Tag: photography

Back in Treloan Lane

You’ll notice the difference in formatting in this piece. Apologies, I’ll correct it when WordPress restores my access to my own site.

Our journey down here was a bit of a nightmare. It wasn’t just the usual kind of rain but a malignant blanket of fine drizzle that forced us to use the fastest wiper setting, which drummed back and forth like a pair of demented festival goers. In heavy rain even the landscape and the roadsigns disappear as lorries pass leaving con-trails of greasy spray and we passed our usual stopping place and drove towards the next which was on the northern side of Bodmin Moor. The moor is a moody place at the best of times but this time it wasn’t snow, sleet or driving rain, it was like driving through a ghostly white tunnel. When eventually we found a service station, filling the tank was a literally immersive experience, being battered by the horizontal drizzle blowing in sideways. Luckily I was wearing my favourite, moth eaten oiled Welsh Black woollen jumper which kept the worst of it out and I steamed dry in the car as we drove the last eighty miles. Our destination was a hay loft which we’d seen being converted for a couple of years and we rented it on a whim after a long season of hospital trips and building work. 

We’ve been walking down this lane for years; it’s one of four places whose plants I know pretty well. One and a half miles each way, it combines tarmac, grassy path and a small section of sunken track – but its composition; sunken for most of its length between high banks, hedges and Cornish banks has obviously evolved alongside its surrounding culture as fishing declined and farming rose and then tourism came along and insisted that the access to the holiday cottages did not jeopardize the paintwork of the family car. Normally at this point I’d insert the picture of flail-mower butchery that greeted us a few years ago but a hiccough in WordPress has got me locked out and you’re reading this via a circuitous workaround which can’t cope with photos; so that demanded a bit of  change in writing style as I try to say with words what I would otherwise have served up on a photographic plate. I had a cataract removed five weeks ago and once the swelling had cleared up and the double vision resolved, I found myself in a startlingly new world. I’ve mentioned this to other people who’ve had lens replacements and it seems we all experience an almost psychedelic period of colour and sharpness. Even Sainsbury’s car park looked amazing in the sunshine. I was captivated by the sharp edges of the cars. As soon as I was cleared to drive by the hospital we came here to a characteristically misty and rainy Cornwall for a bit of R&R.

It’s in the nature of sunken lanes that they provide a sheltered environment for all manner of plants, insects and animals. Here on the lane there are some of the richest hedgerows we’ve ever seen. My biggest problem for several years was that the cataract in my right, dominant, eye meant that I was unable to clearly resolve the things I was looking at. I’d pretty much decided that this was due to a faulty prescription, but it’s obvious now that a semi transparent film covering the lens was the real problem. Back here in Cornwall I was hoping that my greatly improved vision would allow me to see as well as the camera linked to a large screen hi-res monitor. Wow! Now, with the inspiration of improved eyesight and the opportunity presented by WordPress problems has prompted another big think …… how can I better express in words what I see as we walk slowly down the lane?

But there’s a catch here because I normally use carefully composed photographs which are rich in technical information that I can take to the identification guides without exposing the complexities of the process. It’s a hidden scientific process based on data and measurements and precise observations – all as boring as a bad preacher on a rainy Sunday to the average reader because the photo doesn’t need to brag about its contents But the writer’s tools are very different; bafflingly metaphorical to a scientist; woolly and suggestive rather than descriptive. You get the picture I hope. We’re dealing with two different languages and cultures, like trying to describe love in a spreadsheet populated only by temperatures and breathing rates. 

So back to the lane where we stopped to admire a cone from a felled Monterey Pine, covered in foliose lichen, the living expression of a fibonacci spiral but not designed by a mathematician but rather circumstance and evolution. A little further up the lane the hedge is covered with Old Man’s Beard, now covering the hedge with a snowlike cloak. But stepping forwards from the path to take a much closer look, you can see the stunningly beautiful mop-heads of seeds whose feathery tops curl like punk hairstyles waiting for the wind to call them away to service somewhere else. Below them in the hedge a brave few Red Campions risk a flower; pale pink after a hard season. Ivy berries, terrific food for the birds and the bees are clinging like tiny green and black mustard pots to their vines. A little clump of Babington’s Leeks is still, just about surviving atop one of the Cornish hedges. They’re quite unusual and we were pleased to see them a couple of years ago. By this time we would have expected the bulbs to open up exposing the bulbils which grow shoots before dropping to the ground, This time they are dried up by the summer heat and drought. This little patch will probably die off unrecorded. As we stroll further down we see evidence of the first of the carrot family to appear in spring. Large green rosettes (and some with stems and leaves) are the promise of next year’s Alexanders. Later, returning up the lane we find some seedheads hanging on. They’re easy to identify because Alexanders, AKA Herb Gerard, is the only member of the family with black seeds. There’s Mugwort  growing along the length of the path – once used in brewing beer – hence the name – still in flower. Near the beach there are wild radishes and also sea radishes. Their leaves differ slightly, the sea radish has slightly thickened shiny and tougher leaves, like its neighbour the Sea Beet, but both have magnificent basal rosettes and slightly different numbers of seeds in their pods. Unfortunately for the purists they hybridize together freely – like the wild carrots – and it’s sometimes impossible to be sure which one you’ve found. Returning up the path after an ice cream we see an abundance of Winter Heliotrope which will flood the path with its peculiar almond scent in just a few weeks around Christmas. We see the beginnings of the Yarrow and the end of the Charlock; tall, crisp and dead against the sky and finally an exciting little find right at the bottom of the cornish hedge, with the stones catching the last heat of the sun – a small clump of Wood Calamint.

Did I say how much I love this place?

Dancing around the mulberry bush

Salisbury market stall – a few years ago.

I don’t seem to take many happy families photos or snapshots of the pier at Weston Super Mare – in fact I think I’m a bit of an old stick in the mud or, perhaps, all those church teachings about it being sinful to enjoy anything threw some switches in my DNA and I just can’t help myself. Of the thousands of photos on my computer the vast majority concern plants, flowers and locations. They’re all catalogued and recorded and tidy – although anyone who’s seen my workspace will insist that’s a barefaced lie but it’s not – it’s industrial strength masking!

Anyway, personal reflections aside, there’s another photographic category that’s extremely important to me because of the way I work. Almost every piece I write begins with a photograph. I can’t do the ‘eyes meeting across a crowded room, stuff; I’m an intensely visual kind of person. I can remember in complete detail the appearance of a woman in a summer dress that was no match for the cold wind across the churchyard as we buried her dad. I remember the goose pimples on her exposed arms and how they seemed to express her lostness at that moment. I can’t imagine making written notes about the things I see – I just take photos, thousands of them. and they are my aides memoir. Over many years the technology has come to my rescue and now I can make notes with a very small Olympus camera and also with my phone. I remember standing on the bank of the Gloucester Sharpness canal one day alongside the collection of scuttled barges there and thinking how wonderful it would be to be able to unite pictures and words in a computerised internet form with powerful search capacities so readers could create their own path through the pieces. When I first had the idea it would have required technical expertise I just didn’t possess and technology that didn’t yet exist, but nowadays it’s easier. I take my photos, recall the moment and write the story of it. The photo is the starting point for the story that sits at the centre of a human mind at a particular place and time.

So when I sat down to write today we’d just finished packing away the emergency stores we’d bought at the behest of the (UK) government in case of shortages. It’s a sensible enough policy for a very temporary fix but whilst we filled the boxes with tinned food and pasta I wondered where were the signs of government policy concerning the risk of disruption through climate collapse, oil wars, organised crime and hostile governments . You’d have to be quite old to remember the government “Protect and Survive” campaign during the Cold War which urged us to whitewash the windows and sit under the kitchen table eating tins of corned beef as the nuclear bombs fell. A perfect example of the reliance of politicians on our gullibility to get them off the hook.

But we didn’t just pack the stores today; we also discussed seed orders and what we’ll try to grow next season in the light of inevitable shortages in the supermarkets. We discussed water storage again to help during the droughts which are now inevitable. We investigated getting a fitted mesh cover to the polytunnel to reduce sunlight by 47% and keep the temperature down. We talked about our diet and how we could be more self sufficient . We ordered bread flour in bulk and we sorted through our own stored food – this year’s tomato crop was severely affected so do we have enough of last year’s tomato passata and sauces to see us through until next summer? We need to revise the plan for the allotment and attempt to develop more shade through some judiciously planted taller trees, and we need to keep pressing the Council to improve security on the site because the amount of thieving has greatly increased. Food disappears from our plots, and even disappears from the charity veg boxes that we support, whilst the Government maintains a Trappist silence on the global climate issues and the chickens come home to roost.

Inevitably then, I searched the Photos library for inspiration and it brought to mind all those choppings and simmerings, crankings of the passata machine and other evidence of our semi peasant life at the Potwell Inn. I also remember how the head of ceramics at Farnham College got into terrible trouble for asking a female student if she was strong enough to lift a bag of clay during an interview. It was certainly tactless, but not on the scale of the question Madame was asked when we were interviewed together at Falmouth. “What if you get pregnant?” We need to expect governments to find ways of tackling the hard questions, formulating the right policies and acting urgently on them. We need the courage to evaluate whether they actually work rather than looking good on the headlines; but what all of us seem to do is dance around the mulberry bush, stick our fingers in our ears and sing “la la la” while the politicians throw elderly peaceful protesters into prison for daring to question their cowardice. The point of the metaphorical photo at the top of this piece is – as the proverb suggests – that you can only make pigs’ ears out of pigs’ ears!