Freed from watering the outside allotment by some decent rain last night we lingered in bed reading, watered the greenhouse and polytunnel, shot down to the supermarket to get canned food for the campervan stores and then off to Dyrham Park in search of orchids. It’s been a difficult drought season, demanding all our effort to keep the young plants alive. Apparently the tomatoes don’t set fruit when the temperature rises above 27C, although we’ve not found a big difference so far. It’s a mad year when we have almost ready aubergines and courgettes in the tunnel but the outdoor broad beans have been decimated by blackfly due to the unaccountable absence of their usual predators – almost certainly down to heavy mortality among them in the cold wet early spring. In particular, ladybirds have been noticeably absent. We’ve been spraying with a neem oil and soap mix with limited success on the broad beans, but with a slightly better result on the asparagus which is being attacked by asparagus beetles. Neem oil is certified for organic use but it really stinks and is unpleasant to spray. It also tends to clog the sprayer so it’s far from ideal. Our conclusion is to revert to sowing Aquadulce Claudia beans in October, plant them out in early November and then protect them from strong winds and prolonged frosts. They usually look a mess in early spring but they tiller freely and give a good early crop when there’s almost nothing else to eat.
So once we arrived in the park we very slowly searched all the familiar places for orchids. We didn’t have to look far for Pyramidal orchids – Anacamptis pyramidalis – there were hundreds of them, smaller but substantial numbers of Common Spotted – Dactylorhiza fuchsii , some of them very pale, and just a single Bee orchid – Ophryis apifera – far fewer than last year.
Orchids are lovely of course but with a dozen or so Marbled White butterflies moving about the meadow with several other species it was a close thing which was more exciting.
Madame took this photo
But I’m not afraid to say that I was enchanted by finding some Cock’s-foot grass in full flower and looking like a beauty at the prom, decked in white. On this poor limestone rich meadow, this bully of a grass had been reduced to playing second fiddle to the wildflowers. The whole meadow was alive with Oxeye Daisies, which looked tremendous; but the absolute star of the show was the seed head of Tragopogon pratensis – Goats Beard – whose mind blowing architecture made me shout out for joy.
Yesterday we said farewell to an old friend and celebrated in a muted kind of way, some of the places and things he had loved. Tennyson wanted “no moaning of the bar when I put out to sea”- and Colston (yes really – it was once a popular Bristolian first name) did all he could to avoid any posthumous moaning, but Nick, his son and Nick’s wife Kate – our good friends too – organised a kind of stealth celebration where everything we did, and everywhere we went, were things and places his dad would have loved.
Accountants, I know, have a reputation for being somewhat grey and boring but Colston was neither. A lover of choral music and choirs, singer, collector of stamps, harmonicas and Rohan clothes, an argumentative, lethally sceptical and well prepared member of church study groups, fluent reader and translator of ancient Greek; lecturer; enormous fan of old buses (the name Lodekka – see photo above – was apparently his suggestion – he lived a couple of hundred yards from the chassis works). Accomplished watercolourist and passionate lover of the Brecon Beacons (Bannau Brycheiniog) and a good friend to generations of young – now middle aged and more elderly – students both formal and informal and an exemplar of the virtuous life full of quirks and enough of the dodgy to make him infinitely loveable.
So we went, twenty five of us, in the open topped bus in a loop south of Bristol, taking the winding and narrow country roads down the Gordano valley – a nature reserve with a motorway through the middle – to Clevedon whose pier has always had a melancholy kind of feel to it; not helped by the hundreds of memorial plaques accompanying – or rather no longer accompanying – the cremated remains of their namesakes whose ashes have greatly enriched the swirling silted waters of the Bristol Channel. A nice little earner for the volunteers who keep it open. We sat in sunshine on the pier eating a picnic of his favourite sandwiches and I thought of Tennyson whose poem I was obliged to learn as a punishment for some minor offense at school. I owe my knowledge (and love) of poetry to my bad behaviour.
I think most of us are conflicted at wakes. As a culture we’re not good at death and feel secretly mortified at the sense of our own mortality and the moments of illicit schadenfreude that at least it’s not us this time. Meeting old acquaintances who have aged just as much as we have over the decades, and yet seem suddenly old when we would rather believe that we are not; seeing once again men and women who once played with our children in the garden, and whose children now also play in the freedom of the Goose field on the Bannau.
On the drive home we went through the centre of Bristol – the great age of the bus allowed exemption from the clean air zone – and passed St Mary Redcliffe church where Colston once sang; the school which Nick went to; the Paintworks where his grand-daughter once worked and the demolished bus depot, now a pub, where the bus was built. We finished the journey in Brislington where generations of his family had lived. Oncoming drivers tooted their horns and pedestrians rushed out their phones and tried to wave and take a photo at the same time. We sang silly songs and waved back and kept our thoughts to ourselves. I bought myself a new mug with a drawing of the pier at the gift shop. I’ll treasure it but I’ll also drink a lot of tea from it!
Once we were home we flopped in our armchairs, too exhausted even to drink a glass of wine. This remembering business always turns out to be a lot tougher than you’d think.
The endlessly adaptable Mexican Fleabane – Erigeron karvinskianus spreading along our street year by year
Phew what a scorcher! – says the sub editor for the 10,000th time
The Met Office defines a heatwave as a period of three days or more when the temperature rises above the expected. So no argument then! we’re in a heatwave; something I guess most of us in the UK would have known without the benefit of the definition. However, definitions sometimes throw up potential problems such as this one. In a time of global heating what’s expected? Upon what form of statistical calculation is that decision made. Is it the average temperature? the mean temperature? – and what happens when the temperature is rising year on year? Even if the mean June temperature is calculated over the past five, ten or even fifty years, it will surely rise; and at what point will the media be dutifully reporting a cold snap because the mean June temperature falls below a level that we’ve become wearily accustomed to. Maybe we need an alternative way of expressing the impact of temperature rises – for example excess deaths; the effect on crops; the price and availability of food; the water levels in the reservoirs; pollution in rivers as the reduced dilution effect of dry weather gives the game away ?
Of course, what we usually do in the real world is lament the idiocy of politicians who are too cowardly to address the crisis, and get on with it as best we can. Here at the Potwell Inn we’re getting up early and going to the allotment soon after seven o’clock so we can get three or four hours in before it’s too hot to work any more. Some jobs are much harder – for instance setting out young plants when temperatures are likely to rise to 30 C (86 F). They need intensive care from day one. The simplest manual jobs like tilling a bed or raking in compost or fertilizer can be exhausting, and watering becomes a test of stamina. At its worst I can walk 10000 steps between the water troughs and the allotment.
But there’s an upside too. After a seemingly endless winter in our flat we both felt thoroughly seedy and out of condition, but now we’re suntanned and as fit as fleas. Allotmenteering is both a physical and also an intellectual challenge – trying to predict what might happen next. I suppose you could say it resembles sailing, inasmuch as reading the weather almost becomes an obsession. We look to see where the wind is coming from. South westerlies can be warm but they also bring rain in from the Atlantic. A cold easterly can decimate fruit blossom and kill tender plants – we lost our Tarragon and Rosemary as well as an established Clematis during the winter and any heavy rain or snow can be destructive of plants or netting. It’s no use thinking “I’m not going out in this” because staying in might cost you your crop or your nets.
So we don’t feel in the least downhearted about this heatwave because, like the Mexican Fleabane in the photo, we can – if we work at it – adapt to all manner of changes. Don’t for a minute imagine that I’m saying we can adapt ourselves out of catastrophic climate change without changing our whole lifestyle. What I am saying is that being hard-up for most of our lives, being prepared to keep the household just about going by earning a living wherever it’s possible is a great training in resilience – I’ve washed up in a hotel, driven buses, been a rather poor welder, a groundsman, a night cleaner in a factory, worked nights on my own in a rat infested factory sawing large blocks of polystyrene foam into sheets, and worked in a prison and a couple of old style mental hospitals. I can cook, clean and grow stuff and of course I worked as a parish priest for 30 years and I think I learned a great deal about being human or how not to be human. Madame has a very similar skill set and so we muddle along contentedly together, knowing that a good life doesn’t depend on having a Range Rover.
I’ve been reading a short article by Prof Massimo Pigliucci in “Philosophy Now” which I picked up from a newspaper stand before I looked at the price. Anyway the article lists six ethical ideals shared by almost all the world’s faiths. This is a long way from religion in the commonly understood sense. These values are:
Practical wisdom
Justice / morality
temperance / moderation
fortitude / courage
Humanity
Transcendence (gratitude, hope, spirituality
This group of dispositions broadly represents what’s usually called Virtue Ethics. To risk simplifying the idea so much it becomes a parody, these kind of dispositions, when internalised and lived out in everyday life, are the most effective guidance we have for flourishing – not for getting rich, or amassing honours and power but simply flourishing, being / becoming human. When you think about it it would be hard to express a better wish list for gardeners, nurses, or so-called captains of industry.
There’s a kind of grim satisfaction in knowing that when the climate catastrophe finally strikes us, the wealthy can only hope to buy a few more years of absolution from the bletted fruits of their behaviour before they realise they’ve got no talent for being human and no skills to change themselves. The snake oil salesmen and the invisible Seventh Technological Cavalry will have fled, and their last moments will be spent howling at a blackened sky like Violet Elizabeth Bot “I’ll thcweam and I’ll thcweam and I’ll make mythelf thick!”
Wittgenstein wrote of thinking that one cannot see one’s way around, saying ‘We feel as if we had to repair a torn spider’s web with our fingers.” And while on the topic of philosophy in general and Wittgenstein’s philosophy in particular, I should like to take this chance to pass on a piece of advice that I have kept in mind throughout the writing of this book, remembering it as his on one of the two occasions when he took part in a public discussion in Oxford. Wittgenstein interrupted a speaker who had realized that he was about to say something that, although it seemed compelling, was clearly ridiculous, and was trying (as we all do in such circumstances) to say something sensible instead. ‘No,’ said Wittgenstein. ‘Say what you want to say. Be crude and then we shall get on.’ The suggestion that in doing philosophy one should not try to banish or tidy up a ludicrously crude but troubling thought, but rather give it its day, its week, its month, in court, seems to me very helpful. It chimes of course with Wittgenstein’s idea that in philosophy it is very difficult to work as slowly as one should.Â
From the introduction to Phillipa Foot “Natural Goodness”
I took these photographs in Bath today as we went in search of the original signage for Hand’s Cafe in the Abbey Square, which I wanted to insert in yesterday’s post to try to illustrate the usefulness of stretching the meaning of “Palimpsest” to include wildflowers that once signified whole industries – now largely forgotten.
That said, I have always been attracted to these so-called ghost signs because they have the effect of situating you in two places at once; the here and now, and the past. The idea of being in two places at once is both difficult and troubling because there seems no way of explaining, even to a sympathetic listener who may well believe what seems to be self-evident – that each moment in time passes by as if caught in the flow of a river – is false.
Just as one example – each time I find a plant that I’ve previously identified, and especially if naming it was particularly difficult, I inwardly relive the moment of discovery, the place, the weather, the exact setting and mood of the place as if I were still there in the past ‘though I know I’m in the present.
I remember once standing at one end of Damery Lake on a packbridge and being overwhelmed by the presence of a young officer in the thick of a First World War battle, standing with me and harnessing my imagination to recall a happy moment in his own past, fishing in the lake. It was all over in an overwhelming moment of intense introspection. I cite this not to push a non-existent reputation as a psychic; but because I don’t understand it and can’t explain it.
If we’re going to develop any kind of Green Spirituality or ethic we have to find a new framework for understanding ourselves which will undoubtedly feel difficult, perhaps insane, to someone steeped in the Cartesian dualism that’s still the dominating culture of our time. So this will be hard – which is why I find Phillipa Foot’s recollection of Wittgenstein so encouraging. Be crude and then we shall get on, and never be afraid of sounding like a fool. Don’t tidy up ludicrously crude but troubling thoughts but give them all the time they need.
Clockwise, Common Toadflax, Common Toadflax, Ivy Leaved Toadflax, Purple Toadflax, the white form of Ivy Leaved Toadflax growing on the walls of St David’s Cathedral in Pembrokeshire.
Palimpsest
Lovely word – “Palimpsest”, but not so lovely when you’re trying to type it into your mobile on a crowded train with no air conditioning and whilst being distracted by the sheer strangeness of your neighbours. We were coming back from Salisbury after a boozy lunch with friends, Madame was snoring gently beside me and I was gazing out of the window enjoying the hallucinogenic feeling of passing through fields and cuttings at 70 miles an hour. Opposite were a couple of very young women curled up together on the seat with their arms around one another in a kind of blissful sleep. Trains are more often very restless places these days. Mobile phones and laptops were playing their part in protecting people from relaxing and enjoying the experience, but I had just one word to type before it fled my memory altogether.
More often than not, for me, a potential post is just a formless and disorganized cloud of ideas until a single word or thought provides the catalyst which crystallizes the whole piece into (I hope) some kind of order. And so, in no particular order there were dozens of Purple Toadflax plants flowering in the back lane to the allotments. The walls around here are always covered with Ivy Leaved Toadflax and I’ve had a rather distressing difficulty in remembering the English name of plain old Toadflax because my mother usually called it “Bacon and Eggs” and I associated it with Snapdragons – from which there was no way back to its proper name.
English plant names are a delight and a minefield because so many of them are local or regional and all too often entirely different plants have the same English names. Small wonder that most botanists prefer the laser precision of Latin binomials to the poetics of local names. Linaria vulgaris is what it is and no other plant, relative, offspring or imposter will be allowed to claim the throne unless the DNA matches. Nonetheless, the evocative English names draw me in. “Why Toad?” “Why Flax?” – I wonder as I stroke their leaves and drink in their intense colour and faint perfume.
It’s not hard to see that these old names are evocative; suggesting ancient uses in healing such as Pilewort or brewing with Mugwort, or perhaps warning of danger – for instance, Fools’ Parsley – or descriptive like Jack go to bed at noon, whose flowers close up at mid day; Cuckoo pint (Cuckoo’s pintle) with its bawdy references to cuckoldry; Pissabed (Dandelion) which had always been used as a diuretic. I could go on almost forever but the best collection of these old country names is undoubtedly Geoffrey Grigson’s “An Englishman’s Flora” which you’ll probably find for 50p at an Oxfam shop somewhere near you.
The Old Hands Cafe. In 1971 you could buy a cheap lunch of cottage pie and chips, big enough to feed you for 2 days!
However some country names come loaded with so many wonderful associations that metaphor hardly fits the bill, and these Toadflaxes are better explained by the rather academic word – palimpsest – which sounds much more obscure than it really is. Here’s an example from Bath; the so-called ghost sign. When we were students here, there was a cafe called “Hands” in the Abbey courtyard. They’d never painted out the old sign for “Hands Dairy” which is still there today and neither have any of the succession of tenants since the cafe closed down and any number of different businesses took it on. A palimpsest is just the academic word for something which has been overwritten by something newer. Across history, writing materials were expensive and hard to come by, so recycling was the norm. The Romans re-used the little tiles used for sending messages, for instance. Scholars of ancient texts often have to read through several layers to try to separate the wood from the trees.
Some plant names like Toadflax are exactly like that. I’ll adapt the term palimpsest to emphasise the haunting thought that far from being a simple metaphor, behind the vernacular name there is a whole hidden history; a cloud of references to another way of life, to skills now almost extinct and an industry that even used its low grade waste to clothe slaves.
So firstly, why Toad? Well, for once we know exactly how and when the term entered the English language because it came by means of William Turner in 1548 when he translated the German name into Todes Flax. It’s all in Geoffrey Grigson’s book by the way. Its principal crime was to closely resemble the flax used for producing linen cloth (until it flowered). It’s also an invasive weed that, like bindweed, will grow from any stub or fragment of rhizome and was once a persistent weed of commercial Flax fields. So that’s the flax part explained, but why “Toad” or “Todes”? Well there’s a thought that the snapdragon shape of the flowers which gape wide when squeezed, somehow resemble the gape of the toad’s wide mouth.
But etymology is only a part of the fun, because beyond the name lies the industry. Fully grown flax was not cut but uprooted and dried. The seeds were removed by a process called rippling and then the plants were retted in water so that the woody layers were separated from the fibres. Trust me, this will have been a very smelly process indeed because it relied upon bacteria or fungi to do the rotting. The rest of the process is best described by quoting from the New England Flax and Linen website.
After retting, the straw is then put through three different mechanical processes. The first is called braking or breaking, where the bundles of flax are crushed and the woody material is broken up. The second is scutching or swingling, where the fibers are vigorously whacked with a wooden blade to remove the remaining woody material. Finally, the fiber is hetcheled or hackled by drawing the fibers through a set of sharp tines. The shorter fibers are removed, the thin strands of fibers are separated, and the fibers are aligned lengthwise. The shorter fibers are known as tow, and the long fibers are called line. At this point the fiber is ready to spin into thread and subsequently woven into cloth.
Braking, scutching, swingling, hetcheling and hackling; tow and line – these are wonderful lost words, lost procedures and lost skills from the flax weaving industry. They evoke the stink and noise of so many pre-industrial processes so let’s not get too whimsical about the pristine rural life. Trust me, you wouldn’t want to live next door to a tannery or a dye works.
Pale Flax – the precursor of the commercial species, growing wild in Cornwall.
There are many plants still growing wild in the UK that are the sole remnants of once common processes and industries and whenever we stumble across them they contain a powerful sense of history. Woad and Weld, Dyers Greenweed and Madder are as evocative to me as any Cornish winding engine or pithead. Plants and their uses are the faint traces of a whole culture and we would do ourselves no favours if we reduced them all to Latin. There’s very little difference in biodiversity between so-called brownfield and greenfield sites whatever the developers may claim. Of the Toadflaxes there are (according to the Book of Stace) eight wild species and fifteen garden escapes, the Ivy Leaved Toadflax belongs to a different family – Cymbalaria – and of all those, only one was economically important; the blue flowered Linum usitatissimum which provides both flax for weaving and also linseed oil when the seeds are pressed. As the Latin name suggests – it’s the useful one.
The dye plant Weld, growing in a wildflower mix on the riverbank in Bath in 2019.
The suffix (3) in the title is because it’s the third time I’ve used the same title although the content is different as you’ll see if you click here. If you read the piece in the link you’ll also notice – apart from the photo of elderflowers – a useful description of the archaic tobacco enema should that be of any interest.
An opium poppy growing at the entrance to the allotments – paying tribute to the relaxing effect of gardening.
Anyway the three pieces were written at very roughly this time of year in 2019, 2021 and today and they share the sense of liberation that comes with late spring and early summer made especially poignant by the fact that the earlier two postings book-ended the COVID epidemic. We thought it was all over then, but it wasn’t and it still haunts our politics, memories and dreams today. Without wanting for a moment to parallel the trauma of war with the pandemic, I remember my Father and his contemporaries with renewed respect when I try to imagine the thoughts and memories they carried and the impact it had on on our whole family.
Anyway, we treasure our slow emergence from COVID with each moment of joy, and today, making the first batch of elderflower cordial I realized how much it celebrates and marks the early summer for me. We’re lucky to be living on the edge of a patch of public green space that has many Elders amongst the other riverside trees and so yesterday we harvested about 100 flower heads and soaked them overnight with lemon and orange zest. Last year we had a problem with some of the seals on the flip top bottles and about half of one batch went mouldy, so this year we’ve bought all new rubber seals and scrupulously scrubbed and sterilized the bottles before refilling them. Up at the allotment there’s a marvellous purple variety so we’ll harvest another load of flowers from there and make pink cordial. We don’t bother to filter out all the pollen because it takes forever to drip through a jelly bag – and of course the longer it’s exposed to the air the more likely it is to pick up airborne moulds. I hate the taste of sulphite, so we combine a little extra citric acid before simmering it and bottling it. Somehow – in spite of the cost of fruit and sugar – it seems that we’ve received a free gift from nature before the allotment starts properly yielding crops.
On the other hand we’ve been eating rhubarb and digging the volunteer potatoes that were missed when we dug the crop. Miraculously we’ve even eaten a few maincrop potatoes which survived the winter and the slugs unscathed. We’ve had plentiful spinach and swiss chard so although we’re a million miles from self-sufficient, we still have the benefit of fresh veg during the hungry gap.
Yesterday, with watering out of the way, we sat out on the green reading when we heard a loud crash and looked up to see that one of our elderly neighbours had taken a tumble. Within seconds three of us sprinted to help and a passer by stopped as well. Within the constant churn of just passing through residents, there is a core of neighbours who’ve been here for many decades, and we often have impromptu parties on the pavement when the sun shines. It just happened that the first aiders were two nurses, a retired vicar and a retired post office worker – so we were fully equipped for any eventuality! In the end our neighbour suffered nothing worse than a cut on his head and another on his finger, but it underlines the great benefits of a functioning community. On the other hand the constantly changing tides of students, Airbnb’s and just passing through’s can feel a bit alienating at times. Often they do a moonlight flit and leave their rubbish in the basement for someone else to clear up.
The other problem we have is with aggressive dogs and their owners being let loose on the green to crap, bark and intimidate the rest of us. We still have a massive problem with drug dealing, and yesterday I was greatly amused to overhear a conversation between a customer on the street and the dealer in a car. The dealer was protesting that if the customer wanted whatever it was, he’d have to order it and he’d get it in for Saturday. Life’s rich tapestry, I suppose. Enduring over a decade of incompetent, corrupt and greedy government leaves its mark on the communities that we live in and which they rarely see. On the other hand we’ve had to become adept and resourceful; mastering the kind of skills that the clowns in charge will neither possess nor enjoy.
I think these are Apple Ermine moth caterpillars. The black dots are the scat – droppings
I hesitated for a while before writing the first part of the title because I’m very aware that scripture quotations have a very high cringe factor for many readers; so I’ll summarise and say that rust – or perhaps rot, moths and thieves – play a very real and challenging role in running a garden or allotment. The second part of the title is a traditional saying which reminds us that just being on the allotment, walking around slowly and taking everything in means that invasive weeds get pulled up and pests are identified long before they become a threat. So basically, stuff grows better and stronger when it’s well looked after. Dousing plants with chemicals when the problem’s escalated out of hand is a poor substitute for attention to detail. In gardening terms, “laying up your treasures” often means waiting for seasons – even many seasons – before gaining your reward. A deep understanding of your patch of dirt is both the precondition and the fruit of all that attention to detail. Calling it Green Fingers rather misses the point.
So today Madame found the caterpillars on our apple trees and carefully removed them to stop them from sapping their energy by chomping on the leaves. Later on I’ll be spraying the asparagus plants with a nematode mixture to kill off the asparagus beetle larvae – they’re completely harmless to other pollinating insects and other creatures. As for today I was using the thumb and finger technique which is only about 50% effective because the moment you kill one of them the others all drop to the ground. I wrote on Monday that he asparagus is dining in the last chance saloon, but we’ve decided to leave it for another couple of seasons while we prepare and plant up a new bed with what we hope will be a more productive variety.
All these tough decisions are a reminder that we live on a challenging earth. Our upstairs neighbour texted today asking what to do about a pigeon which had somehow got into his flat, built a nest and even laid eggs in it. How on earth they came not to notice all that home preparation escapes even my imagination, but I could see that there was an ethical dimension to destroying the nest, the eggs and possibly the pair of pigeons as well. All I could think of was to drive out the pigeons, remove the nest and leave the eggs out on the green where the magpies would soon find and eat them. For me it’s always better to do the tough work yourself than to farm it out to others and try to forget it ever happened.
Not everyone agrees of course. Later on we were chatting to a fellow allotmenteer who’s a vegan and Madame mentioned that we were using sheep’s fleece in the fruit cage to deter weeds and to mulch around the stems (very successfully). She was horrified at the very idea of using fleece even though it would otherwise be discarded as valueless. For her it seemed desirable and possible to avoid all these moral difficulties but I’m not so sure. I recall that she was happy to catch and kill slugs when they attacked her vegetables. Somehow it seems to me that a virtuous life is better lived by embracing the hard choices than by avoiding ever having to make them.
Anyway, yesterday was also momentous for rather different reasons. Our neighbour is a distinguished South African botanist who once ran a national botanical garden. He’s also very good company and so we were gossiping in his garden when he brought out a plant which – being unfamiliar with British plants, he couldn’t name; giving me the chance to show off just a bit. I perhaps failed to mention that it was one I’d often looked for unsuccessfully so that was a find– not on a rocky outcrop in a remote place but on a wall next to the dentist in the centre of Bath. Then he brought out a Rock Geranium growing in a pot which explained in a glimpse why it’s called Geranium macrorrhizum – fat root. Another first for me. Finally, at my first Council meeting of the Bath Nats the local recorder mentioned that she’d seen a Sea Spleenwort growing in the city centre . We’d spent hours looking for it along the cliffs when we were last in Cornwall and because I now know where to find it, I can claim three ticks in a day. In return I showed off even more by showing her how to use Google Photos as a searchable database. Cue for a date to give one of the indoor talks to the society this winter. Good day!
Sea Spleenwort – Asplenium marinum in the centre of Bath
Today we have naming of parts. Yesterday, We had daily cleaning. And tomorrow morning, We shall have what to do after firing. But to-day, Today we have naming of parts. Japonica Glistens like coral in all of the neighbouring gardens, And today we have naming of parts.
Henry Reed, “Naming of parts” 1942
I love the way that, when I’m writing, images and ideas surface in my mind. My first thought when I sat down to write this post was that these four Cranesbills would have been exactly the species which inspired William Morris in his designs. Next I pondered for a while (it’s 5.00am after a sleepless night) on the extraordinary fact that in nature these closely related species are so plentiful. Do we really need twelve of them (Harrap’s “Wild Flowers”). Colin French’s “Flora of Cornwall” lists 34 species and subspecies; such an abundance that the only possible conclusion is that abundance, excess and diversity are somehow hardwired into nature. To return to a previous thought, if Nature is structured like a language then this abundance represents the dialects; the regional and environmental inflections of the same idea – like each one of us; all (potentially) beautiful if only we could break out of the prison we create when we each see ourselves as the only show in town.
And then Henry Reed’s poem plopped into my mind and I had the clearest recollection of myself in my early teens, sitting in a hot and airless classroom and gazing longingly out of the window as our teacher struggled to interest us in this poem. Not me, though. The poem sold itself to me in an instant. Here was another human being, feeling exactly like me at that moment and I took it to constitute permission to daydream. I’m quite sure that our teacher had no such aim in mind, but that’s the dangerous and disruptive power of poetry.
Peacock butterfly resting on a Charlock plant.
I’m indebted to Alan Rayner, by the way, for the idea of walking in nature rather than through it. It came up during a long conversation on a Bath Natural History Society field outing when we were overtaken by a runner pounding by us and seeing nothing at all. This last fortnight the experience repeated itself endlessly as we stood and watched a Kestrel hovering, or knelt in the grass delicately uncovering Spring Squills or – in this specific instance paused to photograph no less than four species of Geranium along a quarter of a mile of sunken lane bordered on both sides by Cornish walls as butterflies jazzed around tracing marvellous curlicues in pursuit of rivals, mates or nectar.
Without that special kind of relaxed mindfulness none of this diversity would have been visible. I suppose you could go out after a specific quarry – some rare or interesting plant – and cover more ground – eventually dragging your photographic elk back to the cave; but my favourite way of walking in nature is to move slowly, turning up all the senses to ten and let the plants do the talking. I’m not sure what practical use this kind of meditation has, other than cleansing the mind of thoughts about the endless dishonesty and stupidity of some politicians or the grinding anxiety that all this beauty is being threatened by the greed and selfishness of war and oil. Perhaps that’s the link with the poem about sitting in a stuffy room and learning how to assemble and fire a rifle in the context of the Second World War.
A wild Strawberry ripening on the warm top of a wall
Looking, seeing and beholding seem to me to constitute a hierarchy of mindful attention. For all the superficial similarities, each one of the Cranesbills is quite distinct. The shape of the leaves, for instance is crucial; compare the deeply incised lace-like divisions of the Cut-leaved Cranesbill in the larger photograph with the more modest Dove’s-foot Cranesbill in the centre of the strip of three to the left. Notice the fern like leaf of Herb Robert and the unusually pale flowers of the other * Dove’s-foot Cranesbill – each one an expression of the irrepressible creativity of Nature, and each one asking of us to name them because naming something – in a strange but powerful way – brings it into existence for us. The more we can name, the bigger the world becomes and the more intense our relationship with it. Even the word “Cranesbill” tells us something about the history of our language. If you look at the forming seed behind the flower at the top left – the Herb Robert – you might see the resemblance to a bird’s head and beak. But when was the last time that the sight of a Crane (the bird, I mean) was sufficiently commonplace to attach its name to a plant? Some centuries, I guess!
So it was farewell to Cornwall on Wednesday as we woke early and packed the campervan. This time we were on the Roseland peninsula, a very different place from the Lizard and a very different feel to the natural history as well. But we’ve already booked to return in September. Curiously, we were talking to our allotment neighbour when we got back and we discovered that without ever meeting one another we had been staying on the same campsite for over a decade. He was planning to drive down today for the half-term week. It’s a small world – worryingly and vulnerably small!
Back home, though, we turn our full attention to the allotment which – thanks to some good neighbours – survived the very hot weather, but urgently needs weeding and TLC.
*I submitted just one of what I initially thought were four species to the local BSBI Recorder – the marvellously skilled Ian Benallick for verification – and he corrected my identification earlier today, so apologies for any apoplexy caused by my mistake. His kind correction led me to double check all my ID’s in Tim Rich and A C Jermy’s “Plant Crib”. Geraniums, it seems, are a difficult group. Yet another example of the way we learn so much more from our mistakes than we do from our successes.
Having enjoyed every moment of sunshine on holiday, we spent some of today working at 35 C in the polytunnel which is now almost planted up with summer residents and looks lovely.
Looking down the mouth of the Percuil river towards St Mawes and Falmouth
After my exhausting battle with language in the last post I thought, maybe, that I, along with any readers who follow this blog sequentially, needed a bit of a lie-down. Unfortunately most readers clearly don’t read it sequentially and so a very long and slowly unfolding idea will only be found by searching on the tag “green spirituality”.
I just need to add one further dimension to a rather one-sided discussion by suggesting that the aesthetic is, in a peculiar way, another sense to add to the five more commonly accepted ones – sight, hearing, taste, touch and smell. At its most basic, the aesthetic embraces all of the five, and often makes sense where the logical mind fails. I never could understand Madame’s passion for art until (I was nineteen and she was fifteen) I suddenly got it in front of a semi abstract painting of the back of a Georgian terrace in the Bristol Museum and Art Gallery. My conversion felt like a several gigabyte data dump constituting the key, and taught me in an instant the difference between seeing and beholding. That’s all I wanted to add to the previous post. If our unconscious minds really are structured like a language then the language is more likely to be musical, poetic or artistic than logical and scientific. To drag an ancient canard out of the confit, truth is beauty and beauty is truth – ask any mathematician.
Anyway one of the most visible plants around down here at the moment checks in at best part of six feet tall; it’s Charlock and in terms of beauty it’s way down the scale. The Book of Stace describes it as an archaeophyte and denizen. I had to look denizen up and it’s a plant that can compete with native plants and generally act as if it is a native. For goodness sake don’t let the Daily Mail get hold of this information or they’ll be organizing vigilante Charlock squads.
So Charlock is no beauty and yet if you should want to distinguish it from its multitude of close cousins who have been stowing away on grain ships since Roman times in order to pollute our pristine land with foreign genes; one thing you can do is stroke the stem and the leaves and if it’s five or six feet tall, let the sense of touch flush it out. It’s very bristly and rough. You have to look at the sepals – the tiny little leaves poking out directly beneath the flowers (which should be yellow) and if they stick out at right angles you can toss your head in disdain at this wretched jumped up weed. Or alternatively you could say “Good luck mate, I wish I had half your energy” .
I much prefer talking to plants and birds because there’s always the possibility of a silent conversation beginning, and who knows where that will lead? These moments of intense contemplation can be almost erotic in their intensity. I’ve spent days trying to capture the texture and form of a single Hyacinth blossom in watercolour. In the early days of my artistic adventures I remember seeing a drawing of Clevedon Pier by Peter Lanyon; a completely relaxed charcoal line that perfectly expressed the pier in a way that a prissy architect’s drawing could never have achieved.
So never neglect the aesthetic power of plants and flowers. They don’t have to be rare. I suppose there is a bit of the trainspotter in all of us, but the pleasure of finding (top left clockwise) Kidney Vetch and Sea Carrot growing in full spring colours was only marginally less than finding the Spring Squill and the Cut Leaf Cranesbill; or the little pathside explosion of Primrose, Buttercup, Soft Shield Fern and Ivy; the Cuckoo Flowers which I climbed over a fence to photograph and found a couple of hours later had all been mown off. A little bereavement. And then, finally the Pale Flax whose flower is so intense that you could spend an afternoon gazing into its depths and pondering how long it is since it was part of a valuable cloth industry.
So it’s been a wonderful couple of weeks. Yesterday we were sitting outside the campervan drinking a cup of tea and we recorded no less than seven birds strutting their stuff nearby. We heard a Robin, a Blackbird, House Sparrows, a Dunnock, a Wren, a remarkably faint Curlew, and the usual garrulous cries of Crows, Magpies and Jackdaws. During our walk we watched House Martins scooping mud up from a drying puddle to build their nests and saw sparrows having a noisy dust bath on the tinder dry coast path. All this on a day that I completely failed to find a single Sea Spleenwort after thrashing sweatily along every cliff and sea facing Cornish wall I could find – in spite of all my attempts to research it beforehand. That’s the other thing about nature: it’s always surprising.
And I am dumb to tell the crooked rose My youth is bent by the same wintry fever.
Dylan Thomas – from “The force that through the green fuse drives the flower.
I could go on, I suppose, but too many quotations (there are more to come) can make you look like a smartass rather than an intellectual – see Boris Johnson or Jacob Rees Mogg for abundant evidence of that! However I remember a piece of advice I received from a lovely retired priest when I was a curate that has all the patina of a much handled relic. “You should,” he said, “preach one very clever sermon a year, but never more, because that way the congregation will know you’re clever but won’t get bored to tears with you”. The second piece of advice was that I should never preach about adultery for fear of inadvertently landing a right hook on an unprepared penitent. I once recounted this as a very ill conceived joke in a sermon and leaned across to focus on the most impeccably virtuous person I could think of, upon which a deep burgundy blush rose from his throat to the top of his head. Months later it all came out. Lesson learned.
Anyway this might turn out to be my annual clever piece – I’ll do my best, anyway but even I don’t yet know how to express this rather complicated notion.
Walking is very good for philosophers; well it’s very good for thinking anyway – and one of the great things about our holidays in Cornwall is that they give abundant opportunity for walking and thinking. On Sunday we were wandering down the usual ecstatic bridle way on which I’d already amused myself by listing all the wildflowers I recognised; so I was enjoying a rather relaxed feeling as Madame tried to photograph an Orange Tip butterfly and I was wondering whether at least some of the Cow Parsley in the high banks was actually Hemlock. And then – apropos of nothing at all – the thought popped into my mind – “is nature structured like a mind?” Now these sudden thoughts often turn out to be a complete waste of time, but it seemed a good idea to write it in my field notebook. So I write it down and then – in a rather Pooh Bear moment added “Gaia”. Just to remind myself that I should be careful not to reinvent the wheel. Then, ten minutes later and a bit of chin scratching I added to – “is nature structured like a mind? …… four more words – “or like a language?”.
Click here if you want to see where these weird European thoughts came from – it’s not that bad I promise.
That was enough to set me off on what turned out to be a rather tortuous reflection on a famous (well a bit famous) quotation by Jacques Lacan whose impenetrable writings almost exceed Martin Heidegger (“That pellucid Teuton”) in obscurity. He wrote that “the unconscious is structured like a language” – an idea which, after several years of psychoanalytic psychotherapy, I think I have a tentative hold on. Then of course, remembered quotes fluttered around my brain like Hitchcock’s birds, and Wittgenstein “if a lion could speak we wouldn’t understand him”, joined Eliade with “We live in a story shaped universe”.
A hunch is just just a theory without footnotes
So, to borrow an image from police procedurals on the telly I started a kind of virtual mind-map in my head, as you might pin post-it notes on a screen. In no particular order, we now know that plants and trees really do communicate with one another; sometimes through the mycelial networks of fungi and sometimes through the release of tiny amounts of organic compounds; sharing food, sending warnings about pests. On the allotment we occasionally make use of these properties, for instance by sowing Tagetes (African Marigolds) to warn off eelworms. We know quite a bit about these functions but hardly anything about the finer detail. The point here is that interactions between plants; between the tiniest single cell organisms through and between all of the many Kingdoms up to and including ourselves could be described as languages, and one of the essential properties of language is that it’s structured; there are syntaxes, rules that need to be respected if successful communication is going to happen.
All that this suggests is that as clever humans we’re able to crack some of those codes – we know when the dog is angry or frightened, when the cat is hungry, when the bird is startled or just looking for a mate. Not all of these interpretations are founded in fact. The medieval doctrine of signatures denoted Lungwort as a cure for chest complaints because the spotted leaves looked rather like the nodules on diseased lungs. Some herbal remedies were founded in hypothetical links between appearance and curative properties; but some were well found in experience, which is why Big Pharma is scouring the earth looking for plants able to synthesise organic compounds as yet unknown to science. Just think of the current interest in Cannabis and Psilocybin. Here again, the active ingredients in both, have a powerful and often curative function in human medicine. These tiny organic building blocks in plants and fungi are miraculously able to lock on to molecules in our own bodies and change whole systems. It’s as if we were made of the same stuff.
You may wonder “what about poisons then?” I once worked in a satellite broadcasting studio and over the desk – you know, the thing that looks like an aeroplane flight deck – was a sign that read “In the event of equipment failure RTFM” I asked the engineer what it meant and he simply said “Read the manual”. The business of vegetable molecules locking on to our own is a serious matter, and however much Hemlock Water Dropwort roots look like parsnips they’ll kill you before you’ve had time to look them up in the manual. In the linguistic interactions between humans and other life forms there are melodious moments and grammatical disasters.
All of which suggests that we have a great deal more in common with other life forms than we often think. Those moments of ecstatic connection with nature are much deeper than nice feelings. They’re a recognition that we are made of the same stuff – how could it be otherwise?
Thrift, shale and Sea Beet all evolved into their present forms in a process so remote and complex it’s hard even to imagine. But if all creation evolved in an orderly way even through mutations and adaptation; if the theory that nature is structured like a language should be tenable, then maybe – just maybe – that language may be faintly communicable not through translation into any human language but through interactive imagination and moments of insight. Our unconscious may be a better listener than our rational selves.
I know this might sound like a return to tarot readings and astrology. I’m certain that many “regular” scientists would dismiss it as heretical nonsense. But even in my most recent floras, there’s always genetic information that describes how many sets of DNA the plants possess. The reproduction of plants is generally very rule-bound and when a new generation breaks those rules it is often infertile. Some genera get around that by reproducing without fertilization by another plant. As with Blackberries they’re nature’s little joke to keep naturalists off the streets as they struggle to identify hundreds of sub-species and write monographs about them.
Maybe you didn’t press the uncover button above, and missed Mircea Eliade’s quote that the universe is story shaped, and Wittgenstein’s famous statement about not being able to understand lion speech and finally Lacan’s assertion that the unconscious is structured like a language. Of course there’s a whole universe of natural language that will remain unintelligible to us because we are not trees or hoverflies. But we can know the circumstances under which trees and hoverflies and elephants thrive. The instinctive unity with nature which is gifted to some can be learned and must be learned if we are not to perish as the species that thought it could manage on its own.
Which brings me to the last post-it note. In a largely irreligious culture many people are unaware of the wealth of creation stories that our ancestors told one another to explain how we came to be. If I pick just one Old Testament story it’s because it’s a brilliant insight into the way of things. In that story God created the earth and all its creatures by speaking. There are many other creation stories across the world that reflect the astonishing thought that language is the substance and condition of our existence.
To recap for a moment – if Nature is structured by some form of broadly considered language; and if the unconscious mind is also structured like a language, then mind, language and nature have this in common. We are one with nature not out of some voluntary act on our part but because that is the way of it. We can ignore it but we certainly can’t change it.
In a worldwide culture which has lost its way in greed and selfishness and where the consequences selfish and destructive behaviour can be airbrushed away, we need good stories more than ever because, in a sense, Eliade is saying that to tell stories is to shape the universe; so to contest and reverse an ecological disaster we need stories that answer the most terrible question ever asked of a human by a god, when the Hebrew God demanded of Cain – “What have you done?” and Cain, whose hands are wet with his brother’s blood, answers “Am I my brother’s keeper?”
