A sceptic's take on being human – or should that be virtuous?
More consolations of endings
I love the sculptural qualities and the sheer complexity of this seed head. It’s a wild carrot – Daucus carota – and this one was photographed earlier in the autumn on the Llyn Peninsula. The incurved stalks (peduncles I suppose) always seem protecting and enclosing of the dead flowers and long-gone seeds, and the whole shape resembles an old style willow lobster pot.
The procession of the seasons never really gives us the excuse to feel sorry for ourselves. Like the procession of the stars, the seasons (and all plants have their individual seasons), begin and end at the same time and place. I remember what a revelation it was, when I was very young, to discover that where the leaves fell from the conker trees, the new bud – perfectly formed – was all ready to go. In general the plants in autumn and winter are more sculptural and in spring and summer, the more painterly hues and impressionist sweeps of colour take precedence, but there’s never a time when nothing is happening. Just now much of the action is at ground level where the rosettes of next years plants are in plain view. Go take a look – it’s all there!
I've spent my life doing a lot of things, all of them interesting and many of them great fun.
When most people see my CV they probably think I'm making things up because it includes being a rather bad welder and engineering dogsbody, a potter, a groundsman and bus driver. I taught in a prison and in one of those ghastly old mental institutions as an art therapist and I spent ten years as a community artist. I was one of the founding members of Spike Island, which began life as Artspace Bristol. ! wrote a column for Bristol Evening Post (I got sacked three times, in which I take some pride) and I worked in local and network radio and then finally became an Anglican parish priest for 25 years, retiring at 68 when I realised that the institutional church and me were on different paths.
What interests me? It would be easier to list what doesn't, but I love cooking and baking with our home grown ingredients. I'm fascinated by botany and wildlife in general, and botanical illustration. We have a camper van that takes us to the wild places, we love walking, especially in the hills, and we take too many photographs.
But what really animates me is the question "what does it mean to be human?". I've spent my life exploring it in every possible way and the answer is ..... well, today it's sitting in the van in the rain and looking across Ramsey Sound towards Ramsey Island. But it might as easily be digging potatoes or making pickle, singing or finding an orchid or just sitting. But it sure as hell doesn't mean getting a promotion, beasting your co-workers or being obsequious to power, which ensured that my rise to greatness in the Church of England flatlined 30 years ago after about 2 days. But I'm still here and still searching for that elusive sweet spot, and I don't have to please anyone any more.
Over the last 50 or so years we've had a succession of gardens, some more like wildernesses when we were both working full-time, but now we're back in the game with our two allotments in Bath.
View all posts by Dave Pole
I love the sculptural qualities and the sheer complexity of this seed head. It’s a wild carrot – Daucus carota – and this one was photographed earlier in the autumn on the Llyn Peninsula. The incurved stalks (peduncles I suppose) always seem protecting and enclosing of the dead flowers and long-gone seeds, and the whole shape resembles an old style willow lobster pot.
