If you’re a regular reader you’ll know that I’m not a fan of the recent changes to the seasonal calendar brought in by the Met Office. I know it’s tidier to begin the season of Autumn on September Ist and then rotate the rest on a three monthly cycle; easier but plain wrong. For me the seasons will always be marked by the solstices and equinoxes. Messy but holding tight to the astronomical events surrounding the hours of daylight. Last Friday saw the autumn equinox at exactly 2.03 am marking the moment of equal day and night and from now until December 21st the hours of darkness will get progressively longer.
Nature is, by and large, pretty orderly in her seasons too and so we instinctively recognise them by the quality of the light, sounds and smells. I’m interested that these phenomena actually seem to speak to us. Our absorption in the earth and her seasons means the bare sensation, of a birdsong for instance, becomes encrusted with memories. The smell of newly turned earth in the Spring evokes in me a powerful memory of Good Friday when, according to tradition, potatoes were planted. I think of a steady queue of customers at Palmer’s Seed Store and the smell of National Growmore fertilizer and Mr Flook the fishmonger in his wellingtons and yellow oilskin apron.
So these accretions of memories make simple things like listening to a singing Great Tit into a deeply embedded, often emotional, complex. Scientifically, and some would say factually, it’s just a singing bird with a Latin name representing something so common as to be beneath a birder’s dignity; but in the far greater field of meaning it’s as affecting as a Nightjar like the one that kept me awake much of the night, camping in France, or the Nightingale that I heard on a retreat near Ilfracombe one evening as I walked in the grounds.
But to get back to the Great Tit and the Autumn Equinox, something profoundly odd happened on Friday morning. I was helping our youngest move some last belongings out of the flat he’s just left. It’s been a sad few weeks because his relationship with his girlfriend has broken down and everyone’s been walking on eggshells. Anyway I was parked up in a place I shouldn’t have been, close to the old flat and keeping a sharp eye out for Parking Wardens who are pretty ruthless here in Bath. Then, as he carried the last load across the road, with his bass guitar in one hand and a bundle of clothes in the other – he looked just like the cover of the Bob Dylan’s “Freewheelin” Album sleeve. I would have been sad to see him that way except that as I sat there in the car with the window wound down, completely out of the blue I heard a Great Tit singing its two note ‘saw sharpening’ song, somewhere in the trees above. It’s a song I associate so powerfully with Spring and new beginnings that it felt like some kind of omen. “Stupid, irrational, meaningless emotional nonsense” say the ghosts of the old Logical Positivist philosophers, and “Hear Hear” say the materialist scientists, and yet ……. and yet?
Nothing I’ve ever come across shakes my understanding that language – whether human language or the subtle languages of mammals, birds and insects; or flowers, or the incomprehensible silent language known as the “Wood Wide Web” – that language is more like a coral reef growing in a sea of meanings, with living ideas on the outside and deep within, the whole history of human speaking, singing and dancing. The simplest level of reference in that unexpected out of season birdsong is probably the least interesting.
It’s been a long hot and dry summer and so it must have been the case that the bird I heard was singing out of season because in this settled weather a second brood was still “thinkable” and “do-able“. But he said much more than he intended. That Spring embodying song on the very day of the Autumn Equinox was a portent of new beginnings, a sign of environmental crisis, a reminder that Nature has her own ways and heaven help us if we ignore her signs.
