25th May 2010

Scenic countryside with lush green fields, grazing cows, and rolling hills in the background.

So it’s sixteen years since Andrew and I reached the highest point on the Aubrac Hills in Southern France. We’d – well I’d – failed to realize during the planning, that following a river can be a bit of a nightmare because every tributary makes its own valley and the line on a map becomes a relentless combination of long downhill valley-sides and punishing climbs to the crest of the next. We’d also failed to realize that the Camino has been monetized like everything else and was crowded with trippers who filled the cafes restaurants and refuges while we were carrying our rucksacks and all our possessions and often struggled to find somewhere to sleep, We did a lot of trespassing!

A winding dirt path through green vegetation, leading to a panoramic view of rolling hills and valleys under a clear blue sky.

But the hard work was redeemed by the wonderful scenery, the wildflowers (spring comes late in these high places) and a chance encounter with the transhumance – the seasonal festival that accompanies the movement of the cattle from their winter quarters in the valleys to the high pastures. If you look closely at the photograph you’ll see the cattle and their horns decorated with flags. We heard the clanging of bells and the sounds of celebration from miles away. Festivals in France have deep, deep roots and with many of the local villages quite isolated, the chance of a gigantic piss-up feels like all their market days in one. We watched from a distance and camped outside the towns where the riotous fun seemed to go on all night. The maximum height of the Aubracs in the Massif Central is around 3000 feet but I think we must have climbed it half a dozen times before we finally dropped down to Cahors. Somewhere up there I overheard a conversation between a couple of immaculately turned-out women from Nice when they spoke in tones of horror about a couple of elderly farmers we’d seen . “La France profonde!” one of them said.

As it happens I like La France profonde for exactly the same reason I love Wales. The culture is often a bit obscure to outsiders but its very isolation has protected it from withering away, and even ceaseless promotion by the tourist boards can’t seem to erode the central power with which it feeds a deep connection with the past, present and even the future. It ain’t cute, that’s for sure, but it’s the cultural matrix that frames life in a harsh place.

25th May 2026 – the same canicule, but a couple of decades later

Here in Bath we grow some, at least, of our own food in the centre of a Roman city which feels – today in the unseasonable heat- increasingly like Avignon. We shall call it Sulis en Provence and – like them – lay down our tools some time in July and spend the next six weeks in idling, chasing bulls down the streets trying to catch them by the tail, wearing white T shirts stained with red dye as a form of simulated bravery and getting very drunk whilst eyeing up the adoring girls and presumably boys as well. We should join the festivities and play football with the plentiful melons by the light of thousands of fireflies and breathe in the wine infused night air as if we might live forever whilst the gammon faced elders scream abuse into the internet because they couldn’t find anywhere to park their Range Rovers on the pavement. Ladies and gentlemen – at the risk of being thrown into prison by Sir Keir and the Brigade of Goons I’ll quote Eldridge Cleaver – “If you’re not part of the solution you must be part of the problem”. Interestingly when I verified that quotation on Google Gemini I got a little homily on the middle ground . Sadly the middle ground is on fire. The time for discussion, committees and forward planning seems to have passed us by.

In any case, we’re keeping a Provenĉal timetable here at the Potwell Inn. Rising at five followed by two or three hours on the allotment – mostly watering at the moment – and then breakfast followed by cooking, preserving and bottling as required and then writing; after which it’s eating and telly, avoiding the poisonous news and early to bed. Nil Carborundum is our motto. I’m celebrating my inner peasant.

Finally some photos of various places in France including a small chapel just beyond Le Puy en Velay, A park in Uzes near the Roman aqueduct to NĂ®mes, The Musketeers outside the cathedral in Albi and below that, the fortified Cathedral. Then there’s a scorpion that came to play, the bridge at Cahors, a street corner in NĂ®mes – that’s from memory; the beach at Collure, and a couple more from Uzès.

It’s said that figs prefer stony ground and produce more fruit when you prune their roots. Maybe that’s it. The aqueduct that crosses the Pont du Gard and goes through Uzès and on to NĂ®mes was sealed with the juice of figs. Maybe if I think of myself as a kind of fig, that story makes me feel better because some good comes out of the pain and – as Jung said – we’re most creative where we’re scarred. Perhaps spiritual energy really does flow like water in a thirsty place. I had my roots pruned on 20th June 2016. My European passport has since expired and I didn’t bother to renew it. I was rendered a stranger in a place I once felt at home and it was my own folk that did it.

The question is … Can I tell my Asteraceae from my elbow?

A community garden with raised wooden beds, featuring a variety of vegetables, including potatoes and herbs, alongside a greenhouse in the background.
This was the left hand half of the allotment yesterday – the other half is the same size

Sorry Mr Eliot but April isn’t the cruellest month for gardeners; its May, when nature moves from the subjunctive to the indicative and blesses all our hopes with the sheer thereness of weeds, frosts and withering droughts. Four seasons in the month when dreams can disappear in a night and the fragments of bindweed we left behind in the autumn come back roaring back at us like belligerent teenagers. Nights spent staring at seed packets and saying shall we or shan’t we sow them? as if we were a couple of lonely souls contemplating a bit of adultery. But in May, no-one knows what will happen next.

So we plod on as always, fearing the worst and hoping for the best. Gardening is an excellent training for the virtues. Patience, courage, temperance, and modesty are all as useful in on an allotment as in public life; in fact if we refused to vote for anyone who was not a true gardener the world might become a better place.

So in the midst of this all too predictable heatwave we’ve been up at 5.00am some days, to do a few hours on the plot before it gets too hot to work . In May we have an abundance of small and vulnerable plants which need constant watering until they get their roots down. You can hear the bindweed muttering dark thoughts of strangulation below ground and even repeated watering, waiting and hoeing fails to diminish wave after wave of germinating dandelions, cresses and willowherbs which just love a bit of bare ground.

In addition we’ve both been waiting for minor operations (that’s in the eyes of the NHS) for which the queues reach all around the block and back to the crematorium. The boys (all approaching their forties) still keep us awake at night worrying about how they’re coping with jobs and flats in the midst of Section 21 evictions being handed out by the thousand.

Last but not least, I’ve been designing a new workflow for recording plants which will be much faster and more accurate with the use of some AI – which turns out not to be in the identification department but in sorting out my dispersed data and separating plants from shopping lists. If it works it’ll be a life-saver and will reduce the weight of the kit that I need to carry around with me, moving from rucksack to pockets. To celebrate all this we’re just booking a holiday in Marloes where I made my first ever plant list many years ago and we’ll be staying in a cottage we’d seen a thousand times but lacked the means to rent. All this to celebrate my 80th birthday and our 6oth wedding anniversary. I had my first botany lesson from a delightful scotswoman who found me lying on the sandy footpath around St Bride’s bay and trying to identify Hemlock Water Dropwort. She told me she was a botany teacher and that she always recommended Francis Rose’s flora to beginners. I took her advice and never regretted it – in fact I’d love to see her again and thank her personally but I fear it may be too late.

All of which will (I hope) explain why I’ve been a bit remiss recently in writing regularly. Life is just so exhilarating that I find acting my age a more and more ridiculous idea. I’m off now to make Elderflower cordial – the flower heads which were steeped in boiled water overnight, smell lovely – and it will only tale an hour to bottle enough cordial to last the summer.

A rocky formation emerges from a calm sea under a clear blue sky, with gentle waves lapping against the shore and pebbles scattered on the beach.
Marloes beach

It’s a mess – but a holy mess!

A small pond surrounded by tall green grass and clusters of yellow and white irises in a garden setting.
If you look closely enough you can see a tiny patch of pale blue painted plaster where St Francis keeps an eye out for frog spawn

I know there are all manner of gardening styles, from Gertrude Jekyll’s gingham and lace to Beth Chatto and all the way to the regimental ranks of RHS Wisley. Our allotment neighbour Pete is definitely Midlands in style and we are – frankly – untidy. Some plants blow in on a gardening wind and some settle down. We don’t have weeds but we certainly have some pestilential visitors like couch and bindweed, who outstay their welcome. Other visitors are harder to evict – we have a longstanding relationship with some Tall ramping Fumitory, Fumaria bastardii whose nearest relative seems to grow in a quarry thirty miles down the road and came over from Ireland at some time in the past. A proper traveller you might say. Ours is a polymorphous, polyglot and pollyanna plot with attitude.

Madame is the seed sower and nurturer and I am the surly under-gardener who nails things together muttering dark threats, and does all the heavy work; which is OK because I like the civil engineering bit. My present project is turning four underused compost bins into eight raised beds using as much free material as possible. When I sawed it horizontally in half – as you can imagine – it became a bit floppy and so old screws were removed with my worn-out driver set and new ones driven in with the wrong heads because the others were all worn out from previous bad choices. My arms were consequently purple with bruises due to the blood thinners I take. What with the constant dripping nose from hay-fever and the ugly arms and the cursing, our neighbours gave me a wide berth. They think, maybe, that old-age is something you catch from people like me. I say my language is a homage to my maternal grandfather who taught me almost everything I know about swearing. You’ve no idea how much pleasure I get from celebrating my disused vicar status by creative cursing.

The trick to recycling old topsoil into new beds is to work out a way of minimising the distance each shovelful has to travel – so bed one which can’t be lowered because of the damson tree roots – gets the soil from bed 2 with some composted manure for good luck. Bed 2 then stays empty until some wood chip can be sourced when it will be topped up with the soil from bed three which I stored in old compost bags. That leaves bed four to be filled with much more expensive nursery-bought topsoil and compost. The upside is that beds are much easier to work and much deeper so we can grow longer carrots and parsnips and we haven’t bought a single plank or post.

So its been a good week on the whole, without paying too much attention to the elections. The fiftieth anniversary celebrations of the artists’studios of which we’re almost the last surviving founder members were such fun we returned there for the May holiday open studios. I was having a rather difficult conversation with a disarmingly lovely young welcomer and fiddling with my pixel watch nervously when I managed somehow to turn on a podcast which was sent straight to my hearing aids. Our conversation became bewildering and she must have thought I was quite demented. Madame had another such conversation with a rather deaf man when she was talking about Vermeer who did many of his paintings in pairs and he mistakenly thought that she was saying something about him painting pears. As I’m sure Sam Weller says in Pickwick Papers – ‘collapse of stout party!‘ There’s nothing funnier than a cross-purpose conversation with a complete stranger.

On Sunday, after a family meal our youngest son – who’s a chef – brought around the experimental sourdough pizza dough he’s been working on with my 20 years old starter. As we chatted he said that he’s got three of my favourite family favourites onto the menu at the restaurant. I felt absurdly proud. They’re not really mine at all but dishes I picked up over sixty years and worked up for fun. Some I’d eaten on our travels, and some came from books, all inflected with the local availability of ingredients.

He’s being evicted by his landlord (a so-called Christian charity on a Section 21 no-fault notice. As the evictions deadline has approached over the last weeks we’ve seen any amount of furniture stacked on the pavement outside their empty flats. This so-called charity has turned out thirty people from their properties in order to sell them off, under the pretext of rediscovering their original charitable aims; so it’s all perfectly legal and they make it sound as if it’s some kind of moral obligation to turf people out of their homes. Isn’t it just a bit puzzling how much suffering is caused by ultra respectable people who wear suits to work and worship the gods of commerce and profit? I think of Dante’s vestibule of hell; the place where the uncommitted, those who refuse to take sides on moral issues, those who just don’t give a shit are sent to continue their pointless existence in an eternity of suffering.

But that’s enough. Let’s get back to the allotment and finish this rather anguished piece with a couple of photos that say something about our messy manifesto. We found our first ripe strawberry today, lurking under its water-cooler micro-greenhouse. The two water butts are going to be plumbed into a row of four and could even be purposed to circulate lukewarm water beneath the greenhouse in winter, powered by a solar panel and a recycled radiator in a system we say years ago in the Centre for Alternative Technology in Machynlleth. Until today, the latest frost we’d ever experienced on the plot was on May 6th but we had a frost yesterday, today and possibly tomorrow, so- 11th, 12th and 13th May. Luckily we’d covered anything tender with fleece, but our neighbours potatoes were all frost nipped and damaged. They’ll recover but it will take them a while.

Meet the Cranesbill Trio

I used to work as a community artist on a large satellite housing estate on the North West of Bristol. This wasn’t of those six month temporary contacts, I was there for ten years nd I got to know a lot of lovely people I’d never otherwise have met; like the stripper who caught the same late bus as me into Bristol to work, and often had to walk home alone, and told me she never felt safe until she’d re-entered the estate. I loved overhearing conversations on the buses because I learned so much – and one day I heard a comment on another community leader which has never left me. “That Jack B” said one passenger to her neighbour – “He can’t tell shit from pudding!” The estate was one of those places where everyone was related in some way to dozens of others. You quickly learned not to express any opinion about anyone without checking carefully whose cousin they were. Anyway, I’ve been profoundly glad of that phrase over the years and today I especially commend it to those of us who are feeling a bit down at the success of election candidates whose tastes and opinions are wildly weird. If you’re hoping for a tasty meal never order the pudding on the say-so of a waiter who might be called Jack B, because it will probably turn out to be – well, need I say it?

So in order to escape from all that I was casting about for a cheerful story and as I wrote about the cousin challenge in the first paragraph, I remembered that yesterday whilst preoccupied about raised beds on the allotment, I spotted three botanical cousins just above our plot; Herb Robert, Geranium Robertianum, Hedgerow Crane’s-bill, Geranium pyrenaicum, and Cut-leaved Cranes-bill, Geranium dissectum all within ten feet of each other and – as far as it’s ever possible to know – growing wild. I wish I could say I’d stridden forth, vasculum across my shoulder and a copy of Stace IV in my poachers’ bag in search of them, but I was leaning on my spade gasping for breath after shovelling a mixture of compost, manure and topsoil into the four beds. Most good spots like that happen when – for whatever cause – I’m standing still. Please don’t run away with the idea that any of these geraniums are rare because they’re not. It’s just a lovely coincidence to see them together because the differences aren’t that great until you know what to look for and then it’s easy. Like the residents on the estate they are related but quite separate species and their antecedent connection, whether lawful or one-nighters are lost in the mists of thyme. Harm one and you offend them all.

Wooden raised garden beds filled with dark soil, positioned beside a greenhouse.
The cause of the pause – approximately 3000 kg of home-mixed topsoil.

It would be easy to mistake the total weight of four raised beds of soil. Once I’d added some strengthening posts, and mixed together the components it came to around 3 metric tonnes in weight and because I mixed them in situ it meant an awful lot of leaning and turning. Not to worry, though I’ve finished half of them now and the other four – which is to say the top sections of the dismantled compost bins – will have to wait until it’s time to plant up in the the autumn. My back will probably have recovered by then.

We’ve been very focused on the allotment this week because now is the time where – if you sit back and relax – you will discover the extraordinary energy of plants in the spring. Our plots are infested with bindweed, and we run a general (but not religious) policy of not deep digging but working just the top 3 or 4 inches of the soil with hoes and a three or four pronged cultivator. Bindweed spreads by way of underground rhizomes – thick and white and known as devils guts. It’s worth saying that, unlike those who spray them, they’re immune to glyphosate and other chemicals and so the only way to control them is to hoe the tops off regularly and pull out every bit of root as you find it in order to starve them. There are jobs you can leave for another day, but bindweed must be pulled up on sight! I’ll put some photos of the current state of the allotment on at the end.

Meanwhile I struggle but mostly succeed in finding time to read because things are changing so fast in our understanding of the earth and our role in its destruction. At the moment I’m reading Michael Pollan’s new book “A World Appears” in which he explores ways of understanding consciousness in plants and is absolutely fascinating, as are all of his other books. The parallel read is Mary Midgley’s philosophical book “Beast and Man” first published in 1978 which explores the roots of human nature and which overlaps slightly when it comes to the higher animals. She’s the most lucid philosopher I’ve read, and avoids technical language as a matter of principle. One stand-out insight from Pollan’s chapter on sentience is his sudden exclamation – “So that’s what a theory of consciousness is going to generate – Art!” Writing, reading, gardening, botanising, cooking are the key to flourishing for me. You can keep your profits and huge bonuses because I know better than most that there are no pockets in a shroud.

And so – a few more photos of our magical allotment that turns sunshine plus water into food and releases oxygen as it does so.

Canal Reflections

A tranquil scene featuring reflective water, with the sun illuminating the surface while green foliage and delicate plant stems are visible in the foreground.
Cow Parsley, Anthriscus sylvestris on the Monmouth and Brecon Canal
A close-up of a white flower with six petals, surrounded by green leaves and grass.

Maybe I’m being a bit evasive here. Obviously the photo is partly about reflections on the water – largely due to the inbuilt wizardry of phone cameras which make a photo with a huge tonal range like this so easy. However, as everybody knows, a stroll along a canalside towpath on a beautiful sunny day, is apt to promote a reflective frame of mind. This season of the year is especially beautiful because the emerging plants all look so pristine. I started taking a few photographs principally as notes for the blog, but within twenty minutes I was in full-on recording mode. One such photo was of the abundant Greater Stitchwort along the canalside. I can remember the first time I saw this plant; it was on Dartmoor on March 16th 2016, ten years ago. Yesterday they were everywhere, among many other favourites – 27 species in the end.

A cluster of small white flowers with purple accents, surrounded by green grass and leafy plants.

Another old friend that set off a chain of thoughts was the Cuckoo Flower, Cardamine pratensis which I’ve often seen but never once connected its flowering with the coming of the Cuckoo. “Why didn’t I notice?” I thought, metaphorically banging my head against a tree. The reason of course is that Cuckoos are becoming ever rarer, and it just so happens that we were lucky enough to hear them twice in the last two days. It may seem to us a bit like metaphysical poetry to yoke the two phenomena together but to my mother – born in a cottage in the Chilterns in 1915 – it was part of the the natural calendar that structured her days. The clouds over Granny Perrin’s nest foretold rain, and that was that.

A close-up of a person's hand holding a purple violet flower, with green grass and yellow flowers blurred in the background.

We wandered on, stopping to note a couple of dead Bream floating in the water. One had a deep nick in the side, suggesting a fatal encounter with a narrowboat propeller. There were more signs of the season’s perpetual motion; the Wood Anemones past their prime and ready to shed their petals, Lords and Ladies in their priapic stage but awaiting the big red berries; Herb Robert, Yellow Archangel below, Bird Cherries above our heads, Dog Violets nestling in the lower layer with the Primrose, Bluebells of course, and a single Barren Strawberry barely noticeable in the understory. With the canal on one side atop a bank, with a large marshy area below we spotted hosts of Ramsons undamaged so far by foragers and beside the canal the young leaves of Hemlock Water Dropwort, ready to administer a fatal punishment to those who gather incautiously.

I was lagging behind as always, when Madame waved me closer and told me to be quiet. She had spotted something interesting down on the edge of a marshy pool below us. We waited in silence until something moved, ran along a log and disappeared into the undergrowth. Too pale for a ferret, too large for a stoat, and unlike any squirrel we’d ever seen. Back in the campervan we searched diligently and decided it was a pale Polecat – possibly a hybrid ferret polecat cross – and it had obviously been stalking a mallard perching on the log. What a find!

We spent the afternoon (after dropping off at the pub) reading and cataloguing today’s finds. I’m reading David Elias’s book “Shaping the Wild” at the moment and in the chapter on moorland birds in a discussion of the present state of the Kestrel population, he quotes Mary Midgely who wrote in one of her books:

The world in which the Kestrel moves, the world that it sees is, and always will be entirely beyond us

Mary Midgley, “Beast and Man: the roots of human nature”

All of which brings to mind Ludwig Wittgenstein’s “Whereof we cannot speak, thereof we must remain silent” and Gerard Manley Hopkins’ poem “Windhover” which fails to bridge the gulf magnificently.

Later we watched (part of) David Attenborough’s latest TV series “Secret Garden”. I say part of it because we both found its anthropomorphism both saccharine and misleading, and turned it off. I spend a lot of time and words here on the Potwell Inn trying to say something sensible about our connection with the natural world. There’s no doubt we are dangerously detached from nature.

Last night our son recounted a truly worrying account of a difficult conversation with his neighbours in Birmingham. He overheard them discussing the lovely mature oak that overlooks his, and their garden and it was clear that, for them it was nothing but a nuisance. They complained that it blocked out the sun and the birds made an intolerable noise. The tree had probably been there for a century before their terraced houses were even built and yet they were trying to enlist him in a neighbourhood campaign to have it felled. Yes we’re dangerously if not fatally detached from the natural world.

However the manner in which we re-attach ourselves is questionable, and here’s my beef with Attenborough and the BBC version of wildlife. It’s all too cuddly, and smooths over the immense difficulties with a commentary that reduces everything to winsome little human stories, as if animals were simply miniature and cute versions of ourselves. Attempting to engage with nature on those terms reflects an almost colonial attitude.

Yesterday’s encounter with the Polecat, as David Elias’s and GM Hopkins with a Kestrel is a form of engagement that takes seriously the otherness of the species we share the earth with. As long as we think that we can batter the natural world into the shape we invented we’re lost. If our love of nature, or if the idea of green spirituality strays too far into the religious mindset we’ll repopulate the horrors of religious extremism with an equally dangerous set of ideas taken from misunderstandings of nature with all the witch trials and heresy hunting thrown in.

If we can confine ourselves, in these occasional and wonderful encounters, to behold the inscrutable strangeness of the creatures, plants, insects, mammals, fishes, birds, moulds and fungi in silence then maybe we could begin to rediscover our own creatureliness which could be the foundation of a true green spirituality.

Close-up of two butterflies resting on a green leaf with a blurred background featuring water.
Crane flies mating

At last – a Cuckoo

A hand holding two small salamanders near a pond, surrounded by greenery.
Probably young Palmate Newts – a cryptic diary entry

I know that the last time I heard a Cuckoo was Monday May 6th 2019, and that’s because it was the same day we photographed these two young (probably Palmate) newts in the pond at Kate and Nick’s smallholding in the Bannau Brycheiniog. We were up there on the hill yesterday for a few hours, and although it was my dearest wish to hear the cuckoos call again it didn’t happen until this morning – back at the campsite – when a single cuckoo called just three times and then fell silent in the woods below the high ridge that overhangs us. I’d thought I might get quite tearful when it happened, but in fact my predominant feeling was a kind of resignation that to spot any threatened species nowadays could be the last time ever. It was more of a ghostly reminder than the vibrant song of a returning pirate, fluting their two note song in anticipation of plundering more nests and displacing more nestlings.

When we got back to the campsite yesterday the air was thick with smoke from the many barbeques making their burnt offerings to a warm and sunny evening. I’ve gone off the whole idea of barbecues in recent years; they seem to celebrate the same kind of disappearing culture as the Cuckoos. But to balance the picture another lovely sound on the campsite was the thumping of footballs and the chatter and laughter of the children as they played while their parents and grandparents, uncles, aunties and cousins – South Wales has a big family culture – sat in their folding chairs as if they were the cast for a Martin Parr photo-shoot. We’ll miss his kindly eye.

There’s always something botanical to celebrate up here; often it’s not even rare but just happens to catch your eye. This little plant was concerning Kate because it’s swamping the grass above their cottage. It’s Doves-foot Cranesbill. Geranium molle, which has found its way on to a sunny spot at the top of a high wall supporting the bank outside . It’s the perfect spot for a sun-loving plant but in the thin soil it was much smaller than its family might be in deeper richer soil alongside a hedge. In a close-up photograph it displayed its full glory. I’m not a trainspotter and for me ubiquity and weediness would never dim my affection for them. The wall was also home for a multitude of Spleenworts, Foxglove, Mullein, and a Wren which seemed unconcerned as it shot out of a small gap in the wall and past me.

Just up the track our friends have bought a field which was absolutely overgrown with brambles, bracken and shrubs. It would have been useless for any kind of grazing and so they’ve cleared it during the winter leaving a huge pile of brash in the middle. It was very dry yesterday although the stream that feeds it was still flowing fitfully. Not quite a mire but certainly not a conventional meadow, it’s an interesting place with the potential for recovering many species of plant which – like the Dove’s-foot Cranesbill – have their strong preferences. Meanwhile I was fascinated to see what had appeared already from the seedbank. The were bluebells, of course; daisies, dandelions, Mouse-ear and barren strawberries all of which must have been waiting in the soil for their moment. The bracken was just at its crozier stage so it will need dealing with- Nick says that the best way of getting rid of it is to bruise the stems with a kind of roller which disrupts the flow of sap feeding the rhizomes.

I’ve been reading a new book by David Elias called “Shaping the wild”. It’s an account of his long association with a hill-farm and its occupants near Bala lake over a period during which the farmers struggled to comply with the contradictory demands of various government subsidy demands. It describes how entrenched the battle is between conservation and environmentalists as opposed to those dedicated to so-called improvement. If, when the results of the May elections are counted, the previous incumbents are kicked out they’ll have no-one to blame except themselves.

As I write this, a flock of house sparrows is working the hedges in front of the campervan. That’s what I mean when I write about the ordinary. As Joni Mitchell’s song says – we don’t know what we’ve got ’till it’s gone!

Being in a relationship (with nature)

A garden scene featuring a glass greenhouse and a plastic polytunnel, surrounded by various plants and greenery. Two large water containers are visible, along with wooden garden beds and a signpost.

In the recent BBC TV adaptation of the novel by Janice Hadlow, in which she constructs a plausible sequel to Jane Austin’s Pride and Prejudice, the dreadful clergyman Mr Collins is found reading Aristotle; searching – as he says – for the way to be happy. Happiness is a fairly inadequate way of describing the best life as envisaged by Aristotle. In his view, happiness is not much more than a side effect; but the real deal, and the driving force towards it is eudaimonia usually translated as flourishing. We flourish when we practice the virtues – which can be expressed in a number of ways but to take just the foundational ones; courage, temperance, justice and prudence are some of the most important from a list that can be expanded to twelve or even more. If Mr Collins owned up to Aristotle that he was hoping to be happy as a result of reading a book, the philosopher might have made him write out 100 times – I must not be greedy, ambitious, hypocritical, grasping and in particular I must not render widows and their daughters homeless and dependent on the generosity of their rich relatives or hoping to be funded by marrying wealthy bachelors.

The virtues are not abstract bits of head knowledge but more akin to habits which – if we cultivate them – become embedded in our behaviour. We’re more likely to do the right thing without having to think it through each time. This all sounds a bit too intellectual but you’ll notice that all the virtues are relational; they’re to do with the way we relate to other people in our everyday actions. Kindness, loving, respectfulness, honesty, self control and courage, are not so much concerned with holding certain beliefs in our minds as with acting them out in the market-place of our lives.

Labore est orare

Sorry about the Latin, but it’s important. I first came across this saying – it means to work is to pray – many years ago in the context of Benedictine monasteries where, I discovered that in some of them the words labore est orare are inscribed above the chapel door as the monks leave and the opposite saying orare est labore to pray is to work is written above the door as the monks enter. St Benedict wrote his rule of life centuries before the Greek text of Aristotle were translated but in a kind of wonderful evolutionary convergence, the Greek texts were translated by Benedictine monks centuries later and they became hugely influential largely through the writings of St Thomas Aquinas. I’ve only been to one Benedictine monastery and I very much regret not visiting the chapel to see if this suggestion is true. Anyway, it stuck in my mind as an almost perfect expression of the gardening life. Today I was on my hands and knees weeding (I’d also knackered my back digging out volunteer potatoes on one of the overwintered plots) – and I experience a prolonged contemplative moment when I lost myself even amid the intense noise of the building site across the road. I watched a holly blue butterfly, a small white, a brimstone and a red admiral all about their business in the warm sun. Yesterday I found a marbled white trapped in a greenhouse, and today small whites were about. An impudent jackdaw flew on and off the allotment stealing beaks full of sheep fleece from within five feet of us. The earth smelt beautiful as it always does around Easter time.

Black and white image of a rustic house with a garden, featuring wooden supports in the foreground and a stone wall in the background.
Our first real garden in Pickwick.
A quaint garden surrounding a cottage, featuring lush green plants, a small table and chairs, and a rustic wooden fence.
Here’s the same garden 55 years later

This connection with the natural world is a perfect example of the relational nature of the virtues. The reason we feel so content, so joyful when we’re gardening is because there is a kind of conversation going on between us and the soil and the plants. The seasons and the weather are all part of the great conversation that constitutes a season.

Our relationship with the earth is a lifelong conversation not a million miles from the great conversation of a long marriage. Kindness, loving, respectfulness, honesty, self control and courage are as applicable to the foundation and evolution of a garden, or a farm, or a nature reserve and SSSI as they are to human interpersonal relations. There’s always something to learn in a garden; a time to yield and a time to push forward. A time to bend every sinew and a time to rest.

And so it is, that labore est orare – to work is to pray – becomes the form of prayerful practice that leads to true, deep, inexpressible possibly even sacramental happiness rooted in commitment to one another -gardener and farmer with soil, human partnerships in all kinds of love. And the greatest thing about it is that it requires no dogma, no theology and no dressing up.

A grassy garden area featuring sparse vegetation, a small shed in the background, and a few scattered tools and materials. A section of black tarpaulin is laid on the ground with twigs and dried plants on top.
The allotment on the day we took it over, ten years ago

Winter’s last gasp – hopefully

A panoramic view of snow-capped mountains in the distance, surrounded by rolling green hills and a sparse forest of trees. The sky is partly cloudy.
Pen y Fan dusted with snow, seen across the Usk valley from above Talgarth

A couple of days ago a minor skirmish broke out on social media regarding the change of name from Brecon Beacons to Bannau Brycheiniog – in the wake of the announcement by the National Park Authority that it’s rapidly going broke. Coincidentally I was continuing to read Jan Morris’ excellent book “The Matter of Wales” which exposes the part played in the suppression of the Welsh language by the English educator Matthew Arnold. This latest outbreak of social media bile and stupidity was led by a mob of English speakers, one of whom bravely named the mountain at the top of this piece “Penny Fan”. The troubles of the National Park and – for all I know – the entire nation could, according to the wisdom of the internet, be laid at the door of the Welsh Language. All those expensive road signs. They’d be stuffing themselves with silver spoons and turtle soup if they’d given up Welsh and spoken the same as what we do and joined our brilliantly successful politics and neoliberal economic witchcraft. Ah well! Whatever that means the answer is probably Port Talbot.

Anyway, back home from our little adventure in the hills above Talgarth we discovered that the builders had not finished dealing with our black mould and can’t come back to complete until the Easter holidays are over, so we spent a couple of days cleaning up the cement dust and turned to the allotment which is the only bit of our lives in which we have complete agency. Wales is a beautiful and paradoxical country and I often wonder why I feel such a strong affinity – except today I was reading about the 1930’s and I suddenly remembered my dad’s encyclopaedic knowledge of the miners strikes, the railway strikes and the suffering of the people in the valley towns. I was raised on tales of riots, police brutality and solidarity. My dad and my grandfather were ardent socialists and I suppose I absorbed their principles from my earliest childhood. As I grew up and saw how people actually behave I was, and I remain, shocked.

But I want to celebrate for a moment one of the great things about The Bannau Brycheiniog and you may be surprised to learn that I’m talking about the ironmonger’s shops. They’ve all but disappeared in much of the UK but Webbs in Crickhowell and Jones in Hay on Wye are survivors in the glum world of out-of-town superstores. We used to have several of them in Bath – one of them, clinging to a famous name in the area – called Avery and Bowlers – has just closed down. Bowlers fixtures and fittings can still be seen in the Museum of Work here in Bath and there’s a gas engine there that I helped photograph in 1971 when their factory was abandoned. The other I remember was a firm called Hine and Collinson on the London road whose employees, in their brown warehouse coats, could find almost anything you could name on one or another of its five floors. I once bought a new double duplex glass chimney for my granny’s paraffin lamp which I inherited by default because no-one else wanted it.

Webbs in Crickhowell is such a great experience it should be on the tourist map. We never go in there without coming out with a new teapot or a curious kind of egg cup. Anything from a bottle opener to a chair can be found there. Jones Home Hardware in Hay on Wye performs a similar service to its customers, scattered across the neighbouring countryside, who might be in search of a crowbar, a chainsaw or a broomhandle. It carries a similarly eclectic stock of very useful things across several shop fronts and a broad public alleyway horizontally arranged on Castle Street.

Exterior view of Jones Home Hardware shop, featuring a traditional facade, advertising for Honda lawn and garden equipment, and various gardening tools displayed outside.

Of course the butchers and bakers who are usually mentioned in connection with high streets are also important; but there’s nothing quite like an ironmonger’s shop to exemplify the way people live around here. Hay on Wye is mainly known for tourism and as a centre for second hand books and can often feel like a gated community of retired art teachers, but the thursday market is still a lively affair with more (and much more attractive) bakers selling every kind of sourdough bread, kimchi and mead – and where the trinkets are decidedly upmarket. The ironmongers aren’t after the tourist pound – they still serve the rural hinterland; the bit we enjoy for free – and hints at another deeper Wales just under the surface. As for bookshops, Richard Booth’s bookshop is still the first and the one I probably enjoy the best. On Thursday I came out with about the tenth rewrite of a wartime book then called “Plants poisonous to livestock” which Madame gave me as a gift in the 1970s; brown; thin; foxed and printed on cheapest paper. My new version is bigger and better in every way and it also gives plentiful tips for disposing of humans you’ve fallen out with.

Meanwhile, as I always feared, the newly published flora of Brecknockshire (that’s Breconshire in old money) arrived too late to take with us to Talgarth and as soon as I took off the wrapper it fell open on the page describing Herb Paris. I know and I’ve seen the plant in Velvet Bottom, on the Mendips but that was in the days before I knew anything about proper recording and I didn’t take a photo I could refer back to for verification. In spite of a number of return visits to the spot I’ve never been able to record it. So yesterday I discovered that it’s found in the same nature reserve in Talgarth – Pwll y wrach – that we visited. I excuse my failure to see it because it’s the wrong month for flowering, and the lower paths, closest to the water, were closed due to the danger of falling ash trees. No such excuse for another long-sought plant; Spring Sandwort which grows on the hills just above where we were staying. We’ll just have to go back and take the new flora with us. The book took almost 60 years of intense research to write, and sadly the author, Mike Porter, died a year before it was published.

The weather, during our visit, was pretty wintry and we had rain, sleet and even snow during our four days. Thinking back over our sighting of the old Central Wales Hospital, the discreetly renamed asylum, I woke up this morning after a sleep troubled by dreams with a phrase from a Robert Burns poem turning slowly in my mind:

Man's inhumanity to man 
Makes countless thousands mourn!

Why do I love Wales so much? There’s a sentence in the Jan Morris book that comes close to expressing it. I often used the contrast between the favela and the steppes when I was in psychoanalytic psychotherapy. It seemed to express the polarities of mood that I live with. Jan Morris, in trying to express the Welsh personality draws on another source from the Welsh language. The Welsh, she says, hover between hiraeth and hwyl – between the sad longing for a lost home, and the exhilaration of a full sail at sea. Either way round, it sounds a lot more creative than a diagnosis for some kind of disorder of the mind!

The light at the end of the tunnel.

A stone staircase leading down through an arched entrance, with a lantern visible at the bottom and greenery lining the path.
The passageway and steps leading steeply down from the Paragon to Walcot Street

We were lured out by the sunshine this morning and went for a decent circular walk taking in some shopping, a stop off at Toppings bookshop to book tickets for John Wright’s launch for his new book”Grasslands” in May, and then a bit of wall propping overlooking the weir feeling warm for the first time in months. Then another loop up the greatly diminished Walcot street to the top and back along through the Paragon, Milsom Street and home.

Don’t try this at home (or ever)
A lush patch of green foliage with bright yellow flowers growing alongside a stone wall.

Going down the steps to Walcot, if you looked closely across the road,you’d have noticed a rather early flowering Greater Celandine in a large pot outside a charity shop. I took this photo ages ago and didn’t think to photograph today’s specimen until it was too late. The thing is, I’d only today been looking today at an entry in a book on Welsh herbal remedies. The section on Celandine comes from a 15th Century herbal translated from the Welsh by John Pughe in the mid 18th century and taken from the tradition of the Physicians of Myddfai – so going back a bit.

A good eye salve. Take vinegar, white wine, the juice of Celandine, and Plantain. Mix them together in a pan and let them stand there 3 days and 3 nights, take it hence, keep it in a box and anoint thine eye therewith.

Here’s the thing, though. Among many other suggested uses, the bright yellow juice of the Greater Celandine is caustic enough to burn off warts and piles. There’s no way on earth anyone could put such a decoction in their eyes without damaging themselves unless there’s something in the recipe or the procedure that the canny doctors failed to share. I’ve got both glaucoma and cataracts (not that they trouble me much and they’re being well looked after by the NHS) but I’m sure that if Andy the optometrist were to lean across me with a mixture of Greater Celandine juice, vinegar and Plantain, and then try to drop it into my eyes I’d be out of the door pretty fast.

That’s the trouble with the reading that I’m doing about Wales and her history. Someone recently alluded to a kind of Cambrian fog that gathers over the culture of the country and leads unprepared travellers (like me) astray if we fail to inspect the teeth of the Bard to be sure that it’s gold and not mercury amalgam glittering between the lines.

We learned the difference between exegesis and eisegesis at theological college. Exegesis means trying to unpick what the original author was trying to say. Doing it properly can feel like unpacking a bottomless suitcase full of ancient garments and figuring out how they were worn. The opposite term, eisegesis, is much beloved by the evangelicals and involves trying to stuff a pair of your own theological pants into the suitcase after discovering that there’s nothing in there that quite matches your prejudices and so you have to chuck out the original contents and their bizarre notions, so you can get more of your ideas in and declare that you have the true meaning of the original.

There’s a phrase that comes from one of the great 20th century scholars of ancient literature who said – if that was what it meant then to the writer, what should it mean to us today? – which is to say that ancient literature and history need to be read with your brain in gear and not uncritically regurgitated as if it had nothing to do with the culture in which it was created.

The events of history are mundane and slippery; evanescent. It takes a poet to land a grappling hook on them and haul them in. It takes a poet to write about them fruitfully and yet another to read them well in vastly different circumstances and even those readings are as evanescent and slippery as the original events. There is never anything but provisional in the pursuit of history, and yet it’s the cultural air we breathe and so we must take it seriously.

I’ve been reading Jan Morris’ book “The Matter of Wales” and the third chapter deals with religious faith in Wales. I found it quite troubling because as she enumerated the waves of religion from the Celtic through Roman Catholicism, post Reformation Anglicanism (both enforced on the Welsh) and then waves of Calvinism, Methodism, Moravianism leading to the 20th century collapse of faith – I realized that in my own way I’d been touched by all of them and even experienced many of them myself. I went through what’s falsely described as Primitive Methodism in Sunday school (the Prims); conventional low Church of England, fiery atheism, Wesleyan Methodism, Evangelical low churches, Anglo Catholicism and theological college on the cusp of the Charismatic revolution. Whatever the light was at the end of the tunnel, they all seemed to swerve away from it when it got too challenging. Pretty well all of them operated a chaplaincy to the status quo. Nowadays if I was forced to put a label on my beliefs it would fall somewhere in the dim space between Celtic Christianity and Taoism but it would be better to evoke the old spiritual doctrine of reserve and apply it to the world in general and the understanding of past cultures in particular. The light at the end of the tunnel for me is the incredible freedom of feeling I don’t have to defend any orthodoxy at all.

The three graces – possibly

Learning by immersion

A panoramic view of a tranquil lake surrounded by rolling green hills and scattered trees under a blue sky with fluffy clouds.

Madame and I were sitting in bed today, reading peacefully – she on her tablet and I was immersed in a book by Jan Morris called “The Matter of Wales” the title being a playful use of language in order to indicate the substance, the deep matter of the country. The book was mentioned in Carwyn Graves book “Tir” which I’ve now finished and recommend without reservation as a gentle pushback against some of the more extreme (destructive) advocates of rewilding. For Carwyn Graves the Welsh landscape embodies the history of Wales for better and for worse. History is written in the soil, the rocks and fields; the livestock, the farmers and their lives but especially in their stories and poetry. It’s a beautiful book, and completely by accident I met one of his interviewees in the pub in Bwlch but we only talked about our experiences as writers for the then local Bristol newspapers. As soon as I saw his name in the book I recognised my lost opportunity to talk to an award winning maker of perry – pear cider.

The two books – Graves and Morris take interestingly different approaches to their subject. The landscape for Carwyn Graves is perfused with recollections of the old ways; a form of living history and its lessons for us in the present day. For Jan Morris the landscape is a living being; writhing, roiling, joyful and melancholy by turns. The history here is inscribed in lives lived in the landscape. She’s a magnificent writer on Wales.

So there we were (I mean Madame and me!) in bed reading and we have rules. Silences are only broken by mutual consent – “can I just play this ?….. ” Today she played an old recording of Pentangle – the brilliant Bert Jansch, John Renbourn, Danny Thompson and Jacqui McShee with others – and in something of a Damascus moment I realized I’d left out music, and in what Flann O’Brien would have called a “Keats and Chapman” moment (without the terrible pun at the end); the whole landscape opened in front of me as if I were stood on a mountain top seeing the plains below receding in aerial perspective until the faint blue landscape reached the sea. Of course, you idiot! I thought -it’s language, history, literature, poetry, art, religion, drama and music. It’s the art of the kitchen table and the blackened pot suspended by its crân dân (fire crane) over a crackling fire, the blacksmith, the spinner and weaver, the shepherd, the singer and the traditional doctor, the understanding of plants, the wood carver and the brewer. One of the most inspiring paragraphs in Carwyn James ‘ book is his explanation of the way that in Welsh the word for culture isn’t the cocked finger, class ridden culture from across the Severn – but it also embodies all of the undertakings of ordinary people to advance the experience of being human. So emboldened by this thought I made some coffee, went into my room and guided by some odd instinct searched out a small book about Welsh folk medicine. I’ve known about the Physicians of Myddfai for many years in a more or less superficial way but I had no idea where Myddfai actually is. I had a strong idea of what I was intending to write but (as ever) no idea of how it would shape up so (also) as ever I hunted for a suitable photograph and came up with one I took of one of the three reservoirs which accompany the A470 across the Bannau Brycheiniog passing Pen y Fan. We stopped in a layby there for a brew-up and were joined by a couple of bikers from Merthyr Tydfil on their way to a campsite near Brecon. It seemed to me at the time that this was a near perfect view, but as I looked for the village of Myddfai on the OS map today, thinking to include the physicians who came from that area, I realised that the village was no more than a couple of valleys to the west of where I took the photo, and furthermore the foundational story/myth of these physicians involved a meeting between a farmer and a beautiful water goddess near a lake just like the one in the photograph.

My question would be – is it even possible to understand a landscape or a word in isolation from its whole culture. Many years ago we travelled by ferry and bus down to a small hamlet in southern Ireland for a holiday with friends. One of the friends owned a holiday cottage down there and knew some of the local people. One night we were introduced to two brothers who lived alone in a fairly squalid cottage just up the lane. The two brothers shared a bottle of Guinness with us and clearly thought we were pretty wealthy on account of one of us wearing a new pair of Docs. I had taken a small tape recorder with me and they told stories and sang songs to us provided we returned the offer with songs of our own. Our companions suffered a sudden attack of elective mutism and I sang a supporters song from Bristol Rovers which seemed to please them no end. Just to give a flavour of their lives, they told us that they had advertised in the Cork Examiner for a wife that they would share between them. The ad also generously noted that a pre-existing child would not be an obstacle! Anyway, it became very clear that their stories and songs of the Famine, and of the IRA battles of the past – not to mention a disastrous storm from some time in the distant past – all existed in their minds as if in the present. They sang and spoke of them as if they were still actually happening. It was a powerful example of what I’ve been thinking about in relation to Wales.

The photograph at the top was taken the day after my retirement ten years ago. I remember the journey because our youngest phoned just after the photo was taken with some kind of crisis and we had to abandon our plans and drive back to Bristol where we were still living. The photo and the memory belong together and can’t be separated.

So here I am ten years on, firmly resolved finally to speak and read Welsh. But the conglomeration of these thoughts has led me to the inevitable conclusion that this project goes much further than learning a bit of grammar and some words. The project is a kind of total immersion into the language; the broad culture, history and all the rest, in order that – finally again – I can see the Welsh plants in their broadest meanings, and I can see Welsh food and poetry, history and song as the Hegarty brothers saw their corner of southern Ireland – as essential to their humanity – daft and cruel as that might have seemed at the time. This is what I mean by using the phrase “learning by immersion” because it’s the absolute prerequisite for deep connection with any place in the world.

I’ve done a bit with the words already and I’m pleased to be able to write and say “good morning dragon” in Welsh, although I doubt if there will be any opportunities to use it, and so I’ve switched over to a different but well-connected course which is filling me equally with terror and hope. I can already say most of “I would like to learn to speak Welsh” without having to take a lie down in the middle. Madame has banned me from doing any practice in her presence. Oh and I’ve bought some – well quite a lot of – books. Learning by immersion, you see.

An open grassy field with a row of trees, possibly apple trees, under a cloudy sky, surrounded by rolling hills in the background.
One of the Marcher Network orchards near Cwmdu