Slow Down!

Wyre Forest National Nature Reserve, 3rd November 2019
The ubiquity of the unnoticed

In an idle moment this morning I did a search of my photos using the search term “fern” – really just to see how much Artificial Intelligence the Google Pictures search engine uses. I was expecting to see all the ferns I’d identified, of course, although the indexing of my pictures sometimes takes quite a while; but what I didn’t expect was page after page of thumbnails of the ones I’d photographed intentionally but never identified – or photographs where ferns just happened to be in the frame. Nowadays, of course, I am consciously interested but two possible explanations come to mind. Firstly (and I know this is true) I’ve always loved ferns for their architecture but was never brave enough to even try to identify them. The second thought is that they’re ubiquitous, absolutely everywhere. If you’re in almost any landscape from mountain to mineshaft, you’re likely to find ferns, but of course you often don’t see them because they all look more or less like bracken, they’re not interesting to birds and insects and they don’t have colourful flowers.

However this isn’t going to be either a dissertation or an evangelistic tract on ferns. What I want to think about in this post is the underrated spiritual practice of attentiveness. When our first two children were toddlers we lived in Hotwells in Bristol, at the bottom of Hope Chapel Hill. We had no car, and bicycles were no use at the bottom of one of the steepest hills in the city, and so we walked up to Clifton to do most of our shopping. The walk would often take twice as long as it needed because the boys were absolutely fascinated by the flotsam that collected in the deep cracks between the cobbled gutters. Theirs was a wonderful non-discriminatory curiosity and included the whole compass of litter from dog-ends to bottle tops, twigs, stones, feathers, ring-pulls from cans, broken bits of plastic, mirrors, bits of string and soggy ink-run love letters and final demands. I always admired them for the joy they were able to derive from simple ordinary things and let them get on with it. My intervention moment came somewhere between dogs turds and dead pigeons and we always had a packet of wet wipes somewhere about us, just in case.

The point of that excursus on why our children should probably have been taken into care is that the process of instilling discipline, obedience and so-called grown up distinctions between right and wrong; clean and dirty; appropriate and inappropriate, interesting and unimportant, are the prison chains of our culture. We all know about the blowhard critic of so-called modern art, shaking their purple wattles and declaring that “any child could have done that!” and it makes me want to weep for the loss of my own innocent eye; the paralysis I used to experience in the face of a sheet of empty paper; the toleration of my subconscious prison warder who said no to every intuition. For years, in my late teens and early twenties I could only write with a cheap fountain pen on sheets of kitchen paper, torn into approximate A4 sheets. The paper sucked the ink off the pen and trapped the thought before it could be crushed by the censor.

Attentiveness isn’t – to my mind – the exact equivalent to mindfulness because although it focuses equally on the moment, it goes further than merely noting the present without judgement but includes a strongly purposive engagement with it. Imagine taking a walk in the woods and purposefully engaging with nature; glimpsing the sky through the trees and reading the clouds for rain; keeping a sharp eye on the plants you pass and looking for anything that’s the least bit unexpected or out of the ordinary – a patch of lighter green; a grass that’s taller than its companions and looks just a bit different; a fern gr,owing like a shuttlecock instead of randomly like bracken; a purple flower that looks like an orchid – but which orchid? a dandelion that turns out on closer inspection not to be a dandelion at all, but something different; the seed head of what turns out to be a Goatsbeard that blows your mind with its intricacy and mathematical exactitude; the little weed with no petals that lives in a gateway and smells like a pineapple when you squeeze it; the bright sulphur yellow butterfly in the early spring; the sound of an owl – but which owl? – at dusk; the heart stopping moment on the riverbank when a hare leaps a fence at great speed within feet of you; the bright red mushroom, flaked with white scales that looks like the ones that fairies sit on in children’s books.

In essence, attentiveness forces you to slow right down because you’re drinking in the sights and smells and sounds. There’s no element of inner struggle to calm the mind because it’s working at full stretch – just not on the stuff that keeps you awake at night. And of course the imagination is working in conjunction with the five senses – looks like; sounds like; smells like; feels like; although I’d give tastes like a miss in the absence of a skilled guide. Attentiveness can become an intellectual challenge too; demanding further study in order to unravel the mysteries.

But the practice of attentiveness also awakens a profound awareness of the sheer beauty of the natural world; so beautiful in fact that it sometimes seems gratuitous sometimes erotic in its sensuousness – and that’s occasionally reflected in the local names for plants. English names, for example of Cuckoo Pint- Arum maculatum are unashamedly vulgar. The ‘pint’ for instance refers not to the standard glass of beer, but to “pintle” – the socket into which the rudder on a boat fits and a Scottish slang word for a penis. Put the two together and you get the reference to cuckoo in the nest and also the allusion to the pintle being – well, in someone else’s nest. Two other local names for the same plant are Preacher in the Pulpit and Lords and Ladies; I hope you won’t need me to explain!

Often when we’re walking slowly we get startled by runners busily breaking records; dog walkers chatting in groups who could walk past a small war and not notice and even botanists who – GPS in hand – rush to the next rarity, missing the beauty of the everyday and the ordinary. But the ordinary almost always turns out to be extraordinary when you take a closer look – especially if you’ve got a magnifying glass. Ubiquity doesn’t or shouldn’t imply not worth bothering with.

A couple of ideas worth holding on to, or better perhaps stealing back from religious orthodoxy are wonder and glory. I think we shy away from them because of their associations or perhaps they make us afraid our friends will think we are a bit mad. Slowing down and practicing attentiveness in nature will almost inevitably lead to that surging joy (which could still be surges of natural endorphins – but so what)? There’s nothing like a good surge of joy for lifting you out of despondency!

And as for the confusing plants …. vive la difference! Below, some finds for today. I recognised the Sea Plantain and the Rock Sea Spurry, living dangerously on a busy path, but as for the interesting brown lump exposed on the rocks at very low tide – who knows? ……. but it was completely fascinating.

What was the date of the last time you heard a cuckoo?

Arrhenatherum elatius ssp bulbosum otherwise known as a bit of dead grass

To be able to answer that question you’d need to have heard the cuckoo, recognised it and made a note of where it was that you’d heard it. I know where I heard the last one – it was with friends whose smallholding is near Crickhowell in Wales and I could find the date by looking for the photos I took on that day. That was getting on for two years ago and sadly I haven’t heard one since which gives me a little pang of sadness. What if that was it? – no more cuckoo ever …..

So maybe there is a point in being a bit of a list nerd, even if becoming one means you have to irritate the hell out of all your nearest and dearest while you read (buy) incomprehensible and expensive books, spend hours with pencil and notebook writing in secret code and develop a pronounced bend in the spine as you spend days on end looking at the ground, and enthuse about tiny bits of plants that no-one in their right mind cares a hoot about …. except – I should stop there! But if you’ve done all those things and write the event up and even send an account of it to someone who also records these things but on a grand scientific scale; then it’s just possible that something could be done in time to stop the cuckoo becoming a footnote in an annotated student’s Shakespeare crib.

On Tuesday I gathered 10 samples of grass from Bannerdown and as I mentioned earlier, I was up early yesterday morning and after some pretty intense work I managed to identify nine species; and I even managed to match them with all the other plants we saw yesterday and come up with my first ever NVC (National Vegetation Classification) code. More than a year after my resolution to “do the grasses” I’ve finally reached the point where I’m pretty confident with identifying them, and half a dozen I can recognise from twenty paces. A red letter day for me and possibly of no interest to anyone else, unless like me you’ve embarked on a stupidly difficult quest without much by the way of experience.

So why bother then? Why not leave it to the professionals? Well the answer is that there aren’t nearly enough professionals to do what’s needed. There are now hardly any opportunities to study botany at degree level in this country. We’re in the midst of an environmental catastrophe that will lead to the disappearance or even extinction of a huge number of species from environments that no one has ever recorded – and I don’t just mean Amazonian jungle and Arctic tundra, I mean the derelict site next door, the unappetising urban stream with the supermarket trolleys in it, and the allotment sites that hard up local authorities would love to sell off. The article from today’s Guardian newspaper that I cited above is concerned with UK mammals, and just like the mountain gorillas and snow leopards, our wild mammals live on wild plants, insects and other wild mammals and they are disappearing because their environmental niches are disappearing. As meadows, hedgerows and streams disappear along with all their specialised plants, their larger and more glamorous inhabitants disappear too; so saving the hedgehog means saving the hedgehog’s environment and the multitude of invertebrates that it lives on – which means saving the plants on which those invertebrates feed in turn. The earth is a joined-up ecosystem – with the emphasis on system and it can’t work even if small parts fail. Just as when the hinge on my laptop breaks it becomes a pile of junk. During my grass binge I have spent a lot of time on the internet looking for answers and I promise you I found a website (run by a agrochemical business) headed “How to identify grasses and eradicate them. “Attaboy – lets civilise the lawns and fields of this great country!”. Letting the nettles and the couch grass flower around the edges of your allotment shows you’re a part of the resistance movement.

Natural history has always had its share of amateurs. There are few other disciplines where we can make such a significant contribution. It’s true we don’t have the knowledge or the equipment to study plant DNA at home, but increasingly we’re becoming the infantry in the battle to save nature, (with saving ourselves as a side-order). There’s a place for everyone at every level and the amateur recorders are the intelligence corps, helping to collate the evidence. I first got involved in this kind of thing when I was a schoolboy and sent postcards (remember them?) back to a science project investigating thunderstorms. I remember I had to record the number of seconds that elapsed between seeing the lightning and hearing the thunder, and add a few details about the storm. I think I had to buy my own postage stamps.

However, the reasons for getting stuck in aren’t just about saving our skin. To lift a phrase from a well known naturalist:

“The philosophers have only interpreted the world, in various ways. The point, however, is to change it.

Karl Marx – “Eleven theses on Feuerbach” – (and inscribed on his grave)

So let’s hear it for the sheer beauty of nature, for the way it frames us and sets us within our proper place, for the way it inspires the sense of the numinous, the “mysterium tremendum et fascinans“, the terrible and compelling face of nature that draws worshippers and list makers alike to record what might be the last great moments of a collapsing civilisation. “Glory be to God for dappled things” said Gerard Manley Hopkins in his poem “Pied beauty” and although these days I find the whole idea of God – especially the great gammon in the sky version promoted by most churches – impossible to understand, I know well enough what glory feels like!