Tag: inspiration

I had a visitation last night from Dabberlocks and Furbelow

The dream

I like to think of Dabberlocks and Furbelow as invisible friends; but in reality, as solicitors for my superego for my whole life, they’ve hinted, adjudicated and occasionally forbidden my wilder flights of fancy. Occasionally they’ll issue a non-disclosure order on one of my ideas but mainly they just sit in silence and I know what’s required. I call it censorship but they refer to it as discretion and normally they win.

The visitations come in occasional dreams and their names and faces are never visible to me but I always know they mean business even if their language is completely opaque and I struggle to understand what they’re driving at. Once I had a dream about a very large and menacing dog clutching a beautiful ruby in its teeth which I think I was supposed to remove. on Saturday night I had another dream in which the words were said – “you can’t argue with a blackthorn” in the context of winter flowering plants. It usually takes a lot of imagination to turn the key in the lock but this one immediately brought to mind a long abandoned project about a character I’d invented called Barnacle. I wrote a kind of CV down for him at the time, along with a quite detailed description of his appearance. Beard, huge greatcoat with deep pockets and that kind of thing. But as soon as I recalled the word “blackthorn” I knew that he would have carried a blackthorn stick representing both the peaceful rambler and the belligerent cudgel known in Ireland as a shillelagh. Two of his multiple temperaments in a single wintry stick that flowered like snow in the hedges in the worst and coldest season of the year.

Then I had him. I’d kept him secret for twenty years and it was time to let him out.

I learned something unforgettable from Sister Enid many years ago, and it helped me to weave some random threads into a thick cloth.The first time I met her was on a Catholic retreat. This was no pious weekend, though, because the La Retraite house in Bristol was, a beacon of radical and practical faith. I took part in a number of retreats there – they were pioneers in bringing Myers Briggs to the UK – but on that particular occasion there was something else going on. The point here is not so much what went on, but the fact that until 48 hours in, Sister Enid didn’t speak a word. She sat in the corner silently and, being young and arrogant, I assumed that she was an ancient, probably half senile sister who had been propped up in the room for a bit of company. We were a strange mix, but amongst the retreatants were a group of sisters from another house who were experiencing – let’s say – interpersonal difficulties. There was something bad eating away at them. 

Anyway, the retreat went on and we talked a bit; shared a bit and did some challenging exercises in small groups and in full sessions. In the last plenary, Sister Enid finally spoke. She had watched and listened from Friday evening until Sunday afternoon – the daft old lady in the corner – and then finally and without notes, she accomplished the most forensic examination of a group’s dynamics I’ve ever witnessed. I learned two important things that weekend. Firstly, never again to stereotype and then dismiss another human being because they were old; and secondly that watching, listening and paying minute attention is infinitely more humane and useful to a writer than spouting smartass ideas and showing off. 

I even invented – conceived – a character who embodied that lesson. The name, I’m afraid, was invented long before the children’s TV programme called the Octonauts so I must ask that you banish any thoughts of the character of the bear in the TV films. My Captain Barnacle – without the final ‘s’ – is a darker character and – to be honest – he’s part of an alter ego that I created for myself twenty years ago.  Here’s the CV I wrote for him – or perhaps it was me all along.:  

A wintry story at Christmas

At the edge of the River Severn in the month of December you might stand in the freezing cold one night, with the moon sitting low in the sky and the wind rattling down over your shoulder from the Northeast, driving the clouds across the sky like sea foam.  And if you stand until your fingers turn white and brittle and wait and wait as the tide flows and foxes go about their business, you might wonder at the sheer size of the sky above your head.  And you might, as you scan the sky, think to yourself – “this is the point in the film where the geese fly over, honking, and my blood freezes” – you might also begin to see the millions of stars above your head and among them you might notice the constellation of Orion with his sword and his belt.  And you might also think to yourself that this dark sky reminds you a bit of your Dad’s huge black overcoat then you wouldn’t be far out.

And imagine if you could search in his deep black pockets for sweets, and breathe in the familiar sharp smell of his armpits, and the smell of the bus, and the smell of the rain and the pub and you would feel very safe indeed perhaps and you would know that asking whether such a being as Captain Barnacle exists is a silly question.  When you have seen the stars that line his greatcoat stretched over your head in the dead of night, then you just know it, and the teachers, pharisees, inquisitors and pedants as usual, know nothing. 

As to the facts, there’s not a lot to be said.  He’s a weaver of meanings, like an angel or possibly the weaver of a unique form of cloth.    Some people have argued that there may be a hierarchy of Barnacles and such a thing may be as true as any other thing.  What I know for a fact is that he lives on a hill near a seaside town – hence the name and rank – and he drives a yellow Morris 1000 van with stars and a crescent moon hand painted on the side, and he has a more or less scandalous and very intermittent liaison with “Astral” who is an “International Clairvoyante” and whose visions regularly transcend the parish boundary. 

 It’s said he spends the day at a huge loom in a wooden shack, and where he weaves a sky cloth from fragments he has harvested during his journeys.  Anything from a ship’s manifest to a small advertisement could be woven.  A tiny piece of conversation blown in the wind is not too small to escape his attention.  He might be arrested by the arching of an eyebrow or the faint flush of the skin in a chance meeting between two people who do not yet know that they are lovers.  A dog’s bark, a small joke or even a road sign might inflame him.  A particular favourite of his are lists and catalogues which can easily be unravelled and used again.  Memories, sounds and smells are the warp and weft of the cloth and if he can lay his hands on the glint of the sea he can weave it in judiciously so as to bring the whole fabric to perfection. The cloth which he weaves descends only at night which is why you can’t see it in the day time.

The promiscuity of his means is a source of continual irritation to the town, and especially to the deacons of the local church who, being both strict and particular as well as Baptist, have only the one story which is completely threadbare. 

This last factor may be the origin of their assertion that “Captain Barnacle is a creature of the night” – a phrase that has a peculiar resonance for parish councillors and deacons.  However it may be that the simple fact that he is, in reality,  out and about more obviously during the night, is enough to remove the inverted commas and turn the criticism into an observation.

Some refining of the idea might help.  Captain Barnacle is especially a creature of the warm summer night.  On such a night, the sea-town is held in the air by the force of dreams of faded seawashed driftwood spars; frames; orange-peel;

Delabole slate; terracotta tiles; Paynes grey skies, windworn rocks; sea worn pebbles; scrubbed sand; lichens; quoits and dracaenas as various as silks in a cabinet or an artists’ colour chart.   Then, as the sun sets and the pasty shops clean down their shelves, the soft warmth of night insinuates its seductive aromas around the harbour.  When the scent of hot tarmac, wallflowers, fish and chips, cigarette  smoke and stale beer hang in the salt air like pheromones to the young men and women gathered like moths beneath coloured lights . When Pasties, suntan oil and peeling shutters shriven by the summer heat gift their perfumes to the sky as it turns from pale blue to indigo. When the people refuse the cadence of night and day and they try to stretch the day as if they could hold the tide at the rim of the horizon by sheer effort of will.  Then Captain Barnacle will leave home and drive down the winding road through the town. 

Captain Barnacle is also a creature of the winter night, of the harvest night, of the night of mourning.  He is both Captain of the Feast and solitary figure at the graveside.  “Amen to that!” he cries, and the deacons and the parish councillors murmur damp threats and plan horrible revenge. They will whip him with scorpions, they say, and Elder Bell keeps a whole nest of them behind the shop where he keeps the flick knives and condoms for the local lads.

Truth to tell, I think Captain Barnacle is a bit frightening.  The smell of his armpits and the acrid greatcoat speak of other adventures and happenings that aren’t so good.  In fact they’re everything the deacons say.  Sometimes he puts his hands deep down into his greatcoat pockets and you can hear things scurrying around in there. 

 Some say that the Captain is exceedingly old, even as old as Adam himself and others maintain that he drifted into town in the nineteen sixties and never left.  He might be some kind of extraordinary deity or he might be a beach-bum entrepreneur. 

The beard is a nice thought.  Nothing goes with a greatcoat like a beard, and a pipe.  But this beard is different;  so dense you could not hack your way through it with the sharpest billhook.  A beard to occlude the sky and the clouds.  A beard full of thorns and small nesting birds and fugitives hiding from justice.  A beard full of things you tried to say and couldn’t.  A grey beard with a golden stain that might come from poems spoken out loud or from roll-ups. It is impossible to imagine him without one and so I will give him one without fear of being accused of not really knowing him at all – and the length of his hair? Flowing, naturally, and long …. somewhat wavy and a tad greasy for some tastes.

And his stick? Why of course it’s a blackthorn shillelagh. Dark with age and cured for a year in a dung heap wrapped in oiled cloth to make it harder and more resilient and made by a man called Rex who’d scoured the hedges near the riverside for exactly the right conjunction of root (for handle) and shaft; donned his thickest gloves against the thorns and sawn it off – unique and precious; polished it to a glow and weighted it with lead so that it balanced at exactly one third of the way down where – if needs be – Captain Barnacle would hold it in order to administer stern correction if the deacons came after him on the heath, in the dark.

There must be more!

Bye By Brook – finding the well

By brook at Slaughterford

We’re not done with you yet sir

Last Friday I got yet another message from the hospital requiring an urgent phone consultation on Tuesday regarding a test I’d failed miserably. I imagined a large number of health professionals rushing to the red phone. to deal with my case. I’ve soaked up an incredible amount of NHS time in the last six months and I’m so grateful for it. It’s an odd privilege to be fast tracked twice in a month on suspicion of completely different cancers but I’ve noticed that the doctors are constantly changing and often poorly prepared for our encounters, and so there’s never time for them to sit back and observe, chat, prod – all the things that I know from long experience are essential to drill down to the heart of the problem. But, being retired, have got time to explore and read the NICE guidance about the drugs which I’ve been prescribed and I know that some of the problems I experience are actually caused by them. They’re called iatrogenic symptoms – caused – if you like – by the very medications that are supposed to keep me well.

Time is possibly the greatest unused skill in the caring profession. I’ve never forgotten a pastoral conversation with an oncologist who was being broken by his workload, and who told me that at its worst his first thought when a patient came into the room was how can I get rid of this person? He wasn’t bad or lazy, just exhausted, burnt out and lost. There was never enough time to listen deeply to the person in front of him When I was running writers’ groups I got very used to the back pocket poet syndrome. Someone would sit silently in the class for an hour, too shy often to make a contribution and then they would produce a crumpled sheet of paper just as they were leaving. Such contributions were often very good.

Smiling, or being smiled at by strangers is a rare treat in a paranoid world.

David Isitt, one of my finest teachers would sometimes gather a group of us, all mature students on retreat, and on a fine day we would sit under a tree and he would run one of his CAT sessions. CAT stands for close attention to text and we could sometimes spend an hour pondering the multiple meanings of a single phrase. Close attention is a powerful tool for psychotherapists, doctors, partners and – as I proved to myself on Monday – for home bakers. On this the fourth or maybe the fifth heatwave of the summer, I had a sourdough loaf overprove and almost collapse. That one was turned into breadcrumbs, but then I needed to make bread urgently and so I did what I should have done all along, and I paid close attention to the rising dough. In the 25C heat, my usual 36 hour timetable easily condensed into a single working day and I came out with a good sourdough loaf. On another occasion and another retreat, a group of us – all strangers to one another – were invited to join hands in couples and behold one another. It was uncomfortable, challenging and revelatory to lock my gaze with a stranger and allow some sort of understanding to pass between us. The absolute opposite of hurrying down the street wearing headphones and looking at a mobile; avoiding any eye contact. Smiling, or being smiled at by strangers is a rare treat in a paranoid world.

Anyway, enough of all that; because the real point is that all this unsettling news has let the black dog back into the room and I spent a night that combined 3 hours sleep with about five of restless pondering which rewarded me with something of a vision. My mind drifted back to my early twenties when I had a long spell of what was diagnosed as phobic anxiety. I became convinced that I was about to die, and this actually changed the physical appearance of everything around me. Even the leafless winter trees looked like the bronchioles and alveoli of dying lungs. Eventually, under threat of being thrown out of art school I saw our GP and he told me that although he could give me some medication, it would be better for me – that’s to say Madame and me – to take ourselves off to the pub for some human company. His advice worked perfectly and within a few weeks I had a visionary moment and thought to myself – of course I’m going to die, but not yet! Ironically, some months later I was at a party, standing at the top of a rather grand Georgian flight of stairs holding a glass of wine and he came up and said to me “I see you took my advice” and promptly toppled cartwheel style back down the stairs, as drunk as a skunk.

However, apart from reminding myself how much a state of mind can even change the appearance of the world, I remembered how I began tentatively drawing again sitting on the side of By Brook, the small river that rises in Gloucestershire, runs through the Castle Combe valley, and below the farm where we were living; eventually joining the river Avon outside Bath. I made a laborious drawing (using hard pencils) of the knotted roots of a tree on the opposite bank – a drawing that sadly I can’t find anywhere- so I had to settle for a photo I took in Slaughterford last year. It was the drawing that unblocked me. Back in the day there were wild trout in abundance but nowadays it’s a shadow of its former self – milky, polluted and desperately in need of recovery. Fortunately there’s a group of volunteers improving water quality by improving the flow with rills and riffles, but I imagine many of the problems are caused by excessive abstraction.

Old bull looking at the sunset – Llyn peninsula this July

So in my mind’s eye, during my sleepless night, I was back there on the bank, and the clearest notion came to me that whatever my state of health, my creative wellsprings are still intact. My body ages – as it must – but creatively I’m still young, still capable of being inspired and driven by the sight of an unknown plant, still able to write to the best of my ability and, to use a phrase I overheard on a bus many years ago, to tell shit from pudding. Of course it’s a bit harder to get back to that place than it once was but real creativity has always been the combination of inspiration with technical understanding. Without technical understanding, inspiration is a mess of unresolved thoughts. Without inspiration, technique is dull and dead. I think of myself as being profoundly fortunate to have (at last) both – and now I know where to find the well.

The road-bridge at Slaughterford

More feasting please

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There’s a line in Peter Shaffer’s play Equus that’s stuck in my mind. It sounds a  bit religious but it’s not – here’s the full quotation:

Have you thought of the fellow on the other side of it? The finicky, critical husband looking through his art books on mythical Greece. What worship has he ever known? Real worship! Without worship you shrink, it’s as brutal as that…I shrank my own life. No one can do it for you. I settled for being pallid and provincial, out of my own eternal timidity.

Wow! “without worship you shrink”. I’ve used that quotation dozens of times because it seems so profoundly important; and perhaps never more so than this moment in the history of the earth. Now this is absolutely not about getting you to go to church or adopt any strange supernatural beliefs.  Worship comes in all sorts of unexpected ways, like at the end of a headline set at Glastonbury when the air seems to thicken and stand still; or when a barn owl flies silently within inches of your head as you walk home in the dark; or when you hold your newly born child in your arms and the air suffuses his skin and it changes colour from slate to rose pink; or when the sheer undeserved generosity of the earth makes you catch your breath over a basket of fruit.

For many years my life was punctuated by festivals. A whole year was a book. Advent, Lent, Easter and Pentecost were the chapter headings, but there were paragraphs, sentences and even words that could bring me to my knees.  On Easter Eve I would sing a long unaccompanied modal song called the Exultet that was so powerful to me I needed to lock myself in the church and sing it over and over until I could get through it without breaking down.   It was never the theology that attracted me but the channelling of the emotions.  Who doesn’t long to be liberated, brought to life again out of captivity?  It was the blues, it was Gospel music, it was an ancient form of music that had been sung for maybe 1600 years just once a year without a break.  For the four minutes or so that it lasted I was always touched by an overwhelming sense of the divine. Music is potent stuff – that’s why they always try to crush it.

Now I live largely without the big festivals because the meaning seems to have drained out of them. My own favourites among the dishonoured escapees from paganism were always wassailing, Plough Monday and the Rogation services; all of them celebrations of the earth. Then there were other renegades like Harvest Festival and Remembrance Sunday that managed to draw the community together precisely by remaining doctrinally agnostic, and of course Christmas carols which in any case had been dragged in from the pubs. I always saw the church as a kind of lost property office where you might go to look for something you couldn’t quite remember but know for sure you once possessed.

But it’s all dying and our opportunity to experience real worship is more and more compromised, just at the very moment we desperately need to rediscover and celebrate our creative connection with the earth. And here I want to unpick the idea of worship a little bit because I know that we can all individually, and in the solitude of our own hearts find inspiration and perhaps bliss or even ecstacy –

 – and I am dumb to tell the crooked rose

My youth is bent by the same wintry fever.

But I think we need more.  I think we need to rediscover forms of community liturgy; spoken word, poetry, dance and song; shared feasting and perhaps fasting as well. We need to liberate ourselves to worship the stars and the sun and the whole creation of which we are just a part, and which bore us and held us in its arms for millions of years. We need these community strengthening moments because there is no pleasure and no power in being isolated and right – we’re never right if we’re on our own. Individual salvation is a punishment for egotists.

So in the midst of the work we need to do if the earth is to become whole again we need to remember to add community building and worship to the recycling, the careful use of money, the growing and tending of crops and feeding ourselves with regard to the needs of the whole. Fasting (perhaps from meat) then becomes a gesture of solidarity rather than a demonstration of personal rectitude – it has some purpose beyond imaginary purity. And the liturgy, the work of the people, is an essential part of it.  It’s not as if we don’t have any precedents. Even a flower and produce show can be an act of public thanksgiving – it doesn’t have to be cringeworthy sub religious claptrap.

“Without worship you shrink”  – that’s the harsh absence that allowed them to call the despoliation of the earth and its peoples a “green revolution”.  It’s time to turn worship around and reclaim it for our own.