Buddle pits, settling ponds and slag will give you a Velvet Bottom and very beautiful it will be!

This is a dam wall for a settling pond

Need I say a word about my emotional attachment to Velvet Bottom? This post, by the way, refers to lead mining rather than some kind of cosmetic procedure sold by Gwyneth Paltrow. You would be very disappointed in what follows if you were in search of that kind of amusement. The good people of Shipham may not be as enthusiastic about these old mine workings as me because some years ago they were ordered to stop growing and eating their own garden vegetables on account of the dangerous levels of cadmium in the soil -some of it, without doubt, washed down from here. The ponds are the industrial remains of a previous technical solution to a pollution problem caused when inefficient settling of the crushed ore in the buddle pits resulted in lead finding its way into the waters of the several underground rivers that spring from the limestone rock further down the Mendip escarpment; killing the fish quickly and (probably) the residents slowly. The mines have been worked and reworked since Roman times so there’s been ample time for havoc to accumulate, and this should be a salutary reminder to those who think there’s always a technical solution to every environmental problem. The effluent still contained lead, cadmium and goodness knows what other heavy metals. Just to be clear, most of this came from Victorian workings. In earlier times, back to the Romans, there was almost certainly still pollution, because mining and smelting are intrinsically polluting activities. It’s just that when they’re scaled up as they were during the industrial revolution, that they become truly dangerous. With coal from the nearby North Somerset coalfield, and probably in earlier days abundant wood, mining and smelting came together like the Kray twins of industrial growth.

But now there is peace and silence. Where lead ore was once settled in ponds, now adders warm their blood in the sun. Underground a very large system of caves was first exposed in modern times by the 1968 floods; but pioneering cavers like Willie Stanton soon found that in some places the miners had preceded them, leaving their footprints in the mud. Here and there as you walk down the valley you’ll see trial pits and occasionally swallets, gated to keep out reckless and ill equipped explorers.

However, parts of the soil here are so polluted that the whole flora has had to adapt. While we create clean air zones and fight environmental battles that may yet save us from our own historic folly, there was no-one here for the flowers and plants and when you look closely you can soon see the glittering lead slag from which some of the tracks have been made. There are places where almost nothing grows now, or ever will grow in the future. It’s so rare a habitat that it’s even got its own name – Calaminarian grassland – and there are only 450 hectares of it in the whole of the UK. The name comes from a continental violet – Viola calaminaria – that doesn’t even grow here but has the gift of thriving on soil, highly polluted with heavy metals in the parts of Europe from which the UK has detached itself; i.e. the rest of it! The calaminaria part of the name comes from the zinc containing ore, calamine with/from which calamine lotion is somehow made which is very good for calming itchy chicken pox.

So am I telling too bleak a tale about one of my favourite landscapes in the world? I really hope not, because there is an extraordinary beauty in the way that ecosystems can heal themselves. It takes time, sometimes it takes centuries; but slowly nature reclaims what we have damaged because that’s what nature does best, and bare soil is sick, unbalanced soil.

I’ve been walking up and down Velvet Bottom for something like sixty years and every time, it seems to embrace me in its remote quietness. Occasionally the trail runners and dogs owners can be a bit much. The leftovers from picnics and barbecues can be an eyesore but as landscapes go, the high Mendips – never that high – remains off the beaten track if you avoid the hotspots. But close attention to the flora there makes every walk a treat. Here’s a single example. The edges of the buddle pits and settling ponds are particularly heavily polluted but there are a handful of species that have carved out a living there. Last week we got lucky because the flower in the photos below is a very short lived annual, the flowers only open in full sun and by the time its more glamorous and eye catching cousins come along there’s nothing to see. Unless the flowers are open it’s all but invisible, but miraculously it makes a living on the bare slag, helped along I imagine by plentiful rabbit poo. It’s called Common Whitlowgrass – Erophila verna, and is found locally in these bare patches of gravel, pavements and neglected ground across the UK, mainly in the South. The flowers are barely 2-3mm across if they’re open so these photos show them greatly enlarged. You’ve probably got it growing unnoticed on your allotment or in your garden; but here in this hostile environment it’s a token of the healing power of nature.

The name Whitlowgrass comes from the fact that it was apparently used in the past as a treatment – most likely a poultice – for the infected fingernail bed that bears the same name. But not these specimens – please! They’ve got a much more important healing function; they take up heavy metals into the leaves and are potentially poisonous, and in any case it’s illegal – however common they may be. After I’d posted this I did a bit of searching and came up with this quotation from Culpeper’s Complete Herbal . Modern herbals probably don’t mention it because whitlows are a viral infection caused by the herpes virus. As an astringent it may have helped to clean any resulting bacterial infection. Any port in a storm!

“Culpeper’s Complete Herbal gives this plant an alternative name of Nailwort and tells us that ‘it is held to be exceedingly good for those imposthumes* in the joints and under the nails, which they call Whitlows, Felons, Andicorns and Nail-wheals’. The plant was carried to North America by the first British settlers where it was found to be a most useful plant in herbal medicine. “

‘Wildflowers of Ireland’ website

* Archaic term for abscesses.”

Say hello to storm Arwen

I get the impression that we’re in for another record breaking season of Atlantic storms – this one’s called Arwen but it might be better to name it COP1 and then carry on through to COP26 or more if needed. Down here in the relatively mild Southwest of England the main problem was wind overnight which, rather than battering the windows in gusts, seemed to seep through any gaps like a prolonged polyphonic sigh. These gigantic air masses fascinate me as they flow across the earth’s surfaces, competing, invading and clashing with their neighbours like ethereal versions of the tides, and just as potentially dangerous. Elsewhere there was snow, but here the drifts comprised leaves piled around the parked cars. The trees have taken on their winter form and the wet trunks gleam in the rain. The fabulous colours of the tulip tree beyond the window are now shining briefly on the grass before they’re gathered up. Some of them will end up on the allotment as leaf mould. Walking down to the farmers market today we suffered a bitingly cold northeasterly wind that, to our surprise, hadn’t deterred the crowds at all although some of the stallholders had moved pitches to get out of the bite of it as much as possible.

Cofiwch Dryweryn (English: “Remember Tryweryn”) on a wall at the end of the lane to our borrowed cottage

I haven’t written yet about our trip to Cardiff last week. Madame woke up at three o’clock last Sunday morning and said “I’m bored – I’m just so bored!” – which I took to be an announcement of lockdown fever rather than a premonition of impending divorce. We both feel more vulnerable now that the crowds are back, than we did when the streets were deserted and the shops closed, even though we’re both triple vaccinated. Anyway, I can take a hint so I renewed our lapsed railcards as soon as we got up, and booked a trip to the National Museum of Wales. It’s a brilliant place, and they run some really excellent and challenging exhibitions. They also have fine collections of ceramics and art. We’ve been watching a series called “The Story of Welsh Art” – actually we’ve seen all three episodes three times because they’re so interesting. Presented by Huw Stephens they show what a powerful and neglected tradition of art has existed in Wales. Coincidentally, Huw Stephen’s father Meic was the poet who first inscribed the slogan Cofiwch Dryweryn on a wall near Aberystwyth and which became the most memorable text associated with a very brief arson campaign aimed at holiday cottages. These two words were, he later said – ( a little ruefully perhaps), the best known two words he’d ever written. Trywern was the village flooded in order to provide a water supply for Liverpool. Whatever you think about that old campaign, the fact is that the artificial inflation of house prices by wealthy incomers has made it all but impossible for many young people to establish themselves in Wales – at great cost to the communities and the language.

Our train ride was made even more interesting than usual because I booked the tickets from memory and inexplicably I asked for returns to Grangetown rather than Cathays which is four stops in the opposite direction. We only thought about it when we got off the local train on a totally unfamiliar platform in a place we’d never visited before. Luckily there was a friendly woman who pointed us in the right direction.

The present exhibitions include one called “The rules of Art?” – the question mark is an essential part of the title and it addresses a question that always drops into my mind whenever we go there. The grand building and its huge collections – however priceless and rare they are – was enabled through the terrible exertions of men and women who created wealth out of coal and steel. Wealth that they never shared. It’s pretty much first cousin to the travails of the National Trust in England who are just beginning to address the fact that many of their grandest properties were built on slave money. I’ve never yet been inside Dyrham Park House, although we often visit the estate and gardens, because until recently the source of its opulence was never even captioned. Fortunately that’s now changing. I was delighted to see a collection in Cardiff of small paintings by William Jones Chapman who was a third generation member of an extremely wealthy steelworks family who took himself out of the grand family pile and lived in a small cottage near the steelworks and befriended and painted portraits of some of the workers there. These are thought to be the only named portraits of working people in the eighteenth century – isn’t that extraordinary? The exhibition really squares up to the dominant artistic traditions of the past and sets them against an alternative historical backdrop – it’s marvellous stuff! When the winds begin to blow, who knows where they will take us ?

Here’s my absolute favourite among the portraits – it’s of Thomas Euston – the Lodge Keeper at Hirwaun – I guess from his apparent age, a retirement job. The artist, William Jones Chapman was greatly liked by the workers who addressed him as Mr William – which seems to combine respect with familiarity and affection; a rare commodity, I imagine, in those rapacious days.

We are the undeserving guests at the feast

Some days start badly. Mine did yesterday, being woken by dystopian dreams in which I was exploring the branch of an old canal surrounded by decaying industrial buildings. The basin was full of huge shiny boats of the kind beloved by billionaires and they were cleaning themselves without human intervention. Detergent was pouring down their gleaming sides from hidden valves and into the polluted and dead water. “I wonder where it’s all going?” I said to a man nearby and he replied “To Westminster I hope”. I explored the buildings surrounding the basin and stumbled on what seemed like a therapeutic group whose members looked at me with kind of hostility reserved for interlopers and strangers. Elsewhere a couple of men were wheelbarrowing rubbish and dumping it inside another building. There was a full-on evangelical church in session, with a lot of shouting and witnessing that didn’t seem to relate to what was going on outside. As Thomas Berry wrote:

So concerned are we with redemptive healing that once healed, we only look to be more healed. We seldom get to our functional role within the creative intentions of the universe.

Thomas Berry in chapter 4 of ” The dream of the Earth”

All of which dreaming, along with my familiar autumn gloom, set me up for a disconsolate and unrewarding equinox. Madame, who sometimes suffers as much from me as I do from my temporary afflictions – took herself off to the allotment while I fiddled about with some new technology that was refusing to speak to any of my ancient (more than five years old) peripherals. In the end and in the face of a blank mind and blank screen I thought – “I’ll go up and take her some fruit gums, then I’ll measure temperature of the compost heap and I’ll look at the pond” – and yes, even I can see the hilarious vacuity of the plan, but hey! – any plan is better than existential self-pity.

Someone had left a large quantity of shredded cardboard in the recycling room several days ago – which is like finding a five pound note to a composter. So I was able to finish filling another of the compost bays mixing the cardboard with all the autumnal clearings from the plot. Yesterday’s temperature inside the heap had reached 35C from 20C in not much more than 24 hours, so that was a cheering result. Then I leaned on the fence that separates our small pond from the path and gave some time to simply looking. Aside from digging and lining the hole last winter, we can claim no credit whatever for what’s followed. There are tadpoles still – most of the froglets have gone – and there are always a few hoverflies, bees and other insects hanging around. Yesterday a southern hawker dragonfly was hovering, but we see any number of damselflies mating and egg laying in the pond as well. There were the usual pond skaters skating about and as I was wondering what they were feeding on I spotted an odd red blob, less than half an inch across and which was moving oddly in the water, as if propelled by something invisible.

A leading light in the Bath Natural History Society has a rather wonderful pair of binoculars that are specifically designed for scanning short distances – mosses, lichens and fungi are his bread and butter and he can identify tiny subjects without lying down in the mud. On the other hand, I’m rather short sighted and intriguing subjects such as self propelling red discs in the pond are a bit abstract. When you look at the photo I took at great personal risk of toppling into the pond, you may think that my phone merely made it look bigger but no less abstract.

However – what the photo revealed to my curious mind was that even though I couldn’t actually put names to organisms, something very complicated was going on. A sort of four dimensional rubik’s cube of predation and recycling. I have no idea what the red blob is – in fact the whole photo has a rather Japanese flower arrangement look about it. But something – maybe a hawthorn berry, I thought, has fallen into the water and is gradually being reduced to its components on its way to becoming rich sediment. Around this nodal point, pond skaters seemed to be feeding on the remains of whitefly, but the occasional movements of the anonymous red blob remained inexplicable.

It was only when I got home and took a closer look at the photo that I noticed what seem to be eggs attached to the floating twig; eggs with what could be tiny air bubbles attached to them. In fact, the closer I looked the more I could see of the teeming life in our pond which has yet to celebrate its first birthday. The eggs may well be damselfly eggs, but with so many predators around the mortality rate must be prodigious. With a bit of luck there will be rat tailed maggots down there next year and, what with dragonfly larvae the pond will resemble a Roman Arena; a gladiatorial combat between the hungry and the tasty.

I suppose the sensible and more scientific response would be to buy a fine mesh net and some water sample bottles, and get to work with the microscope so I could start (yet) another list. And I certainly don’t want to knock that approach. The very simplest enquiry revealed that not all pond skaters are water boatmen; in fact none of them are. So my somewhat generic knowledge of pond insects has been enhanced and refined and added to because there are things called backswimmers too – and I really want to find some of those right now.

But that everyday experience of having my interest piqued by species that look similar but are in fact different, took me back to the very beginnings of my own botanical adventures when I realized that not all dandelions really are dandelions. Discrimination gets a bad rap when it comes to the human species; but the power to discriminate between genuinely different species – (all humans are human however different we may look) – is crucially important; especially at this moment of environmental crisis. Let’s say our little pond is polluted by chemical runoff from a neighbour’s allotment. I know it’s highly unlikely, but bear with me for the purposes of illustration. So if, one morning, I look at the pond and there’s nothing alive in it, how many species have been poisoned? how many have I lost? Is it just those little floaty things, or is it one, or three, or thirty species of pond dweller?

The rich density of the pond life is matched with the truly teeming density of the inhabitants of the compost heap. In an average year the two of us grow maybe thirty edible species for the kitchen; but those thirty edible species stand at the top of an almost miraculously complex association of insects, bacteria and fungi. Which of us can claim the sole credit for the basil, the raspberries and the lettuce we brought home today. The generosity of the earth is so inexplicable we are, or should be, brought to our knees with gratitude for the first potato of the year.

It seems to me that any way back from the brink of the abyss will – if it’s to succeed – need us to rediscover those human traits we’ve almost lost touch with in the past two hundred and fifty years. Of course we shall need the very best efforts of science and technology to guide the way, but that will entail a fundamental change of focus from an exploitative and extractive economic structure towards a system based in our deepest human needs.

We cannot save the earth without a recovered sense of wonder and glory; without gratitude, without human community and a return to genuine seasonal celebration rather than explosions of consumption; without a spirituality that expresses the mutuality and interdependence of everything on earth. We need to find an understanding that regardless of theological orthodoxies we can all accept that the earth, or in Chinese terms the ten thousand things are – in a manner we can never fully understand – spoken into existence. The pond skater, the frog spawn, the rotifers, the rats, hedgehogs, cats and badgers the multitude of flowering plants, the trees, the fish, the vegetables and even human beings emerge as if by the speaking of a primal energy of infinite creativity. Wilfully to destroy even one species is a grave insult to the processes of the earth.

Sunset over Ramsey Island, Wales

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