
Even while we’re still battling with low temperatures and arctic winds, the earth’s changing track around the sun brings longer days and more sunshine. Now it’s not a question of ‘if?’ but ‘when?’. In the photo, the last days of the purple sprouting broccoli are almost here, while the beansticks are ready for summer. Setting up the bean sticks seems to be a form of benign displacement activity – it’ll be weeks until they’re needed but yesterday as I set them in, it felt like I was planting a flag in the diminishing skirmishes with winter. Yesterday too I set up a wigwam for the Alderman peas to climb and transplanted the autumn brassicas while Madame sowed seeds. We’re clearly in phase three of the sowing season. The first courgette shoot peeped out of its pot in the propagator, which is actually in use throughout the year. First to go in were the chillies and peppers in January, with successional waves until now when (aside from successional direct sowings) everything is sown except the autumn bulb fennel which goes in after the longest day. Then, during the rest of the year we grow basil for the kitchen.
The tomatoes are pretty much hardened off in their pots in the polytunnel now and we’re wondering when we should plant them into the soil. That will mean moving the container potatoes out into the wind and weather, so it’s a bit of a juggling act, but the forecast shows three more cold nights and then gradually rising night time temperatures. That’s a relief because the temperature in the polytunnel can go lower than the general air temperature – quite why I don’t know. Last night, for instance, the air temperature on the window ledge didn’t go below +6C but the polytunnel went down to +1C. The effect of moving the tomato plants from the flat to the tunnel has been to stop them growing altogether as they acclimatise to the bigger temperature range. For now they’re double wrapped in a fleece cloche inside the tunnel. The other most noticeable casualty of the cold nights has been the asparagus which is later this year by at least three weeks. It is producing, just about, but really it’s just ticking over even under a fleece cloche.
Needless to say, we sit light to the plans we drew up during the winter. Small plots are something of a nightmare when it it comes to rotations because some crops – potatoes especially take up a lot of space and some occupy their space for over a year. We just do the best we can, especially with the potato/tomatoes group but because the solanaceae comprise our largest rotation group we just improvise; sometimes rotating from one part of a bed to the opposite end; but even with all our best efforts the actual decision as to where each group goes is a last minute choice according to the space available. Yesterday we were lucky to have an empty bed about the right size, which had never seen any brassicas. The price was a second season of legumes on another bed further along which is the lesser evil (we hope!).
This year we’ve covered all the carrots and alliums (leeks, onions and garlic) with fine insect netting from the off, and grown them all in new soil and raised beds in the hope we’ll shake off the curse of allium leaf miner. This is nothing more brilliant than a bet. Anyone who imagines that we’re experts is mistaken. Mercifully, writers and bloggers don’t have to account for ourselves to our readers. My son was telling me today that a friend of his has written five quite successful books on a mind-bogglingly wide range of subjects from sourdough to gardening. All I can say is that if I ever need brain surgery I hope he doesn’t show up and supervise. It reminds me that when I was training to conduct interviews for the radio we were told that asking an actual expert a question on their chosen subject was always likely to result in a long and opaque dissertation accompanied by a power surge as people resorted to boiling the kettle. What you need is an amiable sounding bluffer …… hmmm – like me?
Chatting to our allotment neighbour today, he was lamenting that he’d followed exactly the instructions for growing shallots given by a massively famous TV expert – only to watch them sit in the ground sulking. That’ll teach him! Gardening is full of mysteries and turning a lucky coincidence into a canonical truth and then blogging about it doesn’t help anyone to be a better gardener. That’s why The Potwell Inn blog confines itself to the tricky business of being human, using examples that might include gardening and cooking but mostly avoids cruelty to animals! However today I was lugging a bag of compost across a narrow border and Madame upbraided me for snapping off one of the two Monarda plants we’d only set out two days ago. I bowed to the frosty storm but a few moments later I had a closer look and discovered that the slug which had sawn it off was still hiding under a leaf. Revenge was swift and terrible, but the Monarda is still dead.
It seems slightly odd that today I finished planting out the purple sprouting broccoli that we’ll be eating this time next year. I always find having to juggle the many sowing dates and times to maturity quite challenging. A quick taste of the polytunnel spinach was a revelation. Far from bitter even the largest outside leaves and stalks were good enough to eat raw in a salad. I do think the quality of our bewilderment is improving with time. Earlier our son and his partner came to visit us in the flat for the first time in over a year. Life creaks slowly back into the familiar patterns but going into a shop still feels odd – like a dangerous celebration. We bought some aubergines, peppers and courgettes from the veg stall in Kingsmead square and Madame is cooking ratatouille in the kitchen as I’m writing this . The smell is wonderful and – like putting up beansticks – it feels like a promissory note from the summer.














So yesterday I started thinking about the colour set for the red cabbage leaf painting. If I were to use the closest colours I could get to the ones printers use in three colour printing, I could use them in two alternative combinations of warm and cool. But this morning as I was trying a few swatches, it occurred to me that I could get closer to the purple red I need by using alizarin crimson. Then a couple of experiments with the two blues moved me towards French ultramarine which gives a warmer touch. But there are also many browns and greens to be got and sticking with my three tube resolution I tested cadmium orange and Indian yellow. Why bother? Why not just open a different tube for every colour I can see? Well, because it’s far less interesting and it costs a fortune and I don’t need to work that way. I’m just an apprentice, and I just learn a lot more by using a restricted palette. Didn’t I learn all this at art school decades ago? No I didn’t because art schools went through a long phase of treating technique with great suspicion. Imagine a conservatoire that didn’t allow students to practice scales because it might disrupt their inner musicality? That was what art schools were like in the seventies – ideas were supposed to emerge untroubled by anything resembling skill. I’ve no idea whether things have changed, but if I were offered that kind of education on a huge loan I’d think twice.
These onions, (Autumn Champion, grown from sets), looked fine until a few weeks ago and then, just when they should have taken off, they began to show signs that something was wrong. We had been careful because we previously lost a crop of leeks to allium leaf miner, and so they were covered with fine insect mesh from winter onwards. However, facts are facts and these onions looked sick. It’s sometimes difficult for a non expert to diagnose these pests and diseases, but the effect on the leaves was very like leaf miner. So that gave three possibilities – allium leaf miner, onion fly and eelworm. According to the books it’s a bit early for leaf miner, the mesh should have seen off the onion fly as well and so that left eelworm as the prime suspect. Whatever it was, the remedy was much the same – dig them up and burn them and then don’t grow alliums on the plot for three years. The RHS rather loftily suggest that the ground should be left fallow, but our allotment doesn’t stretch into the blue remembered hills, and we can’t afford to leave a whole bed empty so we’ll probably try to kill any remaining eggs, cysts or pupae with the flame gun and then observe the rotation carefully.

This photo of our first real garden was taken in 1970. We were students at Bath Academy of Art and we rented this cottage on a farm in Corsham, Wiltshire for two and a half years. The art school was a twenty minute walk across the fields. You can just see through the doorway to the back garden where we kept a goat. We had an outside toilet, a very deep well which must once have been the water supply and a gigantic water cistern which we discovered by accident when we were ploughing there and the plough caught on a large metal ring which, when we levered the stone up led to a two chamber storage cistern big enough to swim around. The connection betwen the two chambers involved diving through a small hole – I was thin in those days!