is the only way that works. The only plausible time to do it will be in the cool of the very early morning before the builders turn up to finish the work to eliminate black mould in the flat.

NB linen suit

Any dreams of shimmying through the allotment filled with delicious produce in weedless beds (wearing my linen suit and panama hat) seem to evaporate like the morning dew. Try as I will to look on the bright side at 5.00am, or mid morning when I need to walk up an icy hill to knock the snow off the nets before they break, takes a bucketful of optimism.

I’ll never forget the driving rain on the morning we dug holes to set the uprights in their anchors for the polytunnel. It was raining so hard I had to bolt the uprights in a foot of freezing muddy water which had filled the holes because they were below the water table that day. During COVID when everyone had time and energy the allotment site looked wonderful, but work and families had to come first when it ended, and it was sad to see their hard work so quickly overgrown with weeds. It demonstrated two important things about running an allotment; you might say two sides of a coin. On the one hand it takes time – quite a lot of time – to grow an allotment but on the other hand, COVID demonstrated that so many people were up for the challenge if only the time and opportunity were there.

The upside

I’m absolutely not trying to argue here that suffering is its own reward. We had enough of that in Sunday School; but that it’s worth a few wet days, tingling blue hands and cold feet to pick something delicious from a plant or tree that you nurtured through the droughts, the cold north-easterlies and the Azores highs to the day you cut it, warm from the sun, and take to the kitchen. Yesterday I sautéed the first batch of courgettes in butter and oil until they were just beginning to caramelize on the cut edges. No more than an hour from plot to pot. A few weeks ago we were scratching about for something fresh to eat on the allotment but now it’s in full flow, overflowing with gifts. The only response to it is sheer gratitude. I once thought I knew who to thank for it all, but these days I feel more comfortable offering my thanks to the Cloud of Unknowing; “the Tao that can be spoken is not the Tao.” After all, what’s a few hours of enjoyable work compared with the brightness and depth of tomato sauce made at home in the kitchen, or corn whose milk is still sweet, or borlotti – the winter banker for soups. We may be hard-up and scruffy but we live like royalty.

Meanwhile – back on the farm again

Well we arrived back in Bath on the Sunday before the heatwave struck, and after 2 weeks of rain in Cornwall we were just as trapped by the searing temperatures and – (ask any gardener) – under the cosh of constant watering. The only time to water in a heatwave is as early as you can bear to get up – in our case it was five am, because sleeping at all at 20C is a bit of a struggle. An early start gives you the very best of a fiercely hot summer’s day; much better than the evening when the earth is scorching. But nature doesn’t stand still just because you want a break. We left the allotment in good order but two weeks later the weeds were roaring and we had a battle on our hands.

There’s only one way to do this, and it’s to blitz the plot systematically from one bed to the next until it’s all as clear of weeds as it ever can be. If you’ve been watching Springwatch on the BBC and looking at the weary parents of fledgling birds endlessly feeding their ever more demanding family, you’ll have some idea what it feels like to clear an allotment that’s got above itself. The grass path that you should have strimmed before you went away is now three feet high in Cocksfoot, False Oat-grass, Couch and rough Meadow grass. I’m showing off a bit with the names there because Cornwall gave me a great deal of time to “do the grasses”

But doing the grasses involved a lot of work with the Olympus TG-7 camera because so much grass identification demands high quality macro photos which is far from simple in a windy situation when your subject is waving around. It’s a difficult skill to learn and demands that you step away from that comforting auto setting and get down and dirty with shutter speeds, flash values and f-numbers. Oh and I was also trying to develop a new step by step recording procedure – which I’ve bored you enough with already. Progress was slow. And that’s all I’m going to say. So with photographic experiments, learning new plants and weeding, the Potwell Inn has had to go on the back burner for a few days.

I said several weeks (weeds?) ago that the allotment had suddenly matured, and the top left photograph took me by surprise with an unexpectedly emotional reaction. I think I’d been strimming a weedy and grassy path, and it reminded me of my grandparents’ smallholding in the Chilterns where the garden paths always gave me a sense of delight; always verdant and closely mown. And then the photo looking along the plot and beyond the polytunnel seemed as if it expressed something of that childhood wonder – the chairs, the little pond and the sheer energy of the plants and running down the path to the greenhouse with my sister to see Charlie the toad. The trees we planted in Covid year are all in fruit now, and with the hungry gap over we’re eating our own produce. I think you have to treat allotmenteering as work -but not the grinding boredom of routine, but the utterly rewarding work of knowing what needs to be done and just getting on with it. It teaches you patience and resilience – we left the broad bean crop for a couple of weeks and when we got back the whole crop had been eaten and the plants were suffering from some kind of rust. Tomorrow we’ll pull them up. Cool weather plants don’t enjoy heatwaves any more than we do.

And in what counts as a pretty low-level flash of inspiration, I discovered (on my hands and knees but not praying) how important edges are to the appearance of an allotment. Add that to another feature that only comes with time – I mean scale here – the allotment looks grown up because it’s literally grown upwards and whichever way you turn and move, new vistas open up. Neither of us wants regimented rows in the way that some of our old 1940’s allotment books showed – all rows perfectly straight – and few of us can afford to imitate Gertrude Jekyll in her archly curated informality; but just a few delineating lines and paths along with a scattering of sheds, trees, texture and colour but never forgetting an offering of plants for the pollinators – that’s a living, breathing, tactile work of art. It’s a conversation with nature.

Speaking of which, the photo below shows the tough side of nature. I’m no entomologist but my ever available phone app thinks it’s a very deceased Southern Hawker dragonfly nymph which has been killed (and this is a guess) by a zombie fungus, (probably Cordyceps) which you can see growing out of its scales. With a twist worthy of Edgar Allan Poe the fungus takes over and consumes the living creature, leaving the brain until last, when the dying Dragonfly is induced to climb to a point high on a poolside plant and grip the leaf in its jaws in order better to spread its spores. Oh glory! That’s going to keep me awake!

The thing about Cornwall is it rains every day.

Greater Bird’s-foot trefoil

Rather like Wales but further south and therefore a bit warmer, Cornwall has its very own special kind of rain – like a tiny hole in a leaky hose it can soak you through in minutes and you never know where it’s coming from. When we woke up yesterday morning rain was beading up and running down the campervan windows, and just beyond was an impenetrable sea-mist. We turned as always to the Met Office to lift our mood but drew a blank. They referred to a “wobbly front” which is seemingly weaving a narrow band of misery across Roseland and northeast passing anywhere else we might think of escaping to. We made a cup of tea and sat in bed looking at the window. Driving home seemed, and remained a good option throughout the morning so we dried out the groundsheet, emptied the cludger, topped up the drinking water, blew up the tyres and packed away the table. Then we changed our minds (it was still drizzling) and I went down the field to take some macro photos of a plant that needed a closer look (see above) and suddenly for no reason at all we felt cheerful.

There’s an upside to rainy days in the campervan and that’s because it gives us an excuse to read books and do whatever we want without getting wet. So Madame read and I finally transformed my eccentric records into compliant form using AI and a staggering amount of memory and data. Then we ate pasta for the 73rd time this week and lived like students for a few hours. I absolutely love getting into a topic and hammering it. I can feel my brain straining and the synapses making novel networks until it feels like new life spreading through me; and no – apart from a syrupy and fiercely bitter espresso coffee first thing – (a holiday treat) – no recreational chemicals were involved.

Heath Bedsraw

Anyway I’m sharing this next photo because it’s a lot more representative of the tiny details that I spend most of my campervan time looking for. It’s just a bit of a leaf, but if you look very closely (the leaf is barely 5 mm long), you’ll see a line of tiny spike-like hairs and whether they point forwards or backwards is a determining feature between two species. The thing is that close-up examination with a hand lens reveals a truly exciting new perspective. Things that once looked identical look a bit different under 10x magnification; even more different under 20x and under a microscope oh wow! When I enlarge a macro photograph on a big screen when I get home I can see details that until the invention of the lens in the thirteenth century had probably never been seen by a human being. Many people tend to assume that science is driven by numbers and rooted in solid facts. In fact it’s driven by wonder and curiosity. It’s people with neither of those faculties who give science a bad name. We’re bedevilled by binaries and especially the ones that divide science from art. Mathematicians will willingly admit that theorems and solutions to old conundrums tend to come in inspirational flashes leaving all of the work to be done in proving the insight. They talk about “knowing” that a theorem is true because it’s beautiful or elegant. Philosophers agonise about mind/brain binaries when that may be an artificial division. Maybe they’re one and the same thing; mind, body, spirit, brain, even – dare I say – male, female, human and non human, native and foreigner. Fragments of a whole waiting to be reunited in a kinder vision – the kind of vision that a child is gifted with and is taught to forget.

When we were at Falmouth Art School the Head of Sculpture was something of a reclusive genius. Without ever exchanging more than a nod with him – (Ray Exworth was pretty terrifying) – he taught me one of my most important life lessons. He worked every day except (it was rumoured) Christmas day. Even as fashions were changing and it was taken as read that creativity was like a special gland that only some people had – so whatever they did would be art on account of the secret gland – Ray Exworth just worked. I fell upon Samuel Beckett’s words when I first read them ;

“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”

Sitting here in the campervan lost in a sea mist, the ghostly voices whisper words of discouragement and I tell them to piss off and go bother someone else. There’s a blackbird singing outside and soon the voluble family of crows will start their day-long group chat. The last few remaining campers are all lingering in bed like us, waiting for the sun to appear. It may take a couple of days yet, after all this is Cornwall where it rains every day. Hotter fiercer weather is on the way and this holiday will soon fade as the solstice takes us towards autumn. We’ll revert to our late summer heatwave timetable on the allotment and rise early to weed and water.

Life really is very simple if we allow it. Take out greed, petty disputes, ambition, pride and fearfulness and that leaves space for pondering, for growing, harvesting, cooking and eating, loving and allowing ourselves to be loved, and following our curiosity and wonder wherever it might take us and inviting those discoveries to share our lives and help us to fail better.

A rainy day in St Davids

Where’s Wally?

A vibrant patch of wildflowers and greenery by the seaside, featuring pink and white blossoms among lush foliage, with a calm sea in the background.
Coastal undergrowth on Roseland

We were sitting on a bench, resting after a bit of a hilly stretch on the coast path and I was squinting closely at a tiny fragment of leaf when a small group of walkers passed us. “What have you found?” one of them asked. “I’m just checking out this plant that I may have misidentified” “It’s Hedge Bedstraw”, one of them said. It was a friendly – we’re all in this together – kind of remark that instantly established a common bond. “I don’t think it is”- I replied – “I think it may be Heath Bedstraw because there are tiny forward-pointing prickles on the leaf. This is the kind of thin, acidic soil they grow on”. We were all set, then, for a long (and for Madame and the rest of the group) tedious hyper focused discussion when another walker standing at the back of the group said. “There’s a Hummingbird Hawkmoth!” – pointing behind us. We all stopped whatever we were thinking about and turned to where the the speaker was pointing. And there it was; I’ve never seen one before so it was a bit of a moment to see this oddly beautiful creature whose wings moved so fast they were not much more than a blur. Then there were five of us eagerly following the path of the moth as it foraged among the coastal plants, oblivious to us it seemed. Moths have had this capacity to evolve towards seemingly endless recklessly stunning forms and patterns. It’s hard not to think of some kind of artist lovingly creating them. Madame grabbed my phone from me and attempted to take some photographs but couldn’t get close; held back by thick brambles.

Our cheerful conversation continued and then we went our separate ways having – all of us – learned something new. Back at the campervan I just had to double check my already double checked identification and keyed out the piece of Bedstraw in my pocket (it’s a way of naming a plant by answering a series of either/or questions until the name pops out at the end). Yes it was Heath Bedstraw. Then I googled Hummingbird Hawkmoth and discovered that Hedge Bedstraw is one of its food plants; that’s to say it will lay its eggs on them for the hatching caterpillars to feed on. Interestingly it was hovering around clumps of the related Heath Bedstraw so maybe it’s not that fussy. One of the things I find most difficult to live with is the sheer provisionality of all wildlife records. It’s true until someone discovers that it’s not.

And that’s the trouble with this natural history malarky – it can get wildly out of control with those of us disposed towards intense attachments – let’s call them obsessions or addictions. Later, and wakeful in bed, I mentally rehearsed the various species of Bedstraw I’d seen, and where I saw them. That was fun, and there were five species spread across North Wales, Mid Wales, Pembrokeshire, Bath and Cornwall. Madame woke up and asked if I was OK? 3.00am is a bad time for those kinds of discussion – at least it wasn’t a nightmare, and we’d had a good day’s wandering about; pub lunch; a couple of excellent finds and a major step forward with the breakthrough discovery that I could load WAV audio recordings files of plant findings straight into Notebook LM which positively relishes English plant names and Latin binomials issuing gentle corrections and straightening out misunderstandings. All my previous doubts have been resolved, and I’ve got a functioning workflow at last.

I know this is problematic for some, but Notebook LM is rapidly becoming my pocket tutor and data organiser. Oh, and I also made progress with identifying some new grasses and that meant getting to grips with identification keys – PLUS our youngest moved into his new flat after being evicted by a (barely Christian) charity under one of those noxious Section 21 orders, now abolished due to abuse. We also met some heartwarmingly nice people with whom we shared many interests and the Potwell Inn human kindness index leapt up three points, something of a record. We rarely listen to the news when we’re away.

What’s happening on the allotment while we’re here? Well we gave it a deep watering, especially in the polytunnel, before we left and there are a couple of allotment neighbours who have promised to keep an eye on things. Every day we scan the weather forecast and wonder what will be happening on our patch of earth. Bath is situated in the steep sided valley of the River Avon and surrounded by the outliers of the Cotswolds, which means that rain tends to fall on the hills rather than in the valley. But then, we’ve also often had heavy showers at home and discovered that the allotment – only 800 yards away – is still dry. The most accurate forecast amounts to looking through the window. Madame retains a passion for isobars, warm and cold fronts and all the rest which she gained at the research station where it really mattered, and thousands of trees could lose their blossoms to a sudden frost.

We even have some allotment planning software on my laptop and we’ve spent one rainy morning here bringing it up to date. Does that make us into a couple of old saddo’s ? Ask us that when we’re eating just-picked peas that make the frozen ones taste like bin waste; and ask us again when you taste one of our tomatoes just harvested and hot from the sun, or sweetcorn from the polytunnel that would make a badger faint with pleasure. As with every other human pursuit, the more we practice, the harder we work, the happier we get; so thanks for asking ….. we’re not saddo’s!

It rains every day in Cornwall and today is no exception and so I’m writing and Madame is reading a biography of the artist Gustav Klimt and reading aloud to me the bits she finds most interesting. I’m a man, so that’s the closest I can get to multi-tasking.