Clack click; clack click – let’s think, let’s think – sings the passata machine.

High season for tomatoes (and Wrens)

We grow our tomatoes in the polytunnel on grafted rootstocks and with blight resistant varieties. It’s by no means cheap, but we haven’t lost a crop to blight in years, and having grown both from seed and from grafted rootstocks, the commercial ones, bought from a local nursery (so we can see what we’re getting) have a much higher yield and more than pay for themselves as long as we water them consistently and feed them with an organic seaweed based fertilizer. They ripen over a period which gives us plentiful fresh tomatoes in the kitchen but any surplus is quickly preserved. Freezing is very energy intensive, so we rely on reusable glass preserving jars with new metal tops every year so they seal perfectly. Our collection of Italian jars and bottles has been in continuous use for nearly ten years now. After several years of pushing the pulp through a sieve – which is very slow – we bought a cheap hand cranked passata machine which will easily mill six pounds of tomatoes in ten minutes, neatly removing skins and seeds which we don’t put into the compost any more because then we land up with hundreds of tomato seedlings!

The passata machine and the pulp. The pale yellow lumps are butter.

Depending on which part of the cycle the little spring loaded paddles have been assembled in against the sieve, the first few turns of the handle yield hesitant and irregular clickings. But as soon as the hopper is filled with peeled and chopped tomatoes and the process speeds up, it sounds to me something like “Lets think! Let’s think!” Each hopper goes through the machine five times, recovering first the juice and later the thicker pulp. Finally the skins go through because there’s a surprising amount of pulp still on the skins. At the end I have a deep pan half filled with passata and a shallow enamel dish filled with almost dry seeds and skin. It’s high summer and one of those grounding kitchen rituals which mark the transition of the seasons, just as marmalade making marks the end of winter and Christmas pudding, the beginning of it.

This kind of sauce making reduces our almost unmanageable crop of tomatoes to around a quarter of their original weight and prepares them for storage so they last more than a year. We make several kinds of sauce, but this one – which we simply call Hazan number one comes from Marcella Hazan’s marvellous book “The Essentials of Classic Italian cooking”. We also make straight passata and roasted tomato sauce from Pam Corbin’s River Cottage Handbook “Preserves”. Then there’s tomato ketchup from a 1950’s HMSO book and, if there are any leftover green tomatoes we make chutney from my Mum’s old cookbook. Nothing gets wasted at the Potwell Inn apart from (very occasionally) the Landlord.

Meanwhile Madame has been continuing with her years-long search for a ratatouille recipe that I’ll actually like. I was put off ‘rat’ by over-exposure to it on camping trips in the past, when it always tasted of methylated spirits from the Trangia Stove. However, because we’ve got all the fresh ingredients coming off the allotment at the moment, she has been experimenting from a whole pile of recipes and yesterday’s came from Delia Smith, but shares its DNA with a much earlier one by Jane Grigson. The whole aim is to create a dish that doesn’t look like pavement vomit. Simply boiling up all the ingredients into a wet and slimy sludge should be enough to get you a stiff fine for vandalism. Anyway, Madame’s latest iteration last night looks and tastes like the best yet.

But there’s more to it than that. “Let’s think ….. let’s think” sings the passata machine as I crank the handle.

I love this kind of seasonal cooking (and eating), and I learned about kitchen thrift from my mother and grandmother who understood food shortages from the experience of two world wars. But there’s more to it than that. “Let’s think ….. let’s think” sings the passata machine as I crank the handle. These seasonal earthings are incredibly important to both of us and at these times we work as a team in the kitchen. I suppose – if you suffer from the burden of believing that there are better or more important things to do with your time than press tomatoes through a sieve or make your own Hollandaise sauce – then you’ll miss the meditative thoughtfulness that repetitive kitchen work brings. The meditation strengthens the link between growing the plant, preparing the food and eating together.

Growing food, cooking and eating together are fundamental to thriving; much more – dare I say – than commodified health and conspicuous consumption. Pouring damson jam into pots brings the trees and their fruits to the table in the depths of winter. Making a wish over the Christmas pudding mixture is – at its very least – a wish for a peaceful future. Beating a mayonnaise or mashing potatoes will give a few minutes respite from endless bad news about riots and hatred. Baking bread means committing 24 hours to something of more moment than gossip.

My thoughts – as I crank the handle of the passata machine – are the spiritual equivalent of Mother Julian’s prayer that – “all will be well and all manner of things will be well.” The seasons, the moon and the tides wax and wane without regard for our existential angst. Whilst anyone with a grain of common sense will understand that we really cannot be anything we want to be, because our lives are a continual negotiation with nature and circumstance; we can still thrive by immersing ourselves in the flow moments when we know what it means to be human rather than spend anxious lives doom scrolling on our mobiles. Maybe the wooden spoon should be promoted to first prize?

The bindweed in the background should remind any gardener that the devil is always lurking in the background, waiting for an opportune moment

Author: Dave Pole

I've spent my life doing a lot of things, all of them interesting and many of them great fun. When most people see my CV they probably think I'm making things up because it includes being a rather bad welder and engineering dogsbody, a potter, a groundsman and bus driver. I taught in a prison and in one of those ghastly old mental institutions as an art therapist and I spent ten years as a community artist. I was one of the founding members of Spike Island, which began life as Artspace Bristol. ! wrote a column for Bristol Evening Post (I got sacked three times, in which I take some pride) and I worked in local and network radio and then finally became an Anglican parish priest for 25 years, retiring at 68 when I realised that the institutional church and me were on different paths. What interests me? It would be easier to list what doesn't, but I love cooking and baking with our home grown ingredients. I'm fascinated by botany and wildlife in general, and botanical illustration. We have a camper van that takes us to the wild places, we love walking, especially in the hills, and we take too many photographs. But what really animates me is the question "what does it mean to be human?". I've spent my life exploring it in every possible way and the answer is ..... well, today it's sitting in the van in the rain and looking across Ramsey Sound towards Ramsey Island. But it might as easily be digging potatoes or making pickle, singing or finding an orchid or just sitting. But it sure as hell doesn't mean getting a promotion, beasting your co-workers or being obsequious to power, which ensured that my rise to greatness in the Church of England flatlined 30 years ago after about 2 days. But I'm still here and still searching for that elusive sweet spot, and I don't have to please anyone any more. Over the last 50 or so years we've had a succession of gardens, some more like wildernesses when we were both working full-time, but now we're back in the game with our two allotments in Bath.

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