Buried in this churchyard are Elsi Eldridge, who was the wife of the poet RS Thomas; with their son Gwydion. RS married again after Elsi died and is buried near the door of St John’s Church Porthmadog. Also buried here is the lovely radical priest Jim Cotter who wrote the most wonderful prayers and liturgies. Needless to say the church Authorities had no idea what to do with him but he was an inspiring teacher and marvellous company and the bureaucratic incompetence of the Church of England gave him (and me) space to breathe. And finally the Keating sisters, friends of the Thomas’s, gardeners of their house Plas yn Rhiw – now owned by the National Trust – and scourges of coastal caravan sites are buried here too. All of them were artists. This churchyard is a powerful place for quiet reflection.
The quote came from a Gloucestershire stonemason I knew who was once asked how much he charged for a yard of drystone walling. When he gave the price the enquirer reacted with some scorn. “Forty pounds for a load of old stone?” – he replied. “well it’s a pound for the stone and thirty nine pounds for knowing what to do with it!”
Another secondhand book arrived in the post today. It’s called “Welsh Fare” and it was written by the anthropologist and researcher of tradition Welsh life, S. Minwel Tibbott who worked in the Welsh Folk Museum gathering and curating oral traditions. I found it in the bibliography of Carwyn Graves book, “Welsh Food Stories” which I mentioned last week. As soon as I opened the book and started to read through the recipes, the memory of the stonemason’s reply flooded into my mind, and it wasn’t so very long before the image of the churchyard on Lleyn joined him. Why so? well it was because the recipes list the very simplest ingredients without giving the slightest clue what to do with them, and knowing what to do with them has largely disappeared. Here’s a recipe for
Teisen Ddim – buttermilk scones
- One pound plain flour
- Quarter pound lard
- A little salt
Rub the lard into the flour, and work in the other dry ingredients. Mix with buttermilk and knead to a soft dough. Roll out on a floured board and cut into small rounds, approximately a quarter of an inch thick. Bake on a moderately hot bakestone spread with butter and serve warm.
Llandeilo’r-fân and Heol Senni, Breconshire.
It’s all perfectly clear – except that unless you keep cows and make butter in the traditional manner by allowing the milk to separate overnight when it begins to ferment naturally, and then churn the butter in the traditional manner to separate butter from buttermilk; and unless you have a traditional bakestone and have learned what “moderately hot” feels like even assuming you have the means of heating it – well you’re not going to be able to bake the buttermilk scone.
Of course you can buy buttermilk from Tesco – except it’s not proper buttermilk but a factory made imitation – and the butter if it’s like the farmstead butter actually produced in old Welsh farmstead dairies, won’t be nearly as salty; like 3.5% salty – keeps better! And as for the lard you’d probably keep a large pot of pork lard which you could add to as you cooked joints from the fattened pig. Coincidentally it was Madame’s birthday yesterday so we had an extended family gathering and I slow cooked a whole shoulder of pork to make pulled pork for the boys and their partners. Even from a free range Gloucester Old Spot pig, shoulder is remarkably cheap and when you cook it very very (12 – 14 hours) slowly overnight it releases a huge amount of fat – dripping – which is ten times as rich and tasty as the bleached and purified block you slip into your shopping basket when you think no-one’s looking on disapprovingly. Finally the locally milled flour would have been rather darker and much more flavoursome than supermarket white. I used to bake with a marvellous 81% extraction white(ish) flour milled by Bacheldre Mill, now sadly no longer made. I hope I’ve made my point here. The simple list of ingredients tells us almost nothing if it’s become detached from its culture; and so – finally – I can leave the churchyard whose occupants once embodied a culture that’s largely disappeared, buried under second homers and Airbnb lets, and switch the topic to the so-called science of botany.
TV programmes on botany are as rare as hens’ teeth these days so we were filled with hope and excitement as we watched the first two episodes. The pleasure didn’t last. The unspoken assumption that ran through it like the writing in a stick of rock was the faintly smug and self congratulatory thought that traditional knowledge of plants was mostly held by deficient traditions which only needed some solid reductive science to reveal the truth. It reminds me of a story told to me about Archbishop of Uganda, Henry Orombi – who according to legend, reproached a tour guide near to the Victoria Falls who had foolishly asserted that the Victoria Falls were discovered by the explorer David Livingstone. ” I think” – he said – “You’ll find that we knew about them long before Livingstone got there!” Bishop Henry visited us once when one of the boys was in peak teenage rebellion, and he so charmed the angry rebel (I just love your green hair) he almost curled up in his lap and purred like a cat.
So the programme rambled on in a more or less predictable way through the history of scientific botany without so much as a mention of traditional herbal medicinal wisdom and without any sense of the vast contribution of the ancients from Dioscorides onwards. The plant kingdom was just treated as another exploitable resource to be catalogued, analysed and turned into a profitable enterprise. No sense of wonder, no mention of the inter-relatedness of all living things, no mention of the profoundly important role of plants in synthesising complex compounds beyond the reach of organic chemistry (which is by far the more interesting thing about photosynthesis and fungal networks). The last programme comes out tonight and I’m dreading the triumphal moment when the presenter announced that we’ve cracked some sort of code – probably gene editing – and finally we can exploit the poor old plants in any way that turns a profit. Wheat berries as big as pineapples or some such nonsense.
It rather reminds me of a line from Peter Shaffer’s play “Equus” – “Without worship you shrink”. To approach nature without humility, armed with scanning electron microscopes and DNA analysis misses a large part of the point. Of course I’m pleased when science discovers a new cure for malaria, or breast cancer or whatever else by understanding plants better. But plants aren’t just there for us to exploit – and misunderstanding that essential point is leading us towards extinction.
*** I just watched the last programme – it exceeded my misgivings so now I’m really scared.