Tag: field botany

Meet the Cranesbill Trio

I used to work as a community artist on a large satellite housing estate on the North West of Bristol. This wasn’t of those six month temporary contacts, I was there for ten years nd I got to know a lot of lovely people I’d never otherwise have met; like the stripper who caught the same late bus as me into Bristol to work, and often had to walk home alone, and told me she never felt safe until she’d re-entered the estate. I loved overhearing conversations on the buses because I learned so much – and one day I heard a comment on another community leader which has never left me. “That Jack B” said one passenger to her neighbour – “He can’t tell shit from pudding!” The estate was one of those places where everyone was related in some way to dozens of others. You quickly learned not to express any opinion about anyone without checking carefully whose cousin they were. Anyway, I’ve been profoundly glad of that phrase over the years and today I especially commend it to those of us who are feeling a bit down at the success of election candidates whose tastes and opinions are wildly weird. If you’re hoping for a tasty meal never order the pudding on the say-so of a waiter who might be called Jack B, because it will probably turn out to be – well, need I say it?

So in order to escape from all that I was casting about for a cheerful story and as I wrote about the cousin challenge in the first paragraph, I remembered that yesterday whilst preoccupied about raised beds on the allotment, I spotted three botanical cousins just above our plot; Herb Robert, Geranium Robertianum, Hedgerow Crane’s-bill, Geranium pyrenaicum, and Cut-leaved Cranes-bill, Geranium dissectum all within ten feet of each other and – as far as it’s ever possible to know – growing wild. I wish I could say I’d stridden forth, vasculum across my shoulder and a copy of Stace IV in my poachers’ bag in search of them, but I was leaning on my spade gasping for breath after shovelling a mixture of compost, manure and topsoil into the four beds. Most good spots like that happen when – for whatever cause – I’m standing still. Please don’t run away with the idea that any of these geraniums are rare because they’re not. It’s just a lovely coincidence to see them together because the differences aren’t that great until you know what to look for and then it’s easy. Like the residents on the estate they are related but quite separate species and their antecedent connection, whether lawful or one-nighters are lost in the mists of thyme. Harm one and you offend them all.

Wooden raised garden beds filled with dark soil, positioned beside a greenhouse.
The cause of the pause – approximately 3000 kg of home-mixed topsoil.

It would be easy to mistake the total weight of four raised beds of soil. Once I’d added some strengthening posts, and mixed together the components it came to around 3 metric tonnes in weight and because I mixed them in situ it meant an awful lot of leaning and turning. Not to worry, though I’ve finished half of them now and the other four – which is to say the top sections of the dismantled compost bins – will have to wait until it’s time to plant up in the the autumn. My back will probably have recovered by then.

We’ve been very focused on the allotment this week because now is the time where – if you sit back and relax – you will discover the extraordinary energy of plants in the spring. Our plots are infested with bindweed, and we run a general (but not religious) policy of not deep digging but working just the top 3 or 4 inches of the soil with hoes and a three or four pronged cultivator. Bindweed spreads by way of underground rhizomes – thick and white and known as devils guts. It’s worth saying that, unlike those who spray them, they’re immune to glyphosate and other chemicals and so the only way to control them is to hoe the tops off regularly and pull out every bit of root as you find it in order to starve them. There are jobs you can leave for another day, but bindweed must be pulled up on sight! I’ll put some photos of the current state of the allotment on at the end.

Meanwhile I struggle but mostly succeed in finding time to read because things are changing so fast in our understanding of the earth and our role in its destruction. At the moment I’m reading Michael Pollan’s new book “A World Appears” in which he explores ways of understanding consciousness in plants and is absolutely fascinating, as are all of his other books. The parallel read is Mary Midgley’s philosophical book “Beast and Man” first published in 1978 which explores the roots of human nature and which overlaps slightly when it comes to the higher animals. She’s the most lucid philosopher I’ve read, and avoids technical language as a matter of principle. One stand-out insight from Pollan’s chapter on sentience is his sudden exclamation – “So that’s what a theory of consciousness is going to generate – Art!” Writing, reading, gardening, botanising, cooking are the key to flourishing for me. You can keep your profits and huge bonuses because I know better than most that there are no pockets in a shroud.

And so – a few more photos of our magical allotment that turns sunshine plus water into food and releases oxygen as it does so.

Then there were eight

A view of a vegetable garden featuring wooden raised beds, surrounded by lush greenery and a greenhouse in the background. There are tools and gardening supplies nearby.
A wooden planter box with small plants growing in it, surrounded by various tools and materials, including a yellow tarpaulin and wooden planks, on a garden path covered in wood chips.

You’ll know the way it goes – last year’s brilliant idea becomes this year’s Christmas turkey. In our case it was the four bin compost factory which I built ages ago without thinking enough enough about the input of green waste needed to circulate 320 cubic feet of waste through my brilliant invention. It never worked, of course, and the principal beneficiaries were a family of rats who moved into our expensively built takeaway. We got rid of some of the rats by eliminating kitchen waste, but our trail camera photographed rats five or six times more often than any more desirable neighbours. Eventually the unused bins were mainly used as a temporary dump for things we couldn’t bring ourselves to take to the tip. Then Madame had a brilliant idea. Why not saw the bins in half and turn them into raised beds and create eight new beds, adding 640 square feet of growing space? And today with a bit of muscle thanks to our youngest, the four became eight and are now waiting for enough brash, woodchip, compost and soil to raise the level for growing crops. I think I like the civil engineering bit of gardening as much as anything else. Meanwhile there’s work to do, closing up the gaps in the planks and possibly fitting a couple of polycarbonate covers so each of them could act as cold frames when needed. We did that very successfully with a hot bed in the past, but we were unable to get enough hot horse manure without importing the vermicides and chemicals horses are dosed with these days. I guess we could improvise a solar heated hotbed to complement the spring sunshine, but my negligible plumbing skills would be tested too far I’m afraid. The alternative (another big bit of civil engineering) is to move two water butts into a new position behind the greenhouse and plumb all seven into one unit storing 1750 litres. Being so close behind the greenhouse just might provide enough thermal mass to protect it from short periods of frost. We shall see!

Our short break in the Bannau Brycheiniog yielded records for 27 species of plants, an equal number of birds and an unexpected polecat – very exciting. When we returned I had to do a lot of urgent watering, but the potatoes are through and most of the seeds have begun to push through. If you think the photo of the potatoes is missing the usual ridges you’d be right. These first early potatoes are of the type known as determinate which cluster the crop around the seed potato rather than growing (indeterminately) up the stem. So we’ve planted them all 8″ deep and we’ll see whether they do as well. We’re harvesting spinach, Rhubarb, and some lovely Rouge d’hiver lettuces which have overwintered well outside. One of this year’s targets is to break the back of our infestation of bindweed with a combination of continuous hoeing, digging out as much root as possible, and finally growing Mexican Marigold (Tagetes minuta) around the most affected borders to deter the devil’s guts before it gets a hold. The “minuta” part of the name, refers to the tiny daisy-like flowers not to the size of the plant which self-seeds furiously and will grow over six feet tall. The repelling work is done by the roots, and we don’t let them set seed to become a worse nuisance than the weeds they’re deterring!

So one piece of hard-won experience – is to get yourself a diamond sharpener and keep your hoes (all your tools in fact) very sharp. That way they make hoeing and digging a doddle – cutting through weeds like butter. When Madame worked at a horticultural research station the ground workers all sharpened their secateurs regularly. The problem with the older methods was having to have to-hand water or oil for the carborundum. Diamond sharpeners work dry; I only occasionally use the whetstones in the kitchen and sharpen knives with a good steel every time I use them. It’s counterintuitive I know, but sharp tools (treated with respect) are far safer than blunt ones and those natty holsters on your belt can fool people into thinking you know what you’re doing; plus of course they make you look awfully manly (if you’re into that sort of thing).

A lush garden area featuring tall green reeds and some flowering plants, with a wooden lattice fence in the background. The scene is set in bright sunlight, and various pots can be seen placed nearby.
The pond today

Canal Reflections

A tranquil scene featuring reflective water, with the sun illuminating the surface while green foliage and delicate plant stems are visible in the foreground.
Cow Parsley, Anthriscus sylvestris on the Monmouth and Brecon Canal
A close-up of a white flower with six petals, surrounded by green leaves and grass.

Maybe I’m being a bit evasive here. Obviously the photo is partly about reflections on the water – largely due to the inbuilt wizardry of phone cameras which make a photo with a huge tonal range like this so easy. However, as everybody knows, a stroll along a canalside towpath on a beautiful sunny day, is apt to promote a reflective frame of mind. This season of the year is especially beautiful because the emerging plants all look so pristine. I started taking a few photographs principally as notes for the blog, but within twenty minutes I was in full-on recording mode. One such photo was of the abundant Greater Stitchwort along the canalside. I can remember the first time I saw this plant; it was on Dartmoor on March 16th 2016, ten years ago. Yesterday they were everywhere, among many other favourites – 27 species in the end.

A cluster of small white flowers with purple accents, surrounded by green grass and leafy plants.

Another old friend that set off a chain of thoughts was the Cuckoo Flower, Cardamine pratensis which I’ve often seen but never once connected its flowering with the coming of the Cuckoo. “Why didn’t I notice?” I thought, metaphorically banging my head against a tree. The reason of course is that Cuckoos are becoming ever rarer, and it just so happens that we were lucky enough to hear them twice in the last two days. It may seem to us a bit like metaphysical poetry to yoke the two phenomena together but to my mother – born in a cottage in the Chilterns in 1915 – it was part of the the natural calendar that structured her days. The clouds over Granny Perrin’s nest foretold rain, and that was that.

A close-up of a person's hand holding a purple violet flower, with green grass and yellow flowers blurred in the background.

We wandered on, stopping to note a couple of dead Bream floating in the water. One had a deep nick in the side, suggesting a fatal encounter with a narrowboat propeller. There were more signs of the season’s perpetual motion; the Wood Anemones past their prime and ready to shed their petals, Lords and Ladies in their priapic stage but awaiting the big red berries; Herb Robert, Yellow Archangel below, Bird Cherries above our heads, Dog Violets nestling in the lower layer with the Primrose, Bluebells of course, and a single Barren Strawberry barely noticeable in the understory. With the canal on one side atop a bank, with a large marshy area below we spotted hosts of Ramsons undamaged so far by foragers and beside the canal the young leaves of Hemlock Water Dropwort, ready to administer a fatal punishment to those who gather incautiously.

I was lagging behind as always, when Madame waved me closer and told me to be quiet. She had spotted something interesting down on the edge of a marshy pool below us. We waited in silence until something moved, ran along a log and disappeared into the undergrowth. Too pale for a ferret, too large for a stoat, and unlike any squirrel we’d ever seen. Back in the campervan we searched diligently and decided it was a pale Polecat – possibly a hybrid ferret polecat cross – and it had obviously been stalking a mallard perching on the log. What a find!

We spent the afternoon (after dropping off at the pub) reading and cataloguing today’s finds. I’m reading David Elias’s book “Shaping the Wild” at the moment and in the chapter on moorland birds in a discussion of the present state of the Kestrel population, he quotes Mary Midgely who wrote in one of her books:

The world in which the Kestrel moves, the world that it sees is, and always will be entirely beyond us

Mary Midgley, “Beast and Man: the roots of human nature”

All of which brings to mind Ludwig Wittgenstein’s “Whereof we cannot speak, thereof we must remain silent” and Gerard Manley Hopkins’ poem “Windhover” which fails to bridge the gulf magnificently.

Later we watched (part of) David Attenborough’s latest TV series “Secret Garden”. I say part of it because we both found its anthropomorphism both saccharine and misleading, and turned it off. I spend a lot of time and words here on the Potwell Inn trying to say something sensible about our connection with the natural world. There’s no doubt we are dangerously detached from nature.

Last night our son recounted a truly worrying account of a difficult conversation with his neighbours in Birmingham. He overheard them discussing the lovely mature oak that overlooks his, and their garden and it was clear that, for them it was nothing but a nuisance. They complained that it blocked out the sun and the birds made an intolerable noise. The tree had probably been there for a century before their terraced houses were even built and yet they were trying to enlist him in a neighbourhood campaign to have it felled. Yes we’re dangerously if not fatally detached from the natural world.

However the manner in which we re-attach ourselves is questionable, and here’s my beef with Attenborough and the BBC version of wildlife. It’s all too cuddly, and smooths over the immense difficulties with a commentary that reduces everything to winsome little human stories, as if animals were simply miniature and cute versions of ourselves. Attempting to engage with nature on those terms reflects an almost colonial attitude.

Yesterday’s encounter with the Polecat, as David Elias’s and GM Hopkins with a Kestrel is a form of engagement that takes seriously the otherness of the species we share the earth with. As long as we think that we can batter the natural world into the shape we invented we’re lost. If our love of nature, or if the idea of green spirituality strays too far into the religious mindset we’ll repopulate the horrors of religious extremism with an equally dangerous set of ideas taken from misunderstandings of nature with all the witch trials and heresy hunting thrown in.

If we can confine ourselves, in these occasional and wonderful encounters, to behold the inscrutable strangeness of the creatures, plants, insects, mammals, fishes, birds, moulds and fungi in silence then maybe we could begin to rediscover our own creatureliness which could be the foundation of a true green spirituality.

Close-up of two butterflies resting on a green leaf with a blurred background featuring water.
Crane flies mating

At last – a Cuckoo

A hand holding two small salamanders near a pond, surrounded by greenery.
Probably young Palmate Newts – a cryptic diary entry

I know that the last time I heard a Cuckoo was Monday May 6th 2019, and that’s because it was the same day we photographed these two young (probably Palmate) newts in the pond at Kate and Nick’s smallholding in the Bannau Brycheiniog. We were up there on the hill yesterday for a few hours, and although it was my dearest wish to hear the cuckoos call again it didn’t happen until this morning – back at the campsite – when a single cuckoo called just three times and then fell silent in the woods below the high ridge that overhangs us. I’d thought I might get quite tearful when it happened, but in fact my predominant feeling was a kind of resignation that to spot any threatened species nowadays could be the last time ever. It was more of a ghostly reminder than the vibrant song of a returning pirate, fluting their two note song in anticipation of plundering more nests and displacing more nestlings.

When we got back to the campsite yesterday the air was thick with smoke from the many barbeques making their burnt offerings to a warm and sunny evening. I’ve gone off the whole idea of barbecues in recent years; they seem to celebrate the same kind of disappearing culture as the Cuckoos. But to balance the picture another lovely sound on the campsite was the thumping of footballs and the chatter and laughter of the children as they played while their parents and grandparents, uncles, aunties and cousins – South Wales has a big family culture – sat in their folding chairs as if they were the cast for a Martin Parr photo-shoot. We’ll miss his kindly eye.

There’s always something botanical to celebrate up here; often it’s not even rare but just happens to catch your eye. This little plant was concerning Kate because it’s swamping the grass above their cottage. It’s Doves-foot Cranesbill. Geranium molle, which has found its way on to a sunny spot at the top of a high wall supporting the bank outside . It’s the perfect spot for a sun-loving plant but in the thin soil it was much smaller than its family might be in deeper richer soil alongside a hedge. In a close-up photograph it displayed its full glory. I’m not a trainspotter and for me ubiquity and weediness would never dim my affection for them. The wall was also home for a multitude of Spleenworts, Foxglove, Mullein, and a Wren which seemed unconcerned as it shot out of a small gap in the wall and past me.

Just up the track our friends have bought a field which was absolutely overgrown with brambles, bracken and shrubs. It would have been useless for any kind of grazing and so they’ve cleared it during the winter leaving a huge pile of brash in the middle. It was very dry yesterday although the stream that feeds it was still flowing fitfully. Not quite a mire but certainly not a conventional meadow, it’s an interesting place with the potential for recovering many species of plant which – like the Dove’s-foot Cranesbill – have their strong preferences. Meanwhile I was fascinated to see what had appeared already from the seedbank. The were bluebells, of course; daisies, dandelions, Mouse-ear and barren strawberries all of which must have been waiting in the soil for their moment. The bracken was just at its crozier stage so it will need dealing with- Nick says that the best way of getting rid of it is to bruise the stems with a kind of roller which disrupts the flow of sap feeding the rhizomes.

I’ve been reading a new book by David Elias called “Shaping the wild”. It’s an account of his long association with a hill-farm and its occupants near Bala lake over a period during which the farmers struggled to comply with the contradictory demands of various government subsidy demands. It describes how entrenched the battle is between conservation and environmentalists as opposed to those dedicated to so-called improvement. If, when the results of the May elections are counted, the previous incumbents are kicked out they’ll have no-one to blame except themselves.

As I write this, a flock of house sparrows is working the hedges in front of the campervan. That’s what I mean when I write about the ordinary. As Joni Mitchell’s song says – we don’t know what we’ve got ’till it’s gone!

Back in the Bannau Brycheiniog

A scenic view of rolling hills and greenery under a bright blue sky, framed by trees and shrubs in the foreground.
The view from the door of the campervan

I use the Welsh name of the Brecon Beacons because that’s what they’re called, and those who object to the correct name are all too often readers of the kind of newspapers that think their role in life is to incite incandescent fury against foreigners of any sort. We have a favourite campsite here that’s close enough to home to be extremely accessible and also fabulous for walks and wildlife. We drove in yesterday and had a brew up and then listened to 13 species of bird in barely half an hour. Dare I make a list? – Blackbird, Chiffchaff, Robin, Grey Wagtail, Mistle Thrush, Blue Tit, Dunnock, Blackcap, Garden Warbler, Wood Pigeon, Goldfinch, House Sparrow, and Raven – all without getting off my chair. Then the braver among the birds swept in while we cooked and ate every crumb of cake that we’d left there for them.

We are escaping from a difficult week with the builders who are treating our black mould; or rather not treating it because they have the habit of scarpering whenever an easier or more profitable job comes up. It’s been five weeks and goodness how many emails and they still haven’t fixed the shutters after they broke them. There was a building firm in Swindon years ago who operated out of a Morris 100o van and called themselves “Bodgit and Scram”. I imagine their slogan was You know where you stand with us!

Anyway on Wednesday we’d been invited to a “Founders Lunch” at Spike Island, the increasingly well-known artists’ studios on the floating harbour in Bristol where I was to make a short speech about how we’d set it up fifty years ago. Madame and I had put an ad in the local paper and asked any artists in the area who needed a studio to join us at an open meeting and we were astonished at the numbers who not only came but were prepared to pay rent on our imaginary studios while we looked for somewhere cheap enough to build them. It’s a long story that travels from flat broke to manageable overdraft and from fractious meetings to – well, probably even more fractious meetings because creatives don’t readily work cooperatively until there’s no alternative. Strangely and beautifully we went back on Wednesday and were greeted by many old friends who’d been tracked down by Bruce and Novvy Allan and discovered that the original artist-led community of our dreams is still alive and kicking. It was a powerful moment to be reunited with a part of our own history which we’d moved on from many years ago. As I said in my speech – it made me feel very proud and very old! Travelling by train – it’s so much quicker – we decided to walk over to Spike Island passing the house we lived in while I was curate at St Mary Redcliffe and then caught the M2 metrobus back to the station after the event finished. It was a beautiful sunny day for walking and after the speeches which encompassed past present and future plans we had a lovely meal in the cafe – prepared by Josh Ecclestone and his team, and some equally good sparkling wine from the Limekiln Hill vineyard. We don’t drink any more but in this instance I drank half a small glass of their biodynamic wine and it was big – if you know what I mean. It was a lovely thank-you. I haven’t kept in touch with the project as much as I should, in fact the last time I heard from anyone connected with it was a solicitor’s letter from a company I’d never heard from threatening to sue me for 1 million pounds worth of damage by a frozen water pipe in the old building. I replied and said “go ahead, I haven’t got two halfpennies to rub together” and the matter was dropped.

Anyway, here we are again in God’s Own Country taking a day’s break before we go for a walk tomorrow to look for interesting plants. In Spring, every plant looks beautiful before the insects, rusts, galls and smuts get to work. Either way they’re fascinating and remind me – as if I needed reminding – that nature is in constant motion and nothing, no-one, lasts for ever.

Clusters of white flowers with pinkish centres surrounded by bright green leaves, growing in a natural setting.
Hawthorn in its pristine state before the “catastrophe of life” takes hold.

A ‘crown of thorns’ moment in the Bannau Brycheiniog

A view through thorny branches and barbed wire, looking out onto green fields and distant buildings across the valley.

We’re here in Wales again; this time we’re 1000 feet up a hill and just on the edge of the treeline. We’re here because the builders have moved into our flat, finally to install some humidistat extractor fans and get the black mould permanently off the walls. It’s been a ten year battle with the landlords and we’re so relieved they’ve finally listened to us.

This time we’re above the small town of Talgarth beneath Waun Fach and very close to the Cambrian Way walk. It’s cold; extremely windy and we may even get some snow up here later on. There’s a small stream running very close which becomes larger as it tumbles down the hill and finally when it reaches the town, feeds a working water mill as the River Ennig. Its route takes it down a steep sided cwm where there is a partially open nature reserve called Pwll-y-wrach “witches pool” which – legend has it – was used for ducking suspected witches in a heads I win, tails you lose form of rough justice.

A view of a rocky landscape with flowing water and moss-covered stones, surrounded by trees and greenery.

Rough justice is a bit of a theme for this corner of God’s own country. We arrived too early to check in so we parked up and visited the nature reserve of the same name which is partly closed to visitors due to the epidemic of Ash dieback. The combination of emergency felling and wind damage give the valley a strangely gloomy air notwithstanding the emerging spring wildflowers which seem not to mind. There were even a couple of species of Bumble Bee mooching about to provide a soundtrack. The wildlife managers of the site have taken a decision not to remove all the ash trees, but just the dangerous ones and to leave a good deal of the brash in situ for the woodland residents.

I’ll come back to the more cheerful spring flowers, but when we first booked here and got the address “Hospital Road” I guessed instantly that we would be near the old Talgarth asylum which has fallen into dereliction and now is locked away from visitors apart from urban explorers who are prepared to take the (considerable) risks. We were walking down the road back to the car when we spotted it through the hedge below us and it truly is a melancholic ruin. I once worked as an art therapist in a similar hospital in Bristol which has now closed and is largely demolished. It was a dark place of historic injustice and suffering in spite of its origins as a safe and productive, self-sufficient colony. Overcrowding, underfunding and sheer lack of vision condemned thousands of guiltless men and women; many of the men shell-shocked after the cruelties of war and the women labelled as moral defectives because they had become pregnant. All crowded together with other violent and sometimes psychotic residents and nurses who acted more like prison warders, and who would punish those who got out of line with injections of paraldehyde which was so noxious it had to be administered with a steel and glass syringe because it ate through plastic as it ate through the skin of the unfortunates who called it “pollyeye”. Something went terribly wrong with the vision and a miasma of suffering still hangs over the buildings in which it was administered. Thank goodness those days are largely gone. A classic example (think of the present government) of what happens when policies fail but no-one has any inclination or clue how to mend the damage.

Anyway – enough – I wanted to write about spring as she’s manifesting herself here up in the hills where it’s colder and later. We only had a short walk, but we spotted primroses, common dog-violets and early dog-violets, lords and ladies, dandelions, wood anemones, barren strawberries, lesser celandines and soft shield ferns. The woodland floor had the early leaves of herb robert and wild garlic and there were large numbers of acorns on the ground in the process of germinating and opening their seed leaves like scarlet cloak – very pretty. I didn’t have time to make a detailed list, but there are some photos below.

Learning by immersion

A panoramic view of a tranquil lake surrounded by rolling green hills and scattered trees under a blue sky with fluffy clouds.

Madame and I were sitting in bed today, reading peacefully – she on her tablet and I was immersed in a book by Jan Morris called “The Matter of Wales” the title being a playful use of language in order to indicate the substance, the deep matter of the country. The book was mentioned in Carwyn Graves book “Tir” which I’ve now finished and recommend without reservation as a gentle pushback against some of the more extreme (destructive) advocates of rewilding. For Carwyn Graves the Welsh landscape embodies the history of Wales for better and for worse. History is written in the soil, the rocks and fields; the livestock, the farmers and their lives but especially in their stories and poetry. It’s a beautiful book, and completely by accident I met one of his interviewees in the pub in Bwlch but we only talked about our experiences as writers for the then local Bristol newspapers. As soon as I saw his name in the book I recognised my lost opportunity to talk to an award winning maker of perry – pear cider.

The two books – Graves and Morris take interestingly different approaches to their subject. The landscape for Carwyn Graves is perfused with recollections of the old ways; a form of living history and its lessons for us in the present day. For Jan Morris the landscape is a living being; writhing, roiling, joyful and melancholy by turns. The history here is inscribed in lives lived in the landscape. She’s a magnificent writer on Wales.

So there we were (I mean Madame and me!) in bed reading and we have rules. Silences are only broken by mutual consent – “can I just play this ?….. ” Today she played an old recording of Pentangle – the brilliant Bert Jansch, John Renbourn, Danny Thompson and Jacqui McShee with others – and in something of a Damascus moment I realized I’d left out music, and in what Flann O’Brien would have called a “Keats and Chapman” moment (without the terrible pun at the end); the whole landscape opened in front of me as if I were stood on a mountain top seeing the plains below receding in aerial perspective until the faint blue landscape reached the sea. Of course, you idiot! I thought -it’s language, history, literature, poetry, art, religion, drama and music. It’s the art of the kitchen table and the blackened pot suspended by its crân dân (fire crane) over a crackling fire, the blacksmith, the spinner and weaver, the shepherd, the singer and the traditional doctor, the understanding of plants, the wood carver and the brewer. One of the most inspiring paragraphs in Carwyn James ‘ book is his explanation of the way that in Welsh the word for culture isn’t the cocked finger, class ridden culture from across the Severn – but it also embodies all of the undertakings of ordinary people to advance the experience of being human. So emboldened by this thought I made some coffee, went into my room and guided by some odd instinct searched out a small book about Welsh folk medicine. I’ve known about the Physicians of Myddfai for many years in a more or less superficial way but I had no idea where Myddfai actually is. I had a strong idea of what I was intending to write but (as ever) no idea of how it would shape up so (also) as ever I hunted for a suitable photograph and came up with one I took of one of the three reservoirs which accompany the A470 across the Bannau Brycheiniog passing Pen y Fan. We stopped in a layby there for a brew-up and were joined by a couple of bikers from Merthyr Tydfil on their way to a campsite near Brecon. It seemed to me at the time that this was a near perfect view, but as I looked for the village of Myddfai on the OS map today, thinking to include the physicians who came from that area, I realised that the village was no more than a couple of valleys to the west of where I took the photo, and furthermore the foundational story/myth of these physicians involved a meeting between a farmer and a beautiful water goddess near a lake just like the one in the photograph.

My question would be – is it even possible to understand a landscape or a word in isolation from its whole culture. Many years ago we travelled by ferry and bus down to a small hamlet in southern Ireland for a holiday with friends. One of the friends owned a holiday cottage down there and knew some of the local people. One night we were introduced to two brothers who lived alone in a fairly squalid cottage just up the lane. The two brothers shared a bottle of Guinness with us and clearly thought we were pretty wealthy on account of one of us wearing a new pair of Docs. I had taken a small tape recorder with me and they told stories and sang songs to us provided we returned the offer with songs of our own. Our companions suffered a sudden attack of elective mutism and I sang a supporters song from Bristol Rovers which seemed to please them no end. Just to give a flavour of their lives, they told us that they had advertised in the Cork Examiner for a wife that they would share between them. The ad also generously noted that a pre-existing child would not be an obstacle! Anyway, it became very clear that their stories and songs of the Famine, and of the IRA battles of the past – not to mention a disastrous storm from some time in the distant past – all existed in their minds as if in the present. They sang and spoke of them as if they were still actually happening. It was a powerful example of what I’ve been thinking about in relation to Wales.

The photograph at the top was taken the day after my retirement ten years ago. I remember the journey because our youngest phoned just after the photo was taken with some kind of crisis and we had to abandon our plans and drive back to Bristol where we were still living. The photo and the memory belong together and can’t be separated.

So here I am ten years on, firmly resolved finally to speak and read Welsh. But the conglomeration of these thoughts has led me to the inevitable conclusion that this project goes much further than learning a bit of grammar and some words. The project is a kind of total immersion into the language; the broad culture, history and all the rest, in order that – finally again – I can see the Welsh plants in their broadest meanings, and I can see Welsh food and poetry, history and song as the Hegarty brothers saw their corner of southern Ireland – as essential to their humanity – daft and cruel as that might have seemed at the time. This is what I mean by using the phrase “learning by immersion” because it’s the absolute prerequisite for deep connection with any place in the world.

I’ve done a bit with the words already and I’m pleased to be able to write and say “good morning dragon” in Welsh, although I doubt if there will be any opportunities to use it, and so I’ve switched over to a different but well-connected course which is filling me equally with terror and hope. I can already say most of “I would like to learn to speak Welsh” without having to take a lie down in the middle. Madame has banned me from doing any practice in her presence. Oh and I’ve bought some – well quite a lot of – books. Learning by immersion, you see.

An open grassy field with a row of trees, possibly apple trees, under a cloudy sky, surrounded by rolling hills in the background.
One of the Marcher Network orchards near Cwmdu

By the rivers of Babylon. I need a word and only Welsh will do

The first basin on the K & A drained for maintenance today to the bewilderment of a heron.

Looking for a photo to kick this post off I did a search and was astounded at the hundreds of pictures I’ve taken in Welsh landscapes over the years but this one fell into my lap, walking along the Kennet and Avon canal in central Bath. There’s a bigger frame of reference than English can express and it coalesces around a wonderful Welsh idea; the concept of “hiraeth”. I hesitate to call it a word because its reach extends far beyond its seven letters.

Derived from hir (long) and aeth (grief/sorrow), it combines nostalgia with a sense of grief or longing and it is considered a cornerstone of Welsh identity, reflecting a longing for lost traditions, language, or landscape.  It refers to a deep, often melancholy longing for a home or time that cannot be revisited. (Google Gemini search)

I must add at the outset that I have a very limited knowledge of the Welsh language, but I learned to pronounce Welsh place-names when I was helping to run some worker-writer’s workshops in the valley towns several decades ago. Neither Ian, my co-worker or I had a car and so we did all our travelling by train and bus and to avoid entertaining the other passengers I managed to learn how to learn to pronounce Welsh place-names properly. When confronted with a destination like Ystradgynlais it paid dividends to know how to pronounce it – even if the rest of the conversation was in English. I was once even congratulated on my pronunciation by a Welsh speaking farmers wife on Lleyn and I long for the day when I’ll be brave enough to wish the shopkeeper good morning in Welsh somewhere in North Wales without the paralysing fear of being replied to in the same language. My old Greek tutor Gerry Angel always said there were only two languages in the world worth learning – Greek and Welsh – and I’ve never had enough time to learn Welsh until (perhaps) now. I eventually passed the (New Testament) Greek exam.

A language is the matrix in which the culture of a country and its people is contained, and it follows that there are certain ideas, emotions and concepts that can’t be translated except by severing them from their context, history and memory. It also follows that there are things that can be said in Welsh that can’t be said in English. Learning Welsh, it seems to me, would entail embedding myself in the whole history and culture of the land rather than mastering the superficial meaning of even a few thousand words.

I’m familiar with this in my own experience because my native English tongue is from Gloucestershire where – as a child – we still used “thee, you and thou” – a habit that the teachers did their best to beat out of us. Anyway, they’re a most useful set of words because they convey degrees of familiarity Like the French vou and tu leaving “you” with an association of hostility and suspicion. When I first went to work as a labourer in a steel erecting firm, I was always (young, dumb and hairy) addressed as “you”. We also had a version of what the linguists call a soft mutation which is very common in Welsh. For us, the tram roads carrying coal from Coalpit Heath were always known as “dram roads”. If you were encouraging someone from the sidelines it would be “go ‘ee’ – a shortened form of “thee”. You don’t learn any of these informal grammar rules through books, you learn them from use. I’ve told this story before, but I buy all our rough sawn wood for the allotment from a timberyard near where I was born. Just talking to the counter staff there is to be transported back to my own history and sense of place, so – going back to the beginning of that long excursus, “hiraeth” is the perfect word to describe that sense of loss. The thousands of acres of farmland I walked over and played on as a child are all built over. My childhood territory is dissected by a ring road and a motorway and the brickworks and pitheads have all, bar a few crumbling walls, disappeared along with out unique dialect and the last few miners have died. The abundant methodist chapels are gone or converted into fashionable homes for incomers. The railway lines have become cyclepaths – a muggers’ paradise; predators on unwary cyclists and walkers. The Pines Express no longer thunders through the triangular junction. There’s no way back. Without land, language, culture or memories we are adrift without even our own word to describe the melancholy of it.

I’ve just started reading a marvellous book by Carwyn Graves (grovelling apologies for getting both his name and gender wrong yesterday) – entitled “Tir” – the Welsh word embodying the associated meanings of land types within Wales. I’ve got both of his previous two books, “Welsh Food Stories” and “Apples of Wales” and they both approach their subjects through the prism of Welsh history and culture. “Tir” casts a ray of light on all sorts of puzzling phenomena around landscapes – for instance – why are so many Welsh farmers deeply suspicious of the idea of rewilding? The answer is compelling and fascinating and would serve admirably as a push-back against rewilding as an abandonment of thousands of years of farming history. I’ve still got some way to go before finishing reading about all seven types of landscape – each expressed in a different word. It’s a marvellous book and I can’t recommend it too highly. It’s sent me back to the maps and dictionaries I’ve bought over the years but never fully understood and it’s also sent me back to seriously considering learning the language.

After ten years of complaining to our landlord about damp and black mould in our concrete building they’ve finally agreed to start doing the remedial work; installing ventilation extractor fans and mould proofing the walls as well as making good the botched plastering in a couple of rooms. The work is going to take a week so we’re moving out and we’ve rented a cottage high up in the Bannau Brycheiniog near the top of the next valley along from the photo. It looks like absolute paradise – the long road up leads past an abandoned asylum and a nature reserve and sits below the highest peak in the Eastern range. We’ve walked it before and it’s not in the least pretty – a big bog with a stone in the middle – but there’s a walk leading down from it to the main road that’s absolutely breathtaking. I’ve already got my plant lists ready and organised thanks to Notebook LM which happily did the work of processing a heap of data. When in despair, make a list, learn a language, read a book. It works for me!

Never mind the video – listen to the soundtrack. Take 2

Unexpected visitor – a moorhen presumably prospecting the pond!

Apologies if you’ve already read a previous version of this post which I put up in error – a fat thumb exercise – before it was ready to go.

We’ve been running the trailcam every night and it’s true to say that our most frequent passerby has been a very fat rat. A couple of weeks ago we filmed a fox with another corpulent rodent in its mouth so whatever else the rats are on the allotments, they’re well fed. So I just thought I’d post an update on the night shift since Christmas. Number one is obviously rats with at least two adult individuals and one possible young one but it’s difficult to be sure with a fairly low-res image. Number two is – or rather are – a couple of foxes who hunt almost every night. The badger is a much less frequent visitor in spite of the fact that there’s a huge live set at the top of the plots. It seems that they haven’t enjoyed the terrible weather and stayed indoors; but we had a good clip on the 17th Feb where it looked as if he/she was digging a latrine but got spooked by something and scuttled away. There are two regular cat visitors and quite a few field mice. They are all mostly active between 10.00pm and 6.00am but in the summer we often see foxes at dusk. Surprisingly, we often record a robin singing away at 2.00 am. and last night a moorhen passed by – caught by its call – rather drawing attention to itself I thought.

As for daytimes we see squirrels but other mammals are conspicuously absent although we know there are visits from deer who seem to like runner beans . Birds on the other hand are regular visitors. I’ve already mentioned robins, but we see magpies, rooks and jays poking around in the wood chip. Thrushes and blackbirds enjoy searching the wooden edges of the beds for slug eggs. We once heard a goldcrest in a nearby tree and of course the pigeons are ubiquitous. We see buzzards high overhead often being mobbed by the corvids but we don’t often see red kite although we know they’re around.

There are Peregrines nesting barely 1/2 mile away on St John’s church spire, and we’ve watched a sparrowhawk hunting down a pigeon outside the front door of our flat. That’s apart from the mixture of gulls (lesser black backed, herring and black headed) cormorants, herons, kingfishers, long tailed tits near Sainsbury’s, swifts, swallows and house martins then otters, and now beaver(s) in the river. For a city centre area we seem to have some extraordinarily rich wildlife. On Tuesday we went down to the riverside path to take a look at the conservation work and there was a sign on the railings advertising the presence of Daubenton’s bats. We’ve seen and heard bats flying outside in the summer but lacked the kit to find out what species they are. We once had a magical hour watching Daubenton’s flying over Stourhead lake in the summer twilight. Perhaps we’ll try to borrow a bat detector this summer and give them a name. The moth trap battery is charged and ready to go as soon as the weather improves and I’ll carry on recording the plants so with a bit of luck we’ll be carrying out a very slow bio-blitz of the riverside area (which includes the allotments).

Every time we go on to the riverside walk we are passed by sweaty runners and cyclists who race past us missing all of the interesting wildlife. We, on the other hand celebrate the slow and the almost stationary life of the city. Being pretty old is an excellent excuse for us to explore the natural riches of urban life.

Captured by the spirit of a place

These lead mining rakes could go back to Roman times

Yesterday we drove back from Cornwall. It’s just over 200 miles to the most southerly point of the UK and with the help of a great deal of EU money it’s either a motorway or improved dual carriageway almost all the way down to Penzance. Even with the B road connections at both ends of the journey we can still do the trip – which used to be something of an adventure – in not much over four hours. I’m not a great fan of long journeys on motorways. They seem to lack any sense of where you actually are and for all their rapidity you can still sit in a traffic jam for half an hour while a couple of blokes dig out a flooded drain, negating any time saving. Anyway what’s so important about speed? To me, the feeling of boarding a plane in cold and rain and leaving three hours later it in fierce sunshine and blistering heat is a bit deranged. I once helped an old friend to move some beehives on to the heather on Exmoor and as we drove back we got stuck behind a tractor. “Oh good” he said, “I love it when we have to slow down”.

Anyway, as we came into Somerset yesterday the satnav chuntered away about delays on the M5 (there are always delays on the M5) and suggested an alternative route. I’ve never done it before but yesterday I thought – let’s give it a go and see what happens. So we followed the instructions and minutes later we entered the real world after three hours of tooth grinding boredom. The new route took us across the top of the Somerset levels by Brent Knoll which I’d never seen so close before, and onwards, passing a view of Cheddar Gorge which showed it off to perfection and then to the north of Blackdown passing Rickford Rising where the rain that falls on Blackdown emerges after travelling through the limestone rocks. Past the bottom of Burrington Combe, and into the villages of Blagdon, Compton Martin and West Harptree before crossing the reservoir and into Bishop Sutton. If we had any sadness at leaving Cornwall, this was a serendipitous reminder that many of our happiest memories are vested in the Mendip Hills.

I fell in love with the Mendips when I was seventeen and was introduced to caving by being taken down Swildon’s Hole. It was an awesome experience and emerging cold and wet after hours of scrambling through the cave the first breaths of Mendip air were always sweet. Madame never took to it and so my underground adventures were curtailed, but before we got together I would go up to Blackdown with my closest friend Eddie and explore the easy caves with – occasionally – reckless abandon. Our biggest problem was getting someone with an interest in getting cold wet and muddy who also had a car and was prepared to take us. It was rather like the inevitable compromises that aspiring bands have to make in seeking a half-decent bass player. Luckily, Madame liked walking up there and once we’d got an old Morris 1000 pickup she grew to enjoy hunting for plants and fungi; so we’ve thrived on Mendip air for many years.

I love Mendip, I love Cornwall, in fact I love almost anywhere with a complicated and even ancient industrial history that’s been overgrown by time. Although there’s almost no trace of it now, I was born on the edge of the Bristol coalfield. There was an elderly retired miner just up the street and I can remember passing the open cast mine at Harry Stoke when it was still open. Eddie and I used to play around the capped pithead of Parkfield colliery near Pucklechurch and the local hospital was named after Handel Cossham an unusually kindly mine owner, lay preacher and benefactor so, I suppose that laid the foundation for my inner landscape. My interest in plants that can survive in post industrial landscapes was born, like the passion for the old dramways (notice the soft mutation you linguists!) – in childhood. The moment I find one of these places I feel at home – whether here in Bath, or on Mendip or in Cornwall – I know where I am. Perhaps that’s why I love South Wales and its people.

I don’t know if all this explains how the Mendip Hills captured me, but the fascination wasn’t something I picked up late in life; it was there from the earliest days and I only had to stumble into it, almost by accident, to find myself there; to feel integrated (if that makes any sense at all). So here are some photos of the Mendips, of Velvet Bottom (who could resist that name?), Longwood valley, Black rock quarry, of high Mendip and Priddy above Swildon’s Hole across to Blackdown and Crook’s Peak which you’ll recognise as you blast down the M5 south of Bristol. Trust me – the walk up there beats arriving anywhere ten minutes quicker.