The neglected pavement level view outside our flat
It was the Biting Stonecrop – Sedum acre – in flower, that caught my eye first; that’s the very bright green plant with thickened drought proof leaves and yellow flowers in the centre of the picture. We haven’t seen it there before. But when I looked at it on the larger screen at home I saw the Mexican Fleabane; some Canadian Fleabane gathering strength in the background; some unidentifiable out of focus moss at the bottom and above it the most lovely slime mould – which rarely gets this big on an urban pavement and has the gift of moving very very slowly from place to place. We had some on the fire escape once that took a leisurely six months to descend the steps and set up home on a road less trampled by human feet.
On the wall below the raised pavement we’ve got Wall Rue, a fern; Herb Robert, a geranium; then in a narrow crack at the base there’s Sowthistle, Nipplewort, Dandelion (of course) and half a dozen others, surviving historic dowsings with Glyphosate which was replaced by salt crystals and then the road sweeper’s scraper. Around and about the car park (ex builders’ yard), there are over forty species of wildflower – many of them tiny versions of their grander selves which live in less inhospitable environments. It’s often hands and knees botany in these urban settings.
When we talk about nature and wildflowers, insects and mammals our default setting is somewhere green and pleasant; somewhere we usually have to drive miles to get to, armed with expensive kit; GPS units, field guides and binoculars. However, if you were to ask me where you could see otters in Bath, I’d have to say under Sainsbury’s bridge. Red Kite? south of the river. Buzzards – anywhere if you keep your eyes peeled. Peregrine falcons? nesting on the spire of St John’s Church.
The shocking truth is that if you love the wild – and by that I mean the natural world that’s rather the bit neglected by humans than the exhausted and overmanaged bit that we call countryside, then aside from National Trust land, nature reserves and SSSI’s you’re more likely to be able to feast on it in the city these days.
Yesterday we walked over to Widcombe to buy some decent sausages. Our practice is to eat less meat but of better welfare standards and quality. We took the riverside path as usual, and in the process we passed the Bath Quays site which is very slowly taking shape. In the first year either the architects or the local council had specified wildflower borders in the flood control areas. They lasted for a single year, but because they were probably an imported seed mixture an incongruous jumble of flowers that would never normally be seen together in the wild; they died back and were replaced by the usual thugs and vagabonds which just loved the rich imported soil brought in from elsewhere. Ironically, behind the now unimpressive borders was the blighted site of phase two, a demolished car park. This thin, impoverished and fenced off building site is now blessed by a magnificent display of the genuinely wild. My favourite, the Vipers Bugloss has been shuffling from patch to patch as the park area has been “improved” and has now colonized and spread across quite a large area, but as we walked along the 200 metre boundary I gave up counting after I reached 20 species. There was Mugwort; two kinds of Sow thistle, creeping buttercup, Black Medick, Hedge Mustard, Wall Barley, Poppy, Rye grass, False Oat grass, Ragwort, Mallow and Oxeye daisy; and two or three Geranium species, Docks and Sorrels. There were Spear thistles and Creeping thistles and It was all quite overwhelming and I was prompted to wonder whether I should be using a voice recorder and transcription app on my phone to record the sheer variety. The heartbreaking truth is that these will all disappear under a blanket of flats, offices and retail units, leaving a perfect, manicured and expensive view of our grossly polluted river .
So here are some photos of the treasures that live in the most impoverished and sometimes squalid places beneath our feet. We should really value them much more than we do.
Most non – gardeners would probably imagine that a hungry gap in the allotment year would come some time in the darkest part of winter; but it doesn’t. It comes around now -late spring and early summer when seeds are sown, plants raised and pricked out, but when there’s nothing much to eat. The potatoes were planted a month ago and are growing well; the tomatoes, aubergines and peppers in the polytunnel are all growing strongly but it’ll be some time before we can taste the fruits of our labours. Apart from overwintered Swiss Chard and a bit of spinach which are both looking a bit knackered by now but still taste good; and a few stored Crown Prince squashes, the first signs of the food year where we live is an early picking of strawberries and some broad beans from the polytunnel.
I wrote about growing broad beans in the tunnel a few years ago, and was a bit put off by a friend’s letter saying that if the flowering plants get too hot they would not set pods. That’s a good point, particularly after a succession of very hot early spring weather in previous years; but on the other hand, there’s a large element of gambling in gardening and this year we decided to risk a couple of dozen plants to the global climate emergency, and it looks as if our gamble has paid off, after a cool and wet spring. To be sure we planted successional broad beans outside, beginning with a November sowing, and they are all thriving obligingly and at different stages of growth but we had our first picking of tunnel grown beans today.
Our polytunnel container strawberries were doing well when we left to go to Cornwall for two weeks, but the watering arrangements seem to have broken down and we lost a few plants to drought; so we’ve been busy weeding and watering to try to rescue as many as we can.
Two weeks away has also given the bindweed a good start in the annual battle, but we’re as stubborn as hell, and although we never beat it, we certainly give it a headache. We’ve a half decent fruit set; the transplanted Blackberry is slowly recovering and the Tayberry is a mass of green fruit. Tayberry jelly is even more fragrant and beautiful than bramble jelly, but I didn’t boil last year’s batch quite long enough to set it well. Possibly it needs a bit of pectin. I think it would make a splendid ice cream – just as damson does.
Yesterday we took ourselves off to Bradford on Avon to meet some old friends for lunch. We always catch the train to our lunches so we can have a glass (or two) of wine. They took us to see a beautifully restored Saxon church dedicated to St Laurence. I suspect if you look at the photo below you’ll notice that there may have been a much bigger church there at some point – you can still see an old roof line and the imprint of what may once have been a clerestory. It’s a glorious jumble of original, later and restored stonework that offered the traditional steel offertory box set into the wall as well as a bank card reader for 21st century visitors. In places the stone floor and steps were polished by centuries of pilgrim feet. There was also what looked like an original Saxon font and possibly the faint remains of medieval painting. As we crossed back over the old bridge, now being hammered by continuous traffic, we were looking to see if the otters which had been spotted recently by our friends would put in an appearance, but I should think they are largely nocturnal. I absolutely love trains. My dad was a railwayman and we lived next to the railway line which once ran almost past our current front door. The river Avon which runs past our flat and also through the middle of Bradford on Avon flows through Melksham and then mysteriously turns north in the direction of Malmesbury. See how nature makes its own mind up about where rivers should flow.
Lunch was good, and the twelve minute train journey back home flew past twice as quickly as a boring and congested car journey.
If you look carefully you’ll see the harbour rocks quite far below
I took five photos of this little garden overlooking the harbour and the village of Portscatho today and I just had to show one of them full size. We’ve been passing it for years ; we’ve even sat in it and rested on our way back to the campsite but – unbelievably – never stopped to examine the plants more carefully. The garden is, or may be, a little garden of remembrance. There’s certainly a monument to the soldiers who died in the Burma Campaign during the Second World War and there’s also a disarmed sea mine with a coin slot for donations to charity.
We’ve been here for two weeks of almost continuous fine sunshine apart from the mother of all storms the day after we arrived, and there isn’t a shadow of doubt that here on Roseland and across on the Lizard, when the sun shines the landscape is dressed like a bride; no expense of nature spared.
So we were there, sitting there eating chocolate and Madame said to me – “if we had a garden it would have to be like this”. Of course, we have the allotment but that’s somehow quite different; productive, perhaps even utilitarian. We sow a few wild seeds and encourage the less thuggish weeds to join the party but that kind of wild takes an enormous amount of time and hard work, and of course it’s about as far from any idea of natural as you could imagine.
Wild gardening is self-effacing. We watch the local plants and see where they grow and when they do best but they’re very much urban, city bound plants; miniaturised and tough as old boots. They flower and grow old fast to avoid the droughts of pavement life. Tiny, resourceful living plants eking out an existence on pavements and cracks in the wall. I’m not knocking them, but a garden is essentially an assembly, a gathering. A truly wild garden is only truly wild when it’s self-replicating.
Ignoring the tidy it up brigade is hard work. Those who deprecate the absence of straight lines of Primroses and Pansies can always nail their grids to their own gardens. It’s not anarchy, it’s a choreographed display of sheer self- organized plant cooperation. It wouldn’t be a silly idea to run a half-day introduction to field botany in that one small space – there’s so much to learn and I wondered if there might be a skilled botanist somewhere in the background.
I didn’t count or list the plants, but they all exist harmoniously in that happy invention, the Cornish wall; a loose assemblage of stone and earth, slightly less than shoulder high and populated so perfectly it would make a Chelsea Flower Show garden look strained and artificial. Just from memory there were Hogweed, Cow Parsley and Hemlock Water Dropwort; Lilies; young self-seeded Echium pinana – the most spectacular members of the Borage family, ten or twelve feet tall like a giant Viper’s Bugloss and, in summer, alive with ants and bees; two species of Medick; Foxgloves; Red Campions; loads of Babington’s Leeks and more. All unadorned by seedsmen’s gaudy favourites and all perfectly adapted to their situation. Born neighbours. The lawn was a mass of daisies, the seats were warm and facing the morning sun and we, for ten the minutes or so that we rested there, were in some sort of paradise.
And, of course the whole garden was alive with insects. Later as we walked back we passed a couple of fields where hay was being turned and baled. Above us a group of four opportunistic Buzzards, attended by a mob of smaller birds trying to drive them away, were circling above the mown field looking for escaping mice. Once or twice they dropped behind the hedge in pursuit of some small victim and then, bored by the persistence of the smaller birds, flew off, mewing to one another.
I don’t know who’s responsible for the upkeep of that little paradisiacal space but they deserve a huge thank-you and a Chelsea Gold medal for standing back and letting it sing its uniquely Cornish song.
I know. Sometimes my enthusiasm for creating long lists can be a bit – or very -trying because listing every plant we pass and then photographing it can make a seaside walk feel like crossing a desert. On Thursday there was a mutinous atmosphere that grew above us like a thundercloud. The secret of a long relationship is to know when to give up; so that’s what I did and we concentrated solely on one plant; a wild leek which is pretty rare but which happens to be a resident of our two favourite places in Cornwall – the Lizard peninsula and the Roseland peninsula. It’s a variety of the “normal” wild leek which is, in itself, rare; but this one is known as Babington’s Leek. The two are very close, and it’s only possible to distinguish them when they’ve developed those natty allium spikes at the end of their season. Wild leeks are full of seeds and Babingtons contain bulbils – tiny little readymade clones of the mother plant which drop off and take root in the soil around her. In the collection of photographs at the top, you can see the plant at various stages shown from two sites and I think the tiny bulbils coiled together in their filmy cover are just a bit sinister. They look like Medusa’s haircut. Ironically, you can buy the bulbils online and try to grow them in your garden so long as it provides exactly the right soil, seasonal weather and temperature and all the other conditions they need. Alternatively you could take your holidays here and enjoy them in their wild state like we do. The colony we photographed here on Roseland was strimmed off some time in the last couple of days in order not to scratch the sides of some grossly polluting SUV on its way to a holiday cottage. Grrrrr.
We’ve been so lucky with the weather; fourteen out of fifteen days of sunshine and I’ve been testing some AI plant identification and recording apps for a talk I’m doing in the autumn. None of them are perfect and some of them come up with some wonderful howlers. One recording app I was testing managed to lose 25 of my 102 identified species which, sadly, I hadn’t committed to paper. None of them except one were at all rare but it was enough to make me resolve to keep parallel paper records for the time being.
I’ve no idea how or why I’ve developed such an attachment to field botany; it kind of crept up on me when I wasn’t paying attention. Forbidden to do any serious surveys over the weekend, I decided to clear up my personal muddles with four closely related white wildflowers. Disambiguating two Stitchworts and two Mouse Ears all with similar – (same Campion family) – flowers sounds like an odd way of finding joy but they all grow close to the campsite and nobody would think it odd if I spent my time doing crosswords. Mission accomplished yesterday we were able to spend our time lazing around and watching our neighbours. Holidays seem to be very stressful and we’ve witnessed a few smouldering rows and a walk out; we watched some young women set out on a club night. They made me feel like Wellington before the Battle of Waterloo, who said of his troops that he didn’t know what they’d do to the enemy but “by God they terrify me!” One of them had an American Bully dog which caught sight of a rabbit, pulled his lead out of the ground and set off at such speed his lead caught around his owner’s leg, dragged her along the ground and damaged the skin on her leg. It was almost like being at home – but without the clouds of weed. Anyway nobody died, and the girls came back quietly at 2.00am.
I’ve delayed taking my medication until after we’ve gone for our long walks in the cool mornings and I feel miles better. Today we covered just under five miles and stopped for a healthy bacon butty at the Thirstea Cafe. On the way around I found three plants to record very quickly and slipped on the wet grass to do a kind of nine step polka down the track, whilst attempting to regain my balance. Thank goodness no-one saw me.
Behold – the new ones (for me) left to right; Wild Clary, Beaked Hawksbeard, Spotted Medick and Spear Thistle. Incidentally I now know the Latin names for all these – I have to, in order to record them; but the English names are much more evocative – see Geoffrey Grigson’s “An Englishman’s Flora” for an encyclopaedic view of all the poetic names.
Druce Cranesbill, Geranium X Oxonianum. The markings remind me of Henbane – another (poisonous) stunner.
I don’t really get the idea that nature is an unending struggle for survival – red in tooth and claw – and all that violent guff which gets pressed into service to provide an ideological scaffolding for behaving in greedy and vile ways – as if Tennyson were a fan of the dark satanic mills. This isn’t a sudden insight brought on by a dose of Cornish spring (although life feels a lot better when the sun shines). We’ve had five days wandering the footpaths and hedgerows of the Roseland peninsula; photographing and recording plants as we go, and this time I was paying particular attention to the succession of plants; especially the carrot family, the Apiaceae, as they emerge one by one in the spring.
I remember the first time I tried to get to grips with this family of lookalikes. I’d noticed the plant known as Alexanders – almost always the first to emerge with its shiny celery-like leaves and an umbrella-like flower head of creamy yellow-white. I’d just bought my very first flower book, published by Warnes, and I went about finding my plant in the traditional beginners’ mode; turning the pages one by one until I found an illustration that looked right. So far so good, but fired with enthusiasm I went on to look at the others in the same family and when I came across some fine drawings of the seeds (alarmingly similar) which were the ultimate key to naming them all; I sighed, shut the book and didn’t open those pages again for years.
Six decades later I know a little bit more (not that much!) and it’s all very interesting, because there’s a distinct succession of these plants every year. Alexanders is usually first to appear as a handsome plant, but soon starts to yellow off and look very tatty. Then comes Cow Parsley – an unfortunate name for such a dazzlingly white and beautiful plant with lace-like leaves; shortly followed by Hogweed and all the others, and yes – it’s quite hard to tell some of them apart because they rarely grow side by side simultaneously. They go on mucking me about, popping out for their brief lives one by one until October and then there’s only the seeds to identify, and they are so beautiful when you look at them through a hand lens; ridged and horned as if carved by a miniaturist sculptor. They emerge, flourish, flower and die but I’ve never ever heard a Hogweed beating up a Cow parsley plant in the dead of night while no-one’s supposed to be about. I’ve never seen a Pignut abuse a Wild Carrot or cheat a Sanicle of its inheritance nor a Hemlock Water Dropwort leave its stream to poison some Rock Samphire and spoil a forager’s day. I just can’t see any evidence that there’s a battle for survival going on out there unless it’s to develop some resistance to chemicals.
The plants – not just the Carrot family – seem to have evolved a scheme to allow all of them to flourish and complete their life cycle in relative peace apart from the predation of cows, hogs and numerous small bites from insects. They grow to different heights; the later ones being generally taller than the early ones and pop their clogs before they become a burden to their neighbours – and I’ve never heard any moaning about the brevity of life from the depths of a hedge or a ditch. By and large they seem enviably contented, if that’s not a category error. We humans like to whinge about the way our happiness has been stolen (always someone else’s fault) when in fact we’ve hidden it because we don’t want to own it. Before long, the safe place where we concealed it is forgotten and we can relish the tragedy of our lives over a couple of bottles of cheap wine. Plants don’t do that.
I have the great fortune of meeting a teacher who’s thought deeply about this and whose work crosses many borders that are patrolled by legions of gatekeepers – a brave soul. He explains the fruits of his labours as “Natural Inclusion” – as against Natural Selection in its purest and darkest form. You can Google the phrase and you’ll see who he is in much more detail, his name’s Alan and he’s a great teacher. He uses scientific conceptual language, but he also uses poetry and painting to express his ideas.
Basically, and dangerously simplifying, with a little help from Google Gemini here’s a very concise summary of an important antidote to lazy evolutionary thinking that plonks us down in the middle of a merciless battle. If ever we needed to visualize ourselves as a working and living part of nature it’s now. There are many threads that have joined together to create our bondage to greed and exploitation as if it were something natural, and we have a few decades at best to cut through them and set ourselves and the ecosystem free before it’s too late.
Alan Rayner proposes a new concept called natural inclusion which challenges some aspects of traditional evolutionary theory. Here are the key points of his ideas:
Natural Inclusion (NI): This is Rayner’s core concept. He argues that nature fundamentally works through inclusion, not separation. Boundaries between things are seen as dynamic interactions, not fixed lines. Imagine the difference between walking through a doorway (inclusion) versus hitting a brick wall (exclusion).
Questioning Natural Selection: Rayner believes natural selection isn’t the whole story of evolution. He proposes that the process of change is more about the flow of energy and the dynamic interplay between organisms and their environment.
Nature as a Guide: Rayner suggests looking to nature for moral guidance. He proposes honesty, reasonableness, and kindness as core values because they reflect natural processes.
Rayner uses art, alongside writing, to explore these ideas. His paintings serve as a way to connect with people who might not be drawn to scientific explanations.
St Francis talked about the sun, the moon and the stars; the animals and the earth as our brothers and sisters. I found the Geranium in the photo on the footpath leaving Portscatho. It probably escaped from a garden somewhere nearby and I instantly fell in love with it. If our current worldview doesn’t allow us to fall in love with a plant, we need to get another world view!
The narrow road down to Percuil harbour with the hedgerow in in full flower.
I know there’s a process underlying the transformation of a spring walk in the sunshine into a list such as the one in my notebook yesterday. There’s another page for Wednesday with different plants on it and together they total 50 plants identified, recorded and sent off to the national database. The process must look hilarious to passers-by – old bloke on his knees, ferreting through the bottom of a hedge and talking loudly to himself as his partner walks on, oblivious to the one-sided conversation. A bonkers display of eccentricity. “Is he alright there?” I can imagine someone asking. “Is he lost?”
Well, in a manner of speaking I am lost. Ecstatic. Taken out of myself to another level of consciousness. I’m perfectly prepared to accept that I’m a bit of an outlier when it comes to plants. I know plenty of able bodied and perfectly sane (they might say) academics whose interest in plants can only be expressed in the incomprehensible private language of a Magisterium which exists to defend the McGuffin, or at least its McGuffin; plenty of others are available. It’s easier to learn Icelandic than discern the subtleties of polyploidy, or find the exact term to describe the shape of a leaf. I wish them no ill, I just wish they’d drag themselves away from their scanning electron microscopes and get out there amongst the plebs, (the) hoipolloi; the thugs, weeds and escapees; the abandoned pre-industrial feedstocks, the temporary residents doomed to rapid extinction, the ones threatened by foragers, collectors and developers and the ones that can give users visions, paranoia and even end your life in grisly ways.
My grandfather, who was both well educated and self-taught (they’re not mutually exclusive) had a set of encyclopedias; and one photograph has affected my whole life. It’s a photo of a bloke in a brown warehouse coat – ie working class; the properly educated scientist would have had a white lab coat – standing next to a pile of buckets, jars, beakers and test tubes each containing the correct quantity of some element or compound thought at the time to be essential to life. You might call it Frankenstein’s larder. The caption assured us that this was everything necessary to make a human being , except that the great mystery of the animating principle that drew them all together in the form of a living, breathing – let’s say – poet was not even hinted at. Although I never knew it at the time, this is a form of reductionism, which can be helpful if used properly as a metaphor for understanding complex phenomena; but lethal when used as a slam dunk proof that nothing is greater than the refuse from the pathologist’s table.
Yes to DNA if it helps us to understand the mysteries of relatedness in living things; yes to scanning electron microscopy when it helps us to visualise the pollen grain, the fungal spore and the bacterium; but plants embody so much more. Forgive me for mentioning my earlier life but to worship the partial and ignore the ineffable mystery of the whole is the classic definition of idolatry. We need to take that kind of science out into the world, on to the streets of a ne’er do well culture where it can have some sense knocked into it and its sense of wonder restored.
The supreme irony of all this is that so many people – insultingly known as ordinary – already get it. They go for walks in the sunshine and pause to look at the plants and flowers and absorb something important, as if there were an invisible energy there, flowing back and forth between the hedgerow and the walker. When I first began to encounter flowers and plants as a child I valued their immediate impact – bright as a Daffodil, blowsy as a Gladiolus, tarty as a Dahlia. The plants our Mum grew in the garden. Wild plants often lack that degree of egotism. These days as I learn more about them, I have come to love their complexity. The humble Buttercup has at least nine closely related forms; the Dandelion approaching 300 and don’t even mention the Blackberry . I don’t understand and can’t unravel a fraction of it, but that cloud of unknowing does nothing to diminish my joyful wonder at finding the most common plant hiding amongst its taller neighbours on the side of the footpath. Madame walks on the moment she hears me say HELLOOO in my best botanical voice, and carries on alone, while I’m chatting to my new friend.
I love the way that the plant world can even finesse a colour. This week the Stitchwort and the Cow Parsley (Queen Anne’s Lace is a much nicer name), are shining out from the hedge with an intense white that reproaches the very slightly creamy Hogweed and the distinctly yellowish Alexanders. As a not very accomplished botanical artist I really struggle to find a way of expressing the dynamic range of the hedgerows and meadows. The intense blue of the Germander Speedwell is not better than the pale blue of the Pale Flax; just another note in the huge overarching colour cloud. The colour, shape and pattern of plants are as much an inspiration to the artist as they are data to the taxonomist – look no further than William Morris, Claude Monet and Ivon Hitchens among hundreds of others. And the colours go beyond what we can see into the ultra violet. The honey bee may be seeing something very different than we do.
Taste and flavour are a whole new botanical delight. Let’s put gin aside for a moment; but even poets get in on the act. Here’s William Carlos Williams poem “This is just to say
I have eaten the plums that were in the icebox
and which you were probably saving for breakfast
Forgive me they were delicious so sweet and so cold
William Carlos Williams
It’s a fair bet that the plums in the fridge weren’t just large sloes. Which of us hasn’t tried to convince one of our children that the sloe is as delicious as any plum in order to teach them a memorable lesson in plant identification. There are occasions when the taste of a plant – like the real plums in William’s poem can transport you. As children we used to nibble the young leaves of Hawthorn – we called them bread and cheese. Yesterday I found some Scurvy Grass and I nibbled it. It tasted like fiery horseradish and I was immediately filled with the thought of a barrel of the filthy tasting pickled plant being served to sailors as a preventative for scurvy. With care, and above dog pissing height I often take a bite but never forage except for field mushrooms, oh and sloes which transform gin into something lovely if you’ve got the patience to wait – or sloe vodka which is just as nice but does it a bit .quicker
Smell and taste being closely related, the obvious candidate for this category would be Ramsons (wild Garlic) or Three Cornered Garlic but yesterday offered an altogether quieter but deeper pleasure. As we emerged from the footpath through the woods where we’d feasted our senses on Early Purple Orchids and bluebells, we stepped into a field beside the Percuil river that was full of Sweet Vernal Grass in flower. The books will tell you that the scent of Sweet Vernal Grass is “new mown hay” – and it is; except for the fact that 97% of the wildflower meadows that would once have been cut for hay have now disappeared in favour of Ryegrass and Clover leys. Hardly anyone makes hay in any case so to most young people the “new mown hay” smell is about as meaningful as the smell of moon dust. I’m lucky not to be in that unfortunate group because putting up with knackered knees and all the other indignities of age is the price of knowing that intoxicating perfume, described by the reductivists as Coumarin, because as a child my sister and me onced helped our grandfather make proper hay on his smallholding in the Chilterns. You could spray Coumarin on silage, haylage or concentrated cattle feed and it would still smell horrible. Sweet Vernal grass is the intoxicating perfume of Spring and on Wednesday it swept across us in sweet waves, evoking haunting memories of the lost sensuality of the historic countryside.
Perfumed field near Percuil
All of which brings me to sounds. When I was a teenager I used to cycle over to Dyrham Park, climb over the wall and just lie in the long grass of what’s still called Whitefield. If you want to know what a real wildflower meadow looks like you won’t find a better example this close to Bath. The sound of the wind in the grass and trees is one of the great pleasures of solitude.
So here’s to the benighted idiots of the past. The ploughmen and apothecaries, the wise women, the monks in the infirmaries and the witches; the alchemists, dyers and weavers, the poets and artists who loved plants and flowers but allowed them to be so much more than the sum of their parts. I’ve been filling in the records for all these plants, but apart from the obvious questions like what’s your name? how dare you record this plant you peasant? what’s it called? where was it? was it in flower? ……. I can’t find anywhere the most important question of all – what does it mean? – to you? to the earth?
Early Purple Orchid – smells of Lily of the Valley when young but then of blackcurrant (cats’ pee!) later on.
So here, at the end of a heavy duty week on the allotment are some of the fruits of our labours after a long and difficult winter. Crops are growing; even broad beans in the polytunnel are in pod and fattening up – which was especially nice when we saw that they were selling at £7 a kilo in the supermarket yesterday. Spuds are pushing through and the tunnel strawberries are about to begin their ripening. Spared any early frosts this year the trees have had a good fruit set. The bottom right photo is of a hybrid blackberry that languished in the fruit cage for three seasons so we took a chance on moving it to a better position with more light and air. Eight years after taking over an overgrown field, the plot is finally looking established. There’s a settled feel to it that; after a lot of to-ing and fro-ing; suggests that the allotment has accepted our guardianship. There’s a profound difference in the progress of happy plants over unhappy ones and any successes we have are down to noticing what the plants like best and making sure they get it. The strawberries, for instance, have runnered all over the place and made their way to a narrow bed beside the polytunnel where they are protected from winds in any quarter, and bask in its radiated warmth. It would be the last place I’d have chosen to put them! – but the earth is kept moist from rain runoff, the sun passes happily through the polythene cover and it’s one of the few low-traffic areas on the plot.
Gardening takes up a lot of time and energy, but I’m a great believer in texture and so we’ve tried hard to keep going on other things – like botanising and taking trips in the campervan. I’ve written before about the degree of planning that I do before a trip and I’ve made great use of the Botanical Society of Britain and Ireland’s magnificent databases and distribution maps. But one thing that’s always frustrated me in the past was the fact that ordinary members of the public (like me) only got limited access to the detailed information contained in 40 million records. This meant that if I wanted to check the location of a plant I was interested inI could only get an approximate 2X2 kilometer square on the map. Trust me, scouring 4 square kilometers of bare countryside for a tiny clump of flowers doesn’t half slow you down. There is one particular plant that I’ve been looking for for three years.
Anyway this last week the database was opened up to all BSBI members, with some provisions for protecting especially rare and endangered plants and this gave far more detailed locational information. I’m much more interested in the kind of unthreatened plants which are especially fussy about their environment whether that be pavements or lead mining slag heaps. I had to apply for access and rather to my surprise it was granted. I fell on the database like a hungry wolf and quickly discovered how close I’d been to finding my three year quarry – that’s a trip for the next couple of weeks. But then we’d also been to a lecture on ferns a few weeks ago and one difficult to find plant had cropped up in the midst of one of my favourite places on earth; not pretty but, let’s say, post-industrial. So a quick search online and within seconds I’d got a reasonably precise location. But instead of the adrenaline rush I’d expected I felt a bit ashamed of myself – as if it was cheating. That’s one to resolve later but it feels as if I enjoy hunting more than finding.
My research into AI wildlife recording applications took another step forward when the BSBI released a phone recording app at the same time. Good for them! Of course we shot out for a walk as soon as it stopped raining and I entered a record on the hoof, as it were, with a minimum of fuss. Coincidentally I’d been tasked to produce a precis of several longish reports on the work of the Natural History Society that we’re members of. I always swore that I’d never go to another meeting after I retired but I relented in a moment of weakness. So – and here’s a major confession – I fed all three long reports into Gemini, the Google AI machine and analysed them one at a time and then it took less than half a minute to produce a brilliant summary of all three, of a quality it would have taken me days to produce. My personal prejudices, likes and dislikes played absolutely no part in it because it was produced by a deep text machine with no knowledge of which ideas I liked and which I hated. All my work was focused on asking the best possible question and setting the task in logical and unambiguous terms. You might call it a scientific approach.
I presented the report to the committee and one member kicked off about the absence of the term “research” that wasn’t in any of the contributory papers. I could see that the discussion wasn’t going anywhere and backed off, but I left the meeting feeling that I’d been the victim of gaslighting. My hard work was being dismissed because -well because what? Antonio Gramsci, the Italian political theorist distinguished between organic and traditional intellectuals; the first group theorizing from a world of lived experience and the second (such as philosophers and clergy) giving history and tradition the whip hand. Give me the wisdom that comes from lived experience any day!
Back in the real world, I read two articles that seemed to treat plant recording as a kind of Ian Allan trainspotter discipline – more was clearly better. I get very fed up about this kind of thing, because it puts the amateur naturalist at a tremendous disadvantage. In one instance a recorder had submitted 135 thousand records to the big database. A little bit of basic maths suggests that with 3,500 plant species in the UK you’d have to find every one of them almost 40 times to amass such a score. The real scientific impact of such a magnificent effort is not in the gross total, but in building our knowledge concerning the distribution of plants across the country, their seasonality and preferred environments, the variations in their appearance and whether they are increasing or decreasing in number or in danger of disappearing altogether. Ten thousand records of a single plant – let’s say, bluebell hybrids made right across the length and breadth of the country could be tremendously useful. Amateur naturalists can be a vast army of potential volunteer recorders who, with targeted and appropriate help from the professionals, would get better and better at identifying plants and therefore contribute to the data that scientific research depends upon. There’s no hierarchy needed here; no need for anyone to feel intimidated or inhibited from having a try by the thought that they might get laughed at or patronized. The academic gatekeepers, far from preserving the integrity of the discipline are holding it back; squeezing the life out of it.
But hey! we’re off down to beloved Cornwall in the campervan and I’ll be testing the apps, looking for plants, doing a bit of recording and hopefully some sunbathing too, alongside a few trips to the pub. Here at the Potwell Inn, we celebrate the life ordinary. This weekend an old friend died of Motor Neurone disease. I have no idea how to process that.
An evening in the campervan with an excellent documentary series on Frida Kahlo. I really didn’t notice she wasn’t wearing much when I took it. Madame was consulted and she approved before I included this photo!
