A Melancholy River: Severnside II.

A riverside culvert between the River Severn and the Sharpness Gloucester canal.

No I haven’t got the numbering wrong – Part One of what looks like it might be a series is yet to be written; I’ll do it today because like all writers I’m driven by the material which has been demanding that I set it down since I retired ten years ago

I’m not even quite sure what started my imagination boiling but it may have been this photograph, or rather me standing on the banks of the Severn wondering whether it would ever be possible to create image rich writing, linking words and photographs in a way that tells a story but leaves it up to the reader to decide where to start and where to leave. In those days, 20 years ago, The technology was difficult to use and demanded a skill set I never possessed and much more powerful hardware than I could aspire to.

But what I couldn’t show in a single photo was what was behind me on the riverside. It’s a raw and often windswept landscape up there on the Severn. At the point where it joins the Bristol Channel it’s a bleak industrial wasteland and the river itself is unreachable, hidden behind a railway line, giant storage silos, abandoned flour mills, a maze of conveyor belts and gas tanks. For the first mile or so north it continues in much the same way. Huge windmills rotate slowly and, nearby, a pair of gas power station chimneys steam and occasionally belch cumulus clouds that you can see from the motorway which runs two or three miles away along the ridge. You would have to possess a perverse imagination like mine to find much joy in it. There’s even a signposted “Smoke Lane”; there are cement works, lorry depots, warehouses, garages and tyre services and if, like me you have a long memory you could see where Imperial Smelting once stood; and the site of the Albright and Wilson chemical works that blew up after a paperwork mixup united two incompatible and dangerous chemicals; shut down the two motorway bridges and locked the occupiers in thousands of homes as the noxious fumes spread. Further on, the place where the Philblack (later Sevalco) works once covered the landscape with black carbon dust which is an important ingredient of car and lorry tyres.

Gradually as you drive further on, the river appears beyond a narrowing strip of shrubby grassland; the falling tidal flow brown and thick with the sediment it’s picked up on its long journey from the Pumlumon Fawr range in Wales where it begins, so I read, as a hard to find series of small springs. It’s as ugly as sin is alleged to be, and yet, maybe, I’m the greater sinner because I love it. These industrial landscapes are something! Every time I drive along that road I hear the voice of Bob Dylan singing Hard Rain.

I know, I’m not selling it very well but post industrial sites are my thing; dramways, abandoned coal pits, lead and manganese mines all have their botanical survivors and the aficionados who hunt them. The grim road continues north towards the two Severn bridge crossings, passing Severn Beach where birders find a great deal to interest them including Little Owls and all manner of migrating birds. Severn Beach was also, once upon a time, a destination where the single track railway brought thousands of visitors to paddle in the muddy water, bathe in the Blue Lagoon (well actually it was painted blue) and shelter from the wind in rented beach huts. There was even an amusement arcade and cafe owned by a traveller family that I subsequently got to know. One elderly lady I used to visit in Bristol had black and white photographs of the family beach hut on her mantlepiece.

This 25 year old picture of me was taken near the turnstile of the Aust Ferry turnstile where Bob Dylan departed for Cardiff on his controversial electric tour.

Onwards and northwards through Pilning, past the now closed but still a bit whiffy rubbish tip, the old road to the ferry terminal which, when the ferry closed become a favourite dogging spot (I’m told!), and into the more salubrious ruralities like Aust who refused to allow me to take responsibility their church after an unfortunate interview with the churchwarden and his wife who took an instant dislike to me. It was a happy escape for us all. The end of the M48 bridge was where my parishes began and ran upriver to the diocesan border to somewhere near Oldbury on Severn. I had skin in the game!

So why do I call myself Severnsider? given my lukewarm enthusiasm for its tidal estuary. Good question. Here- maybe – is part of the answer

One of the scuttled vessels at the Purton ship’s graveyard.

Behind the culvert in my first photo there is this hulk, plus many others, scuttled on the river bank. I used to go fishing on the canal. Pastoral work can be pretty punishing and after a particularly hard funeral – children for instance – I used to go there, more to sit quietly than to catch anything. Canal fishing is a difficult and specialised skill. In parish ministry you become the lightning rod for a lot of horrible situations and there’s no-one you can tell or talk to. The river runs alongside the canal at Purton and this mysterious collection of dead boats on the river intrigued me. In my imagination a catastrophic downturn in trade, or the coming of the railway or some other market crash led to the scrapping of the boats. There are lots of them and they make a melancholy sight which often chimed with my mood. Here are some more photos:

The real reason for this mas extinction event was that when the river broke its banks – as it often does – the destructive power and speed of the tide (the second highest tidal range in the world) threatened the integrity of the canal bank and by extension the canal itself. So these ships which included Severn trows, concrete and steel barges were towed to the spot and sunk in order to protect the canal. Some of the boats are now protected sites due to their age and rarity. My fascination with this stretch of the river never went away. There was more to it, though. My grandfather determined early on that I was going to read Dickens, and was always ready to lend me his own copies. Is it at all significant that the two favourite authors of my early reading life were HG Wells (hence the Potwell Inn) and Charles Dickens (hence the identification with Ham Peggotty, and upturned boats? These were the geographical heftings of my young imagination and so finding them in real life was a kind of homecoming. Magwitch, Peggotty and Polly haunted my dreams and still visit me now.

There’s so much more to write about the Severn and next time I’ll be remembering the last putcher and kype fishermen, ending a tradition that lasted from the 5th century, and elver omelettes of course along with a new and revelatory understanding of why the salmon developed lesions.

The Severn further upriver near Arlingham where you can see (and hear) the Severn Bore

Good birding weather

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If it looks cold and windy in the photo that’s because it is! Ravenglass is a pretty exposed place in a rather wet and windy part of the UK.  However the Potwell Inn is made of stern stuff and today we put on our precautionary waterproofs and set off to explore the coastal path as it winds south down the tidal estuary to the place where the Esk joins the Mite and the Irt – that’s a lot of rivers, a whole landscape of tidal mud and sand and a birder’s paradise.  It’s also a very good place to discuss a divorce if you only brought one pair of binoculars. Luckily I’d decided not to wear my Breughel style peasant hat which muffles my hearing, and I put on the Tilley “Outback” which I wear without corks. It is very vulnerable to strong winds unless it’s lashed down with the chin strap, and so it spent part of the time floating away from me in a pool. Hatless, I was able to listen to the birds (which requires no expensive technology) while Madame scanned the horizon. The evidence that this is a superb feeding ground for waders is everywhere in the countless empty shells littering the shore in drifts.

Birdwise this probably isn’t the best time of year, and with such a wide area for them to range across we really needed a telescope to be sure what we were seeing. Way across the river I spotted what might have been a Common Tern,  but couldn’t be sure.  A juvenile black headed gull was forlornly following an oystercatcher around in a strange holiday romance, but we watched and heard a curlew, masses of oystercatchers, gulls, a little egret and many other waders we couldn’t identify, not to mention a couple of distant possible carrion crows. I’d love to have spent a couple of hours there with a decent telescope.

What was especially good for me was the highly specialised plant environment, and I found a massive stand of Samphire (Glasswort), Sea Mayweed, Sea Aster, Sea Purslane and Annual Seablight.  The Samphire immediately brought the thought of foraging to my mind.  There’s a theory – often called ‘the tragedy of the commons’ that suggests that when a valuable or saleable common resource is found it’s inevitable (human nature?) that someone will strip it out for profit and without regard to it’s survival – “If I don’t take it someone else will”. Not so long ago the authorities in charge of Epping Forest had to ban fungus foragers who were stripping the forest and selling their plunder to high-end restaurants. It’s a practice that appears to demand regulation, policing and possibly sanctions.

It seems, though that ancient and primal societies had little difficulty in maintaining their ecosystems because their cultures were non-dualistic.  They didn’t regard the natural world as property to be exploited at will by the strongest, but saw themselves as being a part of the whole and responsible both for it and to it. They would have viewed our economic system as a form of madness.  To the statement “If I don’t take it someone else will” they would have asked “But who would do that?” It would be as silly as stealing money from yourself. I could go on but I’d rather post some photos of the plants and habitat here.