I suppose some might find churchyards rather melancholic places. but not me. We were walking alongside the Monmouth and Brecon canal when we saw the road sign which indicated a church half a mile up the hill. It was more of a Welsh mile and a steady climb of 200 metres, passing an adventure centre and a lot of sheep before we came upon the church which is so large as to hold a population much larger than the little collection of houses around and about which wouldn’t even amount to a hamlet’s worth. It was a blistering hot june morning and we passed a group of walkers descending who said there was a good bench up at the churchyard and that sealed the deal.
I’ve spent a lot of time in and around churches and the first thing that caught my attention was the broadly circular wall to the churchyard. This is an often seen feature of Saxon churches which stood on repurposed pagan sites. Churches dedicated to St Helen (Emperor Constantine’s mother who once revivified a corpse with a piece of the true cross that she’d bought from the local relic market) , for example, were almost all situated on springs and one of our neighbours hired a dowser who managed to locate the spring at what would have been my local parish church before the congregation all moved away to work in the quarries.
The walk up a narrow lane to the church was a botanist’s dream, notwithstanding the worst hay fever I’ve ever suffered from. I dripped, sneezed and coughed my way up the long hill taking photos while Madame walked on ahead. By the time we reached the church gate I’d found five species of wildflower I’d never seen before. The circular churchyard and the yews reputed to be more than 2000 years old suggested that this squarely built church sitting silently in the hillside has a history reaching back through beyond the Roman period. Holy places are like that. We find ourselves being drawn to them, never quite knowing why. I’ve always thought that they function as lost property offices frequented by people like me who can’t even fully describe what it is that we’ve lost.
The guidebook came up with some facts and recalled some of the tragedies that the church has seen, including the deaths of family wedding-party who, in 1753, drowned while attempting to cross the river Usk. Outside the church a patch of grass was reserved for the playing of handball, and a pit for cockfighting – forerunners of the creche and free coffee with damp biscuits after the service, favoured by modern clergy.
Outside, a fallen yew tree has been turned into a noticeboard worthy of Antoni Gaudi.
But as I wandered around the churchyard I chanced upon some plants, presumably garden escapes or maybe sown on purpose. I knew that if they were truly naturalised and “wild” they would have been exceptionally rare, but after a few moments the more likely thought came to me that they’d been deliberately put there; safe behind the railings of a pair of listed chest tombs and as symbols of the resurrection just beyond the reach of strimmers and zealous gardeners. The plants – Jacob’s Ladder – were there in three colours, blue, purple and white; a kind of living bible class for those who care to stand and stare. Jacob’s ladder on which, in his dream, Jacob saw the angels ascending and descending to earth. It’s a potent symbol in a churchyard even now – subtle and creative, even a bit subversive.
