
I wrote, only a couple of days ago, about having to change all my saved database dates to the American standard – month/day/year – and here’s why. If you look at the picture, I set my new Olympus TG-7 to time and date stamp my photos so it would be easier to reference them. It’s no big deal really unless it happens to be the 11th September when the associations with 9/11 spread like a dark stain on the calendar. Converting the dates keeps taking me back to the twin towers.

But there’s another anomaly about date-stamping. It speaks of the seventh of January as if time were frozen at that moment – and in one limited sense it was. At exactly 12.51 GMT I was sitting on a very wet seat on the sea wall, looking at the waves rolling in, when I turned around and there, was a whole botanical life story. The roots, the leaves and the senescent remains of last season’s flowers couldn’t be sliced up like a supermarket cucumber; they were – they are indivisible. A little to the left I found another plant which was (improbably) flowering, out of season. Entirely out of time and out of season these plants would – if he’d had any sense at all, have thrown Thomas Gradgrind (See Dickens’ “Hard Times”) into a rage of doubt.
Later in our winter walk we found Gorse obeying the rules and Knapweed breaking them shamelessly. Plants, as I never tire of saying, don’t read textbooks and consequently don’t obey our imposed human attempts to regulate nature.


There’s a line in Peter Shaffer’s play Equus where Dr Dysart, a psychotherapist who is attempting to understand/treat an adolescent man who has blinded six horses says “Without worship you shrink, it’s as brutal as that. And when have I ever galloped?” Dysart, reflecting on his own timid suburban life is grappling with his envy. but also the cost to his 17 year old patient, Alan, of returning him to something that’s called normal but lacks all fervour and intensity.
That line, lament – if you like – “Without worship you shrink, it’s as brutal as that. And when have I ever galloped?” has lurked in the back of my mind for many years. Occasionally I mark these posts with the tag “Green spirituality”, and a couple of days ago I used the word “soul” which I never feel comfortable doing because I couldn’t say exactly what they mean. Alan, the adolescent in the play, has built up a whole theology around his passion for horses, and there’s the problem. Religion attracts dangerous pathologies like moths to a flame. Why would I want to risk adding to that number?
So I seem to occupy the somewhat purgatorial space between the instinct to worship and the urge to run a mile from anyone who claims to have the secret; but the plants can still (quite literally) bring me to my knees. I could have chosen any number of plants to illustrate this. Yesterday we found loads of extremely infant Wild Carrots and – because sometimes the youthful forms of plants can be very different from their grown up parents, they’re hard to identify. But their presence in all their life-stages, mirrors our own so marvelously that I can look at the senescent remains of the old rock samphire amid the fresh green leaves of the younger and feel a powerful sense of belonging. The gulf between me and what the Taoists call “the ten thousand things” is bridged by that sense of solidarity. The same wisdom teaches that “The Tao that can be spoken is not the Tao” Any kind of theology to try to explain that unity is destined to fail. Like all theologies it is no more than suffocating waffle, and I’ve heard a bit of that, believe me!
In a previous post I wrote about dialects and suggested that the plants which grow in particular environmental niches are a kind of dialect which we – as observers and often users of landscapes can learn and understand. So today I want to take a small step further and suggest that the philosophical distance between ourselves and the plants, indeed all of the ten thousand things which has created an epidemic of blindness, must be overturned if we are ever to become fully human. Nature speaks, mostly inscrutably. You might think of the spring flush as a song of outpouring joy but I should say that the predominant tone of most natural history programming falls into the pathetic fallacy trap. We don’t feel like plants and animals and neither do/could they feel like us. We meet as strangers and we can either lock them into our own conceptual prisons, or make the effort to learn their language. The earth speaks in her own way and we respond in ours – for good or ill. That’s a conversation
What I am sure about is that the shock of recognition that comes with stumbling upon a new plant is as close to worship as I need to experience. Botany is not at all like trainspotting!















