Barely ten yards from where I’m sitting

 

That doesn’t mean that technique isn’t important  – it’s everything!

Every summer, as soon as the solstice passes and the nights begin to lengthen I know that I’ll resolve once again to capture the intensity of these colours in a painting.  I did it  today as I wandered around the garden of our borrowed cottage and photographed some of the wild fruits growing here.  The trickiest subject by far was the hawthorn tree which resisted every attempt to capture its brilliance against the blue sky.  Painting is a very tactile experience, from the texture of the paper, the sensation of freedom in a running line and the intense concentration of mixing and applying colour.  The smell of the paint, even the resistance, heft and suppleness of a good brush can be exciting, as can the accidental granularity of the paint as it spreads on the rough surface of good paper.

But talk is cheap and whereas I can write easily,  painting doesn’t come naturally at all. I have an uncompleted painting of a hyacinth that’s three years old, alongside a folder full of drawings, tracings and macro-photos but still it defeats me. The intoxicating complexity of the petals, lit as they are from every angle around the stem; their intense waxy blue; the stiff lanceolate leaves with their almost invisible longitudinal grooves make the process of painting into a profound and humbling experience. Far from envisaging the artistic process as flowing from an exceptionally gifted mind to the paper, I’ve come to see it as a challenge from the subject – the plant, flower or whatever – to the artist; an act of discovery through enchantment. Any kind of ego is an absolute barrier to understanding, and the greatest moments in my creative life have been more like meditations in which I am able to step aside and allow the work to happen.  It doesn’t happen often, but then I have no deadlines or quotas to meet. That doesn’t mean that technique isn’t important  – it’s everything! – and then you can forget about it.

I was painting in a group a couple of years ago and using a bit of a technical wrinkle to create the highlights in a painting of a decaying leaf.  One of my class asked me what I was doing and so I explained what I’d been taught by our teacher who is always worth paying attention to. “So it’s just a trick” she said disparagingly.  “No it’s a trick but not just a trick, it’s a technique”. I think she was under the impression that learning technique somehow interferes with the artistic process.  You can’t blame her, art schools are full of lecturers who believe the same thing. It’s not a matter of being  – not everybody who wears a beret and smokes Gauloises is going to become Jean Paul Sartre! It’s a matter of sheer bloody minded doing.

So here I am at the moment full of aspirations that must be defended at all costs from the siren temptations of cooking, gardening and loving our family. About once a year I pull off something worth looking at, but the process is as slow as a sloth’s bowel movements and we need to eat. Today we went for a walk but mistimed the high tide due to my inability to read a 24 hour timetable.  So we went to a gap in the clifftop bushes and leaned on the fence gazing at the view. We agreed that you can do too much walking and so we thought we’d just lean on the fence and take in the smell and sound of the sea. Then we went to the shop and bought some cake.  A perfect day.

 

 

In the bleak midwinter – good news for meditators!

It must have been three weeks ago when I first caught what I thought was “only a cold”; but after a week of sneezing and nose blowing it took up residence in my chest and provoked a bout of asthma that lasted for another week and then – just as I was feeling better another opportunistic virus sandpapered the back of my throat and left me sleepless and unable to swallow.  Meanwhile Madame caught the intial cold off me and consequently we’ve been doing a deathly gavotte keeping one another awake with our snoring and spluttering.  The solution has been to circulate individually between the living room, the bathroom and the bedroom alternately sleeping and reading, while the viruses occupy our vital organs and conduct the viral equivalent of a stag weekend in an Airbnb flat.  Our bodily furniture is trashed and the carpets will never be the same again, the curtains torn down and don’t even mention the sink. How on earth can such a tiny thing as a virus be so awesomely destructive?

Anyway, all is not bad news – apart from the enforced silence online that was so uncharacteristic of me I had an email to make sure I was alive! Am I that noisy usually?? – the upside was an unprecedented amount of reading time and I’ve been ploughing through Owen Flanagan’s book “The really hard problem” as well as Byron Rogers’ biography of RS Thomas, “The man who went into the West”. I’m not even going to try to summarize the Flanagan book except to say that if you’re interested in human flourishing and/or you’re a Buddhist or, like me, (and RS Thomas) still searching, then it’s worth the effort.  “Can you teach virtue?” – here’s a book that tries to answer.

The RS Thomas biography is brilliant but can’t really penetrate the enigma of the poet.  Of course, what the book does is excite a longing to get back to Lleyn that’s almost overwhelming. I did meet RS once at a reading at Atlantic College, and I thought he was delightful and very funny, but the more I read about him and especially about his first wife Elsi and their relationship the more bewildered I get. Was it a generational thing that so many incredibly talented women artists subjugated themselves, or were subjugated by their husbands?  Elsi Eldridge, Rose Hilton, Winifred Nicholson, all swept aside by their partners’ ego.

But apart from the ill-advised trip to the Littleton Wassail that just made things worse, I’ve been confined the the flat unable to think about cooking the Seville oranges and sighing helplessly at the prospect of sowing the chillies in the propagators – until today – when we ventured up to the allotment and found it frozen solid.  I picked a good week, it seems, to be hors de combat.  The Timperly early rhubarb and the broad beans in their fleece cloches are all growing merrily but everything else (apart from the  snowdrops in the windowboxes) is taking a break. The worms had chewed through another six inches of kitchen waste while we were away, undeterred by the low temperatures.  Perhaps they’ve got a warm nursery somewhere deep at the bottom.

And the good news for meditators?  Well it seems that some research has suggested that when vaccinated with the flu vaccine, skilled meditators produced significantly more antibodies than those who didn’t meditate.  It’s all the rushing around that’s making me ill – I’m not kidding either!