I suddenly realized that this tree could be Granny Perrin’s Nest.

Looking out of the bedroom window yesterday morning I had a small scale revelation; nothing huge but more of a bicycle tyre lever, gently easing an old memory off the rim in search of a leak. There’s a tall tree, a couple of roads north of the flat, and which rises above the roof line. I’ve no idea what species it is; it could be a Lombardy poplar – but without ever hauling it into consciousness I’ve been using it for years as a weather forecaster. There’s a companion met office rival a bit further away; the church clock on Julian Road which you can only hear chiming in a northeasterly wind. But yesterday, and returning to the tree, I could see it being bent by a gusty southwesterly wind – and that simple observation is the gateway to a great deal of useful information to a gardener. In itself that’s a mundane thought but a moment later the phrase “Granny Perrin’s nest” popped into my mind and my memory dropped into time travel mode.

Granny Perrin’s nest is an expression my Mum used to use when my sister and I stayed in our grandparents’ smallholding in the Chilterns. Mum would look up at some unfathomable point in the sky and say – “there’s rain over Granny Perrin’s nest”. As a child with a seedling poetic imagination it was a phrase of great beauty; pregnant with incomprehensible meaning but clearly something I would need to understand if I was ever going to be a grown-up. Yesterday I looked it up on Google Gemini just in case – in my eightieth year – it might finally crack the code and print the admission ticket.

I was completely taken aback by the result. This is a phrase that I’ve mentioned a number of times in this blog, and – here and there – I’ve mentioned childhood memories of The Crest – the cottage my grandfather built and the smallholding where I learned about nineteenth century farming at first hand. As I looked at the computer screen every word I’ve ever written about it had been scraped and stored by AI and, far more troubling, augmented by some local information and kneaded into a narrative with a completely spurious authority. My childhood memories refined and curated by a machine and spewed out as facts. I felt a bit violated to be honest; as if the AI had forensically scraped my childhood off the pavement and reconstructed an unwise night out at the pub. All the bits were there but they weren’t me. No lights lit up. I would never have joined those dots in the way that the machine did because there was none of the fuzzy logic of the mind. My Mum was missing; my grandfather with his unbuttoned shirt and jacket full of burn holes from the roll-ups that lived in the corner of his mouth; my Granny sweating and cursing over the paraffin stove; the chickens, Charlie the toad in the greenhouse. I suppose I should give credit to the suggestion that Granny Perrin’s nest referred to a tall elm, and support for my memory that there were still a few red squirrels but none of these were my memories. I only remember the grey squirrels which my grandfather would knock out of trees with a weighted stick so he could claim a bounty on the tails. I dread to think that some innocent enquirer might, one day, unleash these curated memories as if they were facts.

Is there a conclusion to be drawn? We worry about the power of AI but it seemed to me that it’s not behaving like an organised crime syndicate (at least at the information gathering level) but as a kleptomaniac or shoplifter criminally entering my mind and indiscriminately shoving everything into a bag marked swag, to be sold on in the dark web of plausible untruths.

Granny Perrin’s nest is, and always was a metaphor. My mum never for a moment thought that there was a real nest up there at the top of the tree, with an elderly lady living in it, issuing weather forecasts. It was a piece of folklore with a useful predictive truth about weather. The world of story and song is full of these instances and they can travel, even as far as a city like Bath so that I can listen out for the church bell which always brings cold winds, or the bending of the tree which tells me about atlantic weather approaching.

The great elm trees would have been used by the bodgers in the nearby woods who made the most wonderful Windsor chairs and other fancies using elm, which doesn’t split, for the seats and beech or some other locally available timber for the other parts. We would often walk through the woods to Margaret’s beer shop as our parents delicately named it, and eat crisps and drink cherryade. My grandfather was a carpenter whose family had lived in the same village since the 18th century. He made us rainbows with a stirrup pump and a bucket of water. My Granny was a cockney, brought up within earshot of the Bow Bells as an orphan. We never knew how she was brought up and cared for. Layer after layer of meaning that resonates for me, reduced to a handful of gradgrindian facts by heartless machine learning. And yet I often come across myself in some more or less caricatured form on the internet. My God I’ve lived an interesting life, I think as Madame and I lie in bed holding hands and dreaming. Our mother loved her plants and she would never visit a garden without indulging in a bit of harmless larceny; these memories gather around me like an incandescent ball of fireflies; immune to capture. Let’s not call it intelligence any more – it’s not spreadsheet knowledge it’s more of an address book for locked rooms which no AI agent will ever be able to enter. No one reading them off a screen in the future will be able fully to enter their world. All it will tell is where you might begin to look for your own story.

Author: Dave Pole

I've spent my life doing a lot of things, all of them interesting and many of them great fun. When most people see my CV they probably think I'm making things up because it includes being a rather bad welder and engineering dogsbody, a potter, a groundsman and bus driver. I taught in a prison and in one of those ghastly old mental institutions as an art therapist and I spent ten years as a community artist. I was one of the founding members of Spike Island, which began life as Artspace Bristol. ! wrote a column for Bristol Evening Post (I got sacked three times, in which I take some pride) and I worked in local and network radio and then finally became an Anglican parish priest for 25 years, retiring at 68 when I realised that the institutional church and me were on different paths. What interests me? It would be easier to list what doesn't, but I love cooking and baking with our home grown ingredients. I'm fascinated by botany and wildlife in general, and botanical illustration. We have a camper van that takes us to the wild places, we love walking, especially in the hills, and we take too many photographs. But what really animates me is the question "what does it mean to be human?". I've spent my life exploring it in every possible way and the answer is ..... well, today it's sitting in the van in the rain and looking across Ramsey Sound towards Ramsey Island. But it might as easily be digging potatoes or making pickle, singing or finding an orchid or just sitting. But it sure as hell doesn't mean getting a promotion, beasting your co-workers or being obsequious to power, which ensured that my rise to greatness in the Church of England flatlined 30 years ago after about 2 days. But I'm still here and still searching for that elusive sweet spot, and I don't have to please anyone any more. Over the last 50 or so years we've had a succession of gardens, some more like wildernesses when we were both working full-time, but now we're back in the game with our two allotments in Bath.

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