Cottage Economy

This photograph of Stoke Row hangs over my desk partly as a reminder of another era, but also as a reminder of my grandfather who, apart from a spell working as a carpenter in London, was born and lived there for almost the whole of his life. He was probably the biggest influence in my life; very short and equally short tempered with a creative gift for cursing that I’m fortunate to have inherited. He was a vernacular builder which meant his drawings were almost always on the back of a fag packet and securely in his head. Most importantly he was a natural radical and he had a collection of books that opened my mind to a world of possibilities, and several huge long sheds in which he stored everything he’d ever wanted to repair but never got round to; for instance a couple of penny in the slot pianolas which he would let my sister and me play with. He could make rainbows with a stirrup pump; give us rides in his wheelbarrow and let us feed the hens or look for Charlie the toad in the greenhouse. He also grew and cured his own tobacco which was so smelly he was chucked out of the pub for smoking it. He made carpenter style furniture – he was no Chippendale -hand built the first wireless set in the village and owned the first television. He also helped me to build my first transistor radio and erected a long wave aerial in the garden for me. He was almost entirely self educated and taught me logarithms before he gave me my first slide-rule (a kind of manual calculator for working with big numbers). He introduced me to Dickens and H G Wells and although he was a devout atheist, would secretly repair the benches in a local churchyard.

Much later, long after he died, I discovered the radical writer and pamphleteer William Cobbett; thorn in the side of everyone who annoyed him and whose two books “Rural Rides” and “Cottage Economy” inspired me and reminded me of my grandfather. I think this website owes a great deal to William Cobbett’s writing. In “”Rural Rides” he took up the cudgels on behalf of starving farm workers after undertaking a series of rides on horseback to see for himself the terrible poverty that followed the systematic impoverishment of land workers during the Industrial Revolution. He fought government corruption and campaigned for a more just electoral system – and when I say campaigned – his writings were fierce enough to have him thrown into prison several times. He fled from justice to France in the middle of the revolution; thought better of it and sailed on to America only to find that as a conservative he sat uneasily within the radical movements of the day, I would probably have hated him if I’d ever met him because he was really a backward looking old style conservative but the fire that flows through every sentence of Rural Rides is a model of righteous anger.

Most historians dismiss Cobbett because he advocated a return to the old rural ways. He was a ruralist and farmer himself and although he spent the last years of his life as an elected MP he never gave up campaigning. He wrote at the beginning of the industrial capitalist society and already he could see the cruelty and contradictions inherent in its exploitative and extractive philosophy. Today; as we suffer in the dog days of the same ideology, radical thinkers are again persecuted and imprisoned by powerful interests who can’t tell the difference between criticism and insurrection; and national politics once more is stained by corruption; industrial strength lying and greed.

Cobbett’s other book – “Cottage Economy” is, or should be required reading for anyone interested in 19th century traditional farming and any form of self-sufficiency. In a haze of what might seem to be sentimental idealisation of rural life due to Cobbett’s lifelong conservatism, Cobbett explains brewing, bread baking, building an ice house, the keeping and killing of farm animals and the preserving of them by smoking. He thought that the potato was the work of the devil and that the drinking of tea and the consumption of potatoes made men effeminate(?). Bread and beer were the culinary gods in his canon, and at a time when much water was unsafe to drink, the consumption of “small beer” – brewed from the remaining malted grains after they’d been once sparged – or washed for the making of stronger ale – was much safer having been boiled. Above all the book is a fascinating social history of village life before the industrial revolution. It’s hilariously funny at times – Cobbett was an old fashioned Church of England member and addressed some of his funniest and most excoriating prose to the Methodist Ministers who – in his fertile imagination – would always turn up to visit the poor cottager on the day that the pig was killed. No-one could possibly try to run a 21st century life on the pattern of a 19th century polemic, but his memorable style can make you wish it could still be possible; indeed some survivalists really do try it.

But Cobbett understood and called out injustice and its perpetrators in a fearless way that scared them. He was utterly incorruptible in a way that I would love to see once again. His pen name was Peter Porcupine – you get the joke at his own expense and he never stopped writing, pamphleteering and campaigning on behalf of the poor. Most critics focus on what he was wrong about. I prefer to attend to the things he was absolutely right about.

I wonder what my Grandfather – who was a member of the Independent Labour Party – and my Father who was also a lifelong Labour Party member would think about the present state of British Politics which is so corrupted by the lust for power that we can only look forward to choosing between a wealthy liar and a spineless liar because the electoral system is purpose built to crush radical dissent.

But although I get very sad at times I’m essentially an optimist, and the Potwell Inn and the way we do things around here are essentially my personal project to dig a pollution free well; think as clearly as I can; grow some healthy food to cook and keep us out of the hands of the merchants of sickness; oh and find every occasion to provoke and challenge the knuckle draggers and drool mongers who are driving all life on earth into a wall in the hope of enriching themselves at our expense.

There are, as the saying goes, no pockets in a shroud!

There follows a short unedited video …….

Bath – the World Heritage destination.

Despair at my incapacity to crop and join together three short video clips is eating away at me. You’d think that in a community of millions of potential users, someone would come up with a simple and useable app, but it seems that feature rich is the way to go. I can insert clouds of dancing cherubs around my tomato plants, I can turn beetroot to the colour of a cholera patient’s cheeks and I can have the alleluia chorus playing over/under/through my commentary which – if I’m feeling in the flow I can even have read for me in expressionless gibberish by a robot voice. It’s all too much – and the only thing I can think of is to record the whole thing on my phone in one faultless take without once screwing my face terrifyingly at the lens to see if it’s working. The chances of not losing my thread and not tripping over anything – oh and not experiencing a painful cramp in my phone hand are a zillion to one. The thing is I’m constitutionally clumsy and I find geeky computer language even more incomprehensible than the doctrine of double predestination. Unlike my oldest son who is always discovering new tricks in his laptop, I’m a writer; that’s the bit I enjoy. I don’t enjoy ferreting around in the fox’s entrails of my little Chromebook looking for a way of unzipping videos that I never thought I’d zipped in the first place. The bit I enjoy is turning thoughts into words – it’s like herding cats – or rather it’s like herding cats with an overexcited spaniel. Neither the words or the thoughts lend themselves to a linear approach and so writing 1000 words for a post is mostly hand to hand combat in the labyrinthine corridors of my mind.

I also love taking photographs because they can often communicate whole fields of meaning at once. Putting the two together is powerful enough, and I guess adding videos would be even better but I don’t need the doric columns and all the other blather. I’m definitely an A+B+C person in the video department. Any helpful suggestions other than telling me to go and boil my head would be gratefully received.

So at the end of this piece there will be exactly one third of a trip around the Potwell Inn allotment complete with camera shake and a contribution from the endless flow of cars, lorries and emergency vehicles. The piece will be a quick trip around the polytunnel where, at last, the aubergines have started to produce fruits, along with the exuberant tomatoes and Minnesota Midget melons. To be honest, the tomatoes this year have been very sweet and lacking the acidity that I think is really important – so we have a huge crop of beta plus fruits – probably due to the extreme weather conditions. They’ll make plenty of the passata and sauces that we need the year round, but fresh and on the table, they’re a bit of a disappointment. As the temperature has reached 30+C every day, we’ve had a lot of watering to do.

As I was mentioning the traffic noise in the last paragraph a little think bubble popped into my mind and reminded me of a remark made by someone (probably a producer) who said that that I could write a passage of real lyrical depth, but that I would often deliberately destroy the mood in the next paragraph. Now if I was doing that unconsciously that would be troubling but I’m afraid I’ve always had my balloon firmly tethered to the ground and so for me the lushness of the allotment and the sound of the ambulances racing past belong in the same frame. I’m not peddling a version of the way we do things round here (the best definition of culture I ever read). The awful truth is, the torrent of visitors who visit Bath’s wonderful architecture and historical depth also offer a considerable source of income to the beggars and blaggers. Behind many of the Georgian facades are tiny flats and bedsits and a great deal of social housing that supports some very vulnerable people who self medicate and occasionally overdose on cheap alcohol and street drugs.

Yes this is a blog about allotments, and cooking and being human; and like it or loathe it, being human means being human in a place and a culture that will, indeed must, include the transcendently beautiful as well as the ugly. “Bath’s best bits” won’t do at all. The Assembly Rooms and the (soon to be demolished) Avon Street car park are equal parts of the story. As George Steiner once wrote of the work of a critic – “What measure of [sic] man does this propose?” What did John Wood the Younger think was the measure of humanity? What too did the designer of Avon Street car park think of us? Did John Wood include within his view of humanity the millions of enslaved people who generated the wealth that paid for his buildings?

I often think of William Cobbett – truth to tell, an appallingly opinionated old Tory – but who recorded for us an angry portrait of greed and rural poverty in the rural economy of the 1820’s. He peeled back the facade of a corrupt culture and recorded the suffering that lay out of sight beneath it. Out of sight in the Vale of Pewsey – quite near here – and definitely a highly desirable place to live today.

So if I sometimes mention the sight of a wretched shadow of a human being smoking crack on the green; or if I mention a stripper surrounded by screaming and drunken party goers in the same paragraph as I might record a musk mallow or an unexpected orchid, it’s because that’s what being human is. We’re all a bit morally dog eared and if we manage to snatch a few glimpses of the divine in the midst of all the untruths of our culture, then we’ve done well.

We sat and watched the last four episodes of the first series of “Baptiste” last night in the suffocating heat. Three throats cut, one decapitation with a chainsaw and innumerable smaller acts of cruelty were the lowlights of a script so threadbare and full of improbabilities that it was almost funny. But the eponymous hero Baptiste had at least one sensible line at the very end. Speaking about one of the victims who had been a collector of seashells, he said that perhaps one motivation of such obsessive collectors was to try to make sense of an otherwise chaotic world. Perhaps we urban allotmenteers and street botanists too, try to make sense of the chaos by growing plants and naming them.

If I have one wish in writing this, aside from offering the odd bit of dodgy advice, it would be to make an honest record of what it feels like to be human in this particular place and at at this moment of crisis – perhaps for my grandchildren to read – who knows?

Inside the polytunnel yesterday
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