Tag: holiday reading

First trip of the year – moderately chaotic preparations.

The old Serpentine works at Poltesco.

The problem when the Potwell Inn goes on tour is that our plans for a break out invariably involve quite a few bits of kit. So a week before we set out, and perfused with optimism, we attempt to stow as many things as we could possibly need into our little (and rather old) car. The car itself needs plenty of TLC, and the campervan cost us more to run this year than an upmarket old people’s home. So this trip is by car – which entailed getting the brakes serviced and the windscreen wipers replaced in honour of the exceptionally gloomy weather predictions. The forecasts also make most of our longed for plans unattainable so we’ve also packed (just in case) for reading, drawing, mothing, botanizing and watching a load of films on DVD that we seem to remember we enjoyed at the time.

The packing has involved four quite different scenarios. The first is to spend the time walking hand in hand through dappled sunshine; finding and recording rare plants by the dozen. The second is to work our way through our collection of DVD’s and the third is to read a load of pretty impenetrable books. Options two and three may also include lively moments of conflict due to the cramped environment. Alongside all this intellectual stimulation there is the hope that the nights will be mild and windless enough to make a list of moths attracted to the new moth trap. A quick bit of research suggests that with nothing more than a gentle zephyr from a warm quarter and either a bucket of home made sugaring solution or a prolific ivy bush in flower outside the door we may even find a few volunteers for ID including some migrants without appropriate mothy passports. Madame has also packed a large quantity of paper and drawing equipment.

This one’s a 200 mile drive to the Lizard in the extreme South West of Cornwall; proper – next stop America territory. So cameras, head torch, GPS unit and hand lenses are all charged up, the boots are oiled and waterproofed and the laundry revived after the unexpected flood caused by a broken washing machine – is there a theme here? The quills were sharpened; the oak-gall ink and hand-made nettle paper were prepared (maybe I told a tiny lie there). The heat dryer passed silently, surrounded by its favourite washing at the end of December and rather like the two elderly ladies in Laurie Lee’s “Cider with Rosie” the washing machine went into terminal decline when the dryer died. So it was an interesting week.

Madame made pasties on Wednesday last to get our palates tuned for the reckless beauty of Cornish haute cuisine. Stargazy Pie and White Pudding come to mind. We’re working our way through an endless series of named storms and it seems perfectly possible that we’ll have gone through the alphabet by the end of February, so It’s a long way to drive to have your dreams dashed by Storm Zelah. On the other hand when you’re young and madly in love everything is lovely. Sadly we’ve moved on from that bit – well, at least the young bit. Wish us luck!

Restharrow time

I guess that the harrowing of a field, even with a team of horses, would come to a halt when the tines dug into a mat of this plant. We’ve seen it before but always near the coast; I think the last time was in Portscatho in Cornwall but that was before my phone camera days – now my Pixel 6a does it all + lat & long which with a bit of fiddling yields a National Grid reference and a searchable database as well.

But I also love the name, because resting and harrowing have such wide fields of reference and the plant name Restharrow conjures up a ploughman calling his team back by name with a loud whooooa and pondering his next move. Wood engravings by Thomas Bewick, paintings by Samuel Palmer and the writing of George Ewart Evans come to mind and I’m plunged into rural history by a small but very pretty plant and a name with a cloud of meanings.

These words, the ones that trail clouds of meanings are useful but also tricky. On Friday night I was sleepless for hours. A southwesterly gale was blowing; rocking the campervan and soughing noisily through the leaky windows and I caught sight of the moon through a small gap at the top of the blind. But the moon wasn’t about to lend herself to any of the usual associations. For a start she was pale golden yellow rather than silvery and her usual progress across the sky seemed – well – vagrant, furtive under interrogation by my sleepless mind. Is it even possible to imagine a vagrant moon, stealing across the sky over Ramsey Sound with a haul of sunshine from somewhere always beyond the western horizon and then sinking quietly behind the clouds, or behind the brightening sky, in the dawn?

I lay awake for a while more and had one of our nocturnal chats with Madame, then fell asleep eventually attempting to disambiguate the highly ambiguous Male-ferns we’d found and photographed. It’s like counting sheep without ever arriving at a conclusion and sleep came as a relief

I think I must be addicted to the west; to sunsets and South Westerly storms and to the sunny days that always feel like a gift rather than a right. Here we watch the fierce tides flow through Ramsey Sound, intermittently covering and revealing the Bitches, a dreadful reef to any unwary sailor or canoeist – not that it ever seems to deter them. During the daytime the peace is rent by the ribs which offer so-called wildlife tours around the island but which seem to be extreme water adventures in anything but name, probably terrifying the wits out of any seals unfortunate enough to have hauled up on an inaccessible beach. I really cannot imagine any less viable way of seeing wildlife than travelling in a (f) bucking rib at 30 mph.

The gale hasn’t let up for days, but we get intermittent spells of sunshine and it’s been good for plant hunting and then cataloguing in the stormy intervals. That’s a good holiday – arriving with a suitcase full of worthy books, encountering the mental equivalent of a clump of Restharrow and being forced to slow down or take a break.

Advice for bloggers. There’s always the shop that sells expensive notebooks and watercolour paint

Sunset, looking west across the northern tip of Ramsey Island

That’s certainly true in Bath where you can easily spend over £100 on a posh notebook and fountain pen and release your inner Jane Austen during the length of a single rainy day.

I write – as ever – of myself; and my inner Jane Austen who remains captive in spite of the deskloads of notepaper and must-have pens which I’ve bought over the years to no effect at all. Even a set of six French manufactured coloured inks failed to remove the large stone rolled in front of the creative sepulchre.

For a while I convinced myself that it was the sheer expense of these accessories that was holding me back and so I started writing on torn up sheets of absorbent lining paper. There you go! we all have our little rituals which – although they have no impact at all on what we write – are strangely enabling of the act itself. John Masefield apparently liked to write with a box of rotting apples under his chair and Stanley Spencer memorably enjoyed the smell of human poo which seemed to get his creative juices going. Not for me, thanks. The seaside, with its smells of tar, salt and suntan lotion usually does it for me but these days I eschew all the tics of the past and write on my Chromebook wherever I happen to be.

For ten years I taught creative writing in the Welsh Valleys and in a notorious outer urban fringe estate, and it was there I learned that absolutely anyone can write. If there’s a problem it doesn’t lay with the (worker) writers but with the education system and the publishing business that sets the parameters of what we’re allowed to experience, think or express in writing. Of course the greatest enemy of many writers is self-doubt, but again this has its good side. Words don’t often come easily and it’s no bad thing to hesitate before putting your turds of wisdom before the public at large.

My own approach to writing was developed by having to meet deadlines. When you’ve got a deadline – even a self imposed one – you can forget all the faff and self delusion about waiting to feel the creative flow before committing. Sit down, turn on the laptop, write something and as it emerges you can correct, revise and edit as you go along. Oh and although it’s a good idea to have some thoughts on your potential audience, don’t let that be a straightjacket. In a blog format like this you can write for more than one audience and hope that some readers will like a bit of green spirituality as well as gardening tips. Never be afraid of pissing your followers off by failing to pander to their prejudices. You win some. And don’t pay too much attention to blogging advice on how to monetize your pages or get more hits. If you make the audience king you’ll land up being a servant.

For years I’ve honed my technique to deliver around a thousand words of reasonably stimulating, challenging ideas, backed up by experience and a lot of hard reading. What I haven’t learned is the very different skill set of gathering and editing those ten minute pieces into a larger format. Developing the significant themes into theses requires a larger view and a longer focus than I’m used to working with.

So we’re taking a two week post-harvest break in the campervan near St Davids, overlooking Ramsey Sound, and with a weather forecast that only differs in the predicted intensity of the rain for the next fourteen days. What could be better than repurposing some of that reading time to try out a larger format – say 10,000 words long? Well, coincidentally I packed Robert Graves’ “The White Goddess” to re-read, and this morning I made a start on it. Apart from his poetry and the book I have a single point of contact with him because I took the funeral service for a woman in his Majorcan circle who typed up some of the draft copies of the “White Goddess”. By the time I got to meet her she was near to death and not going gentle into that good night. Not that she ever spoke, but she was passing restlessly into unconsciousness. I sat with her daughter as her mother lay dying and asked the obvious question – “Why don’t you read her some poetry?” She was aghast at the very thought. Her mother – who sounded like a real martinet had always hated and criticised the way that her daughter read poetry aloud. Cue for a lifetime of repressed longing for someone, anyone, to offer any small praise.

As I started to read the book again I couldn’t get that picture out of my mind. Graves comes across as a slightly paranoid, obsessive old monster; absolutely determined to have his say and drive his point home like a stake through the heart. It’s my way or the highway. Anyway I soldiered on through the introduction and eventually found an example of an old Welsh poetic form called Cynghanedd that Graves had written to illustrate what he calls a “burdensome obsession”. I thought it was an absolutely wonderful use of words:

Billet spied,

Bolt sped.

Across fields

Crows fled,

Aloft, wounded

Left one dead

Robert Graves in a footnote in “The White Goddess”

That’s a wonderful encouragement to be bold with words; but the real takeaway point is that in his eagerness to press home every single obsessive point by wrestling it into the ground, Graves managed to write what even he thought was a difficult book that would be completely unintelligible to the “stupid and silly” people who would never be able to understand – because they weren’t proper poets. That should be a warning to anyone attempting to write in longer forms. Good writing flows like a river not a stream with prostate problems, and being right will in no way protect us from being bad.