Bath is a city divided by the river. Walking west to east along the towpath between Windsor Bridge and Churchill Bridge you follow the northern half of the city which bears the postcode BA1. BA1 is posher than BA2 because it’s got most of the expensive and Georgian parts. Then, at Churchill Bridge – (I’m sensing a bit of a pattern here because you will already have passed beneath Victoria Bridge) – it all takes a bit of a dive on the northern side as you pass the bus station, the railway station and the Southgate shopping Mall and then Royal Mail sorting office before you approach the end of Pulteney bridge where (if you dare) you can pop into the public loos over Waitrose and change back into your Jane Austen inspired Emma costume or pretend you’re Knightly according to taste and preference.
In many cities they demolish the old and build the new on top but in Bath, given that the tourist money has come from the old, for several centuries, they built the heavy industry and the ugly/smelly bits across the river out of sight. The Destructor bridge linked the upper Bristol Road to a giant incinerator which was next door to the gasworks and just along from Stothert and Pitts where they specialized in heavy engineering; cranes; bridges and transport across the British Empire. As industry died, plans were hatched by friends of the developers to “improve” the city by demolishing older buildings in favour of concrete tower blocks. You can read about this in the excellent and angry book “The Sack of Bath” by Adam Fergusson. We bumped into his daughter once in a pub in Hay on Wye and immediately recognised one another as kindred spirits.
It just so happens that we live near the towpath – just far enough away to avoid the smell of sewage as long as you hurry past a couple of the outflows in the summer. The towpath is my plant hunting ground; the place which never fails to reward me with something new; often a squatter or a vagabond. I reckon I could easily account for 50 species in my records, probably more. On Friday I went for a walk along the path to clear my head. On the opposite bank they’re clearing the old gasworks site in order to build hundreds of new flats – the river view would increase the value of an old air-raid shelter into six figures. The noise was horrendous, with drilling, piling and lorries everywhere. The spirit of the old destructor bridge lives on with a twenty first century sound-track. On my side of the river I passed the recycling centre which is joined by the relatively new version of the destructor bridge which clung to its name but lived up to its reputation when they discovered it was a bit too long or maybe too short when they came to lift it into place and retreated bloody but unbowed for months as the designers licked their pencils and tried to find someone to blame. Fortunately it wasn’t called the Prince Andrew bridge because that would have taken nominative determinism to the level of farce.
But I was there clearing my head because the previous week we had attended the funeral of a young friend, just 40 years old from bowel cancer and I needed to find that kind of safety in numbers that lets me escape into a spreadsheet for a couple of hours. Walking past the destructor bridge and the recycling centre seemed to be hauntingly significant as I recorded and photographed the ordinary, everyday plants that most of us ignore as if they were strangers in the street. Ivy leaved toadflax, cocksfoot grass, alkanet, broad leaved dock, ribwort plantain, blackberry, ivy, herb robert, false oat grass, buddleia, marsh figwort, common ragwort; red valerian, groundsel, bilbao fleabane, gallant soldier, pellitory of the wall, mugwort, tansy, several kinds of dog rose and annual mercury. I fear I’m writing a book of remembrance for the weeds I pass in the street as the climate catastrophe intensifies.
We tend carelessly to describe grief as a kind of temporary and solvable disturbance of the mind. Time, we say, is the great healer. But it’s not, I want to scream. Bereavement. and the grief that explodes in us when it happens, more closely resembles a stroke. It destroys memory, reshapes the world in unfamiliar ways so we can’t recognise the places we once knew. The loss of a limb just as the loss of someone we love, can’t be mitigated by positive thinking and we don’t get over it – ever.
And I feel as if I’m suspended between the grim spirituality of destruction and the optimistic recycling of fading memories. The river becomes the Styx in this uninvited metaphor. The noise, the roar and pollution of the bulldozers and lorries on one bank and on the other the recycling centre where we take the things we no longer want – to be reprocessed into something else. On the one bank letting go completely and on the other, clinging to the hope that something may be retrieved while we rather desperately make records and take photographs, out of which – one day – it might be possible to build a spirituality of hope in a world where God – like Elvis seems to have left the building.
