This is a postscript to yesterday’s piece which mentioned the philosopher Roger Scruton and the way in which some of his dodgier ideas seem to have infiltrated the writing of David Fleming and his book “Lean Logic; a dictionary for the future and how to survive it”.
I knew when I went to bed that there was some unfinished business on this subject and it came to me in the middle of the night that one among many dangers that face us is the sentimental turning back to the old days – you know the kind of thing; village greens, cricket, warm beer and old ladies on bicycles as John Major tried to explain it.
Of course it’s very tempting to look for an off the shelf strategy for coping with the oncoming catastrophes of global heating, collapses in biodiversity, economic collapse, mass migration and so it goes on; but the key point is that the current crisis has no real precedents, and so you might use the metaphor of a failed relationship: it’s no use either party in an acrimonious relationship breakdown asking why can’t we go back to the way we used to be? because the bridges have all been burnt. Moving on means letting go.
These thoughts were prompted by a conversation with our son last night. I had been thinking about the way in which I discovered that many of my early heroes had feet of clay when it came to facing the challenges of the last century. In my twenties I read the whole of Henry Williamson’s output. Tarka the Otter, of course; but also the multi volumed (15 in all) Chronicle of Ancient sunlight and the four volumes of “The Flax of Dream”. I borrowed all the books through the library and I was initially completely in love with them. His knowledge of natural history was so deep I began half living in his mystical Devon landscape. But as time went on and volume followed volume; small doubts began to accumulate and eventually I did a bit of research and discovered that Williamson had become a fascist sympathiser. I was devastated.
Ezra Pound also tumbled into the broken box; as did so many other artists and writers. Talking to our son last night he reminded me of another hero of mine, the philosopher Martin Heidegger who went even further and became an active supporter of Hitler and never subsequently repented. I began to wonder whether the passionate love and advocacy of the natural world was (and may still be) just one false step away from authoritarian and backward looking beliefs.
This isn’t a big deal if we understand it and guard against it. There’s always risk, so we should be really careful which thinkers we invoke when we’re trying to plot a course into a saner future. It’s too late to ask David Fleming why he repeatedly quoted Roger Scruton in illustrating his theme, and it may be that he was doing so because a selective use of those particular words seemed to support his argument. Fleming stood for many of the features of a possible way forward that we would support. Commonality, local networks, carnival, ritual and so forth. But if, lurking in the background, there’s an unspoken narrative that excludes – ‘others’ – strangers and pilgrims from other cultures, then that’s not on. If the image is of an old society that collapsed through its own inequity or cruelty, it should be a no-go for us, because real life is not a costume drama. Maypole dancing might be a powerful metaphor for community life; but no amount of prancing around on a plastic village green is going to usher in a sustainable and more equitable future.