Gruffy – 2000 years of history in a footpath.

If Rodway Common was the place that fired me up as a child, this is the landscape that captured my imagination as a teenager – and I’m sorry if my attachment to these rather gloomy, post industrial places offends, but there’s a big chunk of my imagination invested out here.

I came to Charterhouse, Priddy and Burrington Combe not to explore what was on the surface but what was underneath it. I was lucky enough to get a job at the university as what was known as a “Junior Photographic Technician” – it was the kind of work an intern might get these days but there, aged seventeen, they sent me on a course to train as a technical photographer, handed me a very beautiful Leica and a darkroom, and pretty well let me get on with it; calling on me to photocopy; photograph prospective students; and capture whatever else needed recording by the lecturers and post-grads. There was a fabulously well equipped workshop run by a group of oddball technicians whose job it was to turn research proposals into bits of aluminium and electronic apparatus; and Steve was an enthusiastic caver (potholer if you’re from the north, or speleologist in America, I think), who soon took us out with him and his friends .

One of the blocked swallets in Longwood Valley

So this part of the world was the place we came to to learn about caving, using what would now be thought of as completely archaic equipment. The only way of getting a wetsuit was to make your own – which I eventually did, but my gluing of the joints was a bit wayward and it was massively tight in some places and flapped about in others making it both restrictive and inefficient at the same time. The experienced cavers often used electric miners lamps with lead acid rechargeable batteries, but we mostly kicked off with carbide lamps which were smelly, unreliable and occasionally explosive, boiler suits and black helmets that often got soft in wet caves. Ignoring the flora altogether we would crawl and slither down passages that could be very wet or very muddy; soak up the (tall?) stories of exploration and daring by the older cavers and push ourselves to the absolute limit. Perfect fun for teenage boys in fact. If there was a hole in the ground, we wanted to go down it and looking back, we took some hideous risks. My greatest friend Eddy and me had spent holidays playing in the abandoned flues and tunnels in the brickworks so extending our range to natural holes in the ground wasn’t such a great step.

So by the time Madame and me got together I knew this part of the world underground much better than above. It was here that I first heard the term gruffy ground – a miners word for the way in which the landscape is pitted with trial pits and worked out rakes. What I hadn’t thought through at the time, is that these beloved and isolated places were the relics of nearly 2000 years of the industrial extraction of lead. You can see where I’m going here – this landscape had my name written all over it.

Yesterday we waited for the rain to subside and decided to drive up to Charterhouse – less than twenty miles away in the heart of the Mendip Hills. These days it’s a popular place for walkers and there were maybe twenty cars parked above Velvet Bottom, and so we parked next to the Field Studies Centre and walked down to the entrance to the nature reserve. If you were new to this place, you might wonder where the footpath surface came from. It’s shining black and glassy, like obsidian, and it’s slag from lead smelting which began with the invasion of the Romans in the first century, but most of which was produced during the industrial revolution when this must have been a stinking and polluted industrial wasteland. So the first thing about this landscape is that – quiet and beautiful as it might be today – the pollution levels are still so high that it has its own unique flora of heavy metal tolerant plants. Lead, nickel and cadmium levels are so high that tree growth in many areas is inhibited, and gardeners in Shipham just down the road, have been warned not to grow vegetables in their gardens.

Yesterday, though, under a cloudy but clearing sky, the overwhelming first impression was of a very Mendip silence. With Bristol Airport almost out of action (marvellous) the only sounds were wild sounds; of the wind, grasses and trees and of the birds. Up on the ridge in the photograph, a noisy bunch of rooks were enjoying themselves in the air. The second impression was the smell of the sea, of the Bristol Channel, sweeping in from the southwest bearing the scent of salt water and seaweed – the closest we’ll get to the sea this year, I fear.

The plan had been for me to do some grasses while Madame looked for butterflies (she had more luck than me). If you ever ran away with the thought that I knew something about plants, now’s the time to warn you that I really don’t. Within a dozen steps I realized that my carefully researched exploration of meadow grasses didn’t fit. This is the craziest flora. Later, after we got home with me licking my wounds, I discovered that the mixed up flora is the glory of this place. Due to the nature of the underlying soils, there are acid loving plants growing very near to calcifiles and marshy ground specialists. There were old friends but more total strangers, and plants that I knew from elsewhere suddenly popping up as if they belonged there. .More from the British Geological Survey here. It’s the botanical equivalent of the favela – absolutely gripping.

So we wandered slowly down Velvet Bottom (who could resist a place with a name like that?), and found the gated entrances to a cave system discovered long after I gave up, and which turned out to be the fourth deepest cave in the country. It was here we came with the boys once, and watched a couple of adders basking in the sunny heat at the bottom of one of the depressions. The valley deepens and becomes rockier as you descend, and then just before you reach Black Rock nature reserve and then Cheddar Gorge, there’s a footpath that takes you back up the Longwood Valley – another environment altogether, but still bearing the remains of industry beneath the vegetation because water was taken from here to feed the washes in Velvet Bottom. Nowadays it’s yet another nature reserve containing more locked potholes; one of them in particular prone to sudden flooding. Longwood Swallet has a reputation for taking lives.

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Until this point there wasn’t much butterfly action; some whites and meadow browns; a skipper which I took a rather bad phone camera photo of; a small blue – too far away to identify properly. Then. suddenly a silver washed fritillary flying high and gliding down to feed on a bramble, then – joined by a second – doing a bit of an aerial display, seemingly unconcerned by our presence and this time I did manage to get a slightly better photo. Acid specialists, calcifiles, marsh specialists and now a broadleaf woodland dweller. If ever there was a ‘phone a friend’ place this is it! We did a field trip with a couple of county recorders leading, near here a couple of years ago and it was pretty inspiring. I must try and persuade them to lead another one on our yesterday walk.

We walked less than five miles altogether and yet what a combination of environments – I could hardly sleep for excitement last night. Mercifully it’s raining again so the allotment won’t need watering today. I need to go back to the textbooks. Oh, and isn’t it good to see that even this landscape could recover from human exploitation.

Author: Dave Pole

I've spent my life doing a lot of things, all of them interesting and many of them great fun. When most people see my CV they probably think I'm making things up because it includes being a rather bad welder and engineering dogsbody, a potter, a groundsman and bus driver. I taught in a prison and in one of those ghastly old mental institutions as an art therapist and I spent ten years as a community artist. I was one of the founding members of Spike Island, which began life as Artspace Bristol. ! wrote a column for Bristol Evening Post (I got sacked three times, in which I take some pride) and I worked in local and network radio and then finally became an Anglican parish priest for 25 years, retiring at 68 when I realised that the institutional church and me were on different paths. What interests me? It would be easier to list what doesn't, but I love cooking and baking with our home grown ingredients. I'm fascinated by botany and wildlife in general, and botanical illustration. We have a camper van that takes us to the wild places, we love walking, especially in the hills, and we take too many photographs. But what really animates me is the question "what does it mean to be human?". I've spent my life exploring it in every possible way and the answer is ..... well, today it's sitting in the van in the rain and looking across Ramsey Sound towards Ramsey Island. But it might as easily be digging potatoes or making pickle, singing or finding an orchid or just sitting. But it sure as hell doesn't mean getting a promotion, beasting your co-workers or being obsequious to power, which ensured that my rise to greatness in the Church of England flatlined 30 years ago after about 2 days. But I'm still here and still searching for that elusive sweet spot, and I don't have to please anyone any more. Over the last 50 or so years we've had a succession of gardens, some more like wildernesses when we were both working full-time, but now we're back in the game with our two allotments in Bath.

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