I realized a while ago that I was going to have to get much closer to some of my botanical subjects in order to identify them properly and study them in more depth, and I’ve invested in a very useful 20x LED hand lens. Then a friend – out of the blue – offered to lend me a microscope, which will be a tremendous help. My desk is getting pretty full at the moment, not least because I’ve been experimenting with my Panasonic camera with a Leica 45mm macro lens photographing against a lightbox background.
I was casting around for something to practice with yesterday, and I spotted a piece of stonecrop – Sedum acre – that I’d collected while I was doing the plant survey of the car park. My desk is a mess at the best of times, and at the moment it’s also dotted with bits of drying and dying plant material that I seem to have a resistance to throwing away. So amongst the dead and dying this piece of stonecrop caught my eye and I set up the camera on a tripod (it’s almost impossible to take macro photos without one) got the flash unit going and after a few duds, got the picture.
The contrast between set-ups and the phone camera is absolute. I’ve said before that they each have their place and I wouldn’t be without either, but there’s nothing spontaneous about the set-up photograph. You’re forced to think what do I really want to see in this shot? and so I can use a small lab clamp, studio lamp, wireless flash and anything else that helps to capture the principal details. On a good day the aesthetic and the observational combine and you get a cracker, but most of the time they’re reference material for the future. I only wish my cataloguing skills could keep up but my tiggerish instincts are always racing on to the next excitement.
Anyway, enough of the technical stuff because what blew me away when I looked at this sample was that it is clearly alive and waiting patiently for the good times to roll again. They don’t put Sedums on wildflower roofs for nothing. Plants have their survival strategies and these can seem very smart indeed. The rue leaved saxifrage that lives on the wilderness of the fire escape survives by flowering and setting seed before the summer sun bakes its remains to a crisp. One of the abiding challenges of amateur botany is the brief lives of many species. Finding some plants is like getting six numbers up in the National Lottery – right place, right time, right weather ….. and so it goes on.
This gift of resilience is a marvellous thing, but I don’t at all underestimate our capacity to chemically outstrip the most resourceful life form – ourselves included. I’m reading Mark Avery’s book “Fighting for Birds” at the moment and he shows the way that extinctions are brought about so often by changes in farming practices which are not just to do with chemicals but also times of harvesting and sowing. But when the going gets tough …. and the real survivors are the kind of plant species – now totalling 26 – that can survive in the hostile environment of our car park.
But is that the kind of world we want to live in? Although I sing the praises of the sturdy beggars below my window, is that all I want? Of course not, but desperation drives us all. Yesterday as I looked out on the Green I saw a previous Director of the National Botanical Garden of Wales kneeling down with his phone to photograph some wall barley. Good for him – perhaps I’ve won him over at last, or perhaps he’s doing a survey of the Green where we’re making small progress on preserving an un-mown strip around the edge.
And if this was simply about preserving some hobby examples for grumpy old botanists and birdwatchers then you could maybe concede the point that it’s an unbalanced and unsustainable view of the world. But if we regard the reduction of our ecosystems to a few super resilient survivors, if we treat the symptoms like the canary in the mine – then it’s horribly clear that we may be the next species to disappear.
I’ve spent the greater part of my life thinking that our self-destructive way of life would end with a bomb and a nuclear winter. In many ways a sudden end to everything would be a more comforting vision than the possibility of a relentless decline into anarchy with terrible flooding, mass migrations from areas no longer capable of sustaining life and the desperate search for food, water, and ultimately air to breathe. I don’t want my grandchildren or their descendants to end impoverished lives like fish writhing on the deck of a boat, gasping for air.
I’ve written before about denial being one of Elizabeth Kubler Ross’s symptoms of grieving. But there has to come a moment when denial is overcome and a new life – with all its difficulties and disappointments – has to begin; and this is the moment. Right now.